查询词典 The Door

Look what I found at the door.

看看我在门口发现了什么。

16 But Peter had to wait outside at the door.

18：16 彼得却站在门外。

Then you shall take an awl, and put it through his ear into the door, and he shall be your slave forever.

你就要拿锥子将他的耳朵在门上刺透，他便永为你的奴仆了。

17 Then take an awl and push it through his ear lobe into the door, and he will become your servant for life.

15：17 你就要拿锥子、将他的耳朵在门上刺透、他便永为你的奴仆了。

3 You shall take an awl and thrust it through his ear into the door, and he shall then be your slave forever.

你就拿锥子在门上把他耳朵刺透，他便永远成了你的奴仆；对你的婢女也该这样做。

When I came back, the door was shut off.

我回去的时候，大门已经关上了。

When I came back, I found the door locked.

我回来时，发现门锁了。

It was very easy to open the door and plunge back in, he says.

他说："我又重新进入那个丁丁的世界。"

When i went back ,the door was closed.

我回去的时候，大门已经关了。

When I come back, the door had been closed.

我回去的时候，大门已经关了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。