查询词典 The Door

I am such a beefcake that I can't fit through the door.

我太健壮了，后果是我进不了这扇门。

I am such a beefcake i can't fit through the door.

我太健壮了，后果是我进不了这扇门。

As he spoke, he made a beeline for the door.

他一边说着一边径直朝门口走去。

As soon as class ended, I made a beeline for the door.

课一结束，我就直接走到门口。

He made a beeline for the door.

他朝门口径直走去。

As he spoke he made a beeline for the door.

他一边说话一边朝门口走去。

I see you. You are behind the door.

我看见你了，你在门后。

The door bell is ringing. I'll call you back.

门铃在响。我一会儿再打给你。

She was all aflutter, once the door had closed behind us. Distracted. Wringing her hands and striking Sarah Bernhardt poses, half undressed too, and pausing between times to urge me to hurry, to get undressed, to do this and do that.

进屋一关上门她就显得十分惊慌，她乱忙一气，两只手拧来拧去，摆出萨拉·伯恩哈特的姿势。

Is there a besom behind the door?

门后有扫帚吗？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。