查询词典 The Artist

To have all the artist's words together with all those images is like being given a pair of super-special 3D spectacles.

将艺术家梵高的所有书信与画连在一起就像是提供了一双超级3D眼镜。

To have all the artist ' s words together with all those images is like being given a pair of super-special 3D spectacles.

汇集这位艺术家的语言，配上他的图画，犹如一幅别具一格的3D 全景。

Face cartoons are face emotional abstract expressionism, through simple lines and regional express People's personality and emotion, the artist can seize a person's visual characteristics in a very short period of time to by use its own unique style.

人脸卡通画是真实人脸情感的抽象表现，通过简单线条和区域表现人物的个性和情感，艺术家可以在很短的时间内抓住一个人的视觉特征，并以自己独特的风格，用寥寥数笔把人物的形象特征勾勒得淋漓尽致。

It's impossible to be impressed by abstract painting when the artist can not even draw well.

没有素描能力的画家所画的抽象画无法给人深刻印象。

As the artist distances himself from cynical postmodernism, he does not immediately affiliate himself with a totalitarian single truth—this truth remains fluid, and is legitimated simply by its livability, by its degree of amenability to human lives both public and private.

龚剑从玩世的后现代主义撤离后，并未一头扎进霸道的一元真理里。

Among these halls, the "Buddha Hall" demonstrates the artist's attempt most directly. In the Orient, artworks regarding religious themes usually will be presented with perfection and heavenliness, but such characteristics are not seen in Liu Dahong's work at all. Instead, the artist has calculatedly created chaos by placing parallel elements in his painting. Images of the frequently waged crusades in the history of the West, the horrifying witchcraft and the rigid statues of westerners have changed the Tibetan Buddha hall into a theater of the absurd. In the center an innocent girl struggling to get away from the stake is the most dramatic spectacle, and the giant, puppet-like Buddha along the people standing or sitting around constitute the scene of trial. In the backdrop, the landscapes and atrocities of wars often seen in western religious paintings are a keen contradiction to the people piously praying in the front. Their belief looks so hopeless.

佛堂是最具代表性的一件，在东方，宗教或描述宗教的艺术作品多倾向完美性和超世性的描写，但这些描写，在刘大鸿的佛堂中被完全破除，取代的是（刘大鸿此处以「置入」、「并列」为取代手法，达到了文本的交叉混乱，实为妙笔）西方宗教中频繁出现的宗教战争、巫术等负面形象，这些雕塑般的西方人物将西藏佛堂变化成荒诞舞台，画面中央一纯洁少女转身挣脱火刑的动作构成最强烈的力度焦点，众角色环状排列并点出审判的基本架构，且和背后如同宠物般拉扯的大佛形成呼应；佛堂后景重迭起西方宗教画内常见的风景描绘，黄土石间宗教战火连连，前景藏人和民众的诚心歌颂反而显出信仰的愚昧。

However, this lies in the persistence and the choice of the artist. The artist should guard the bottom line for his individual academic basis and his taste for beauty. He should also establish new artistic theories to direct his practice of creation.

但这些都贵在艺术家的坚持与选择，贵在艺术尝试中能正确坚守艺术家自我学术基础的底线和审美观的品位，并能以此为依据而建立新的艺术原理用于指导创作的实践。

The dropping and splashing skill of creating paintings is in art history a big contribution by the american abstract performance artist Baroque, it's exactly not the thinking of the reasonableness but the free droppings and splashings that efficiently translated the artist's own emotions and cocepts on the canvases, and passed to the audience.

滴洒画法是美国抽象表现主义画家波洛克对艺术史的一大贡献，正是通过这些随意的滴洒，而非理性的思考，艺术家才最有效地将自己的情感和观念形式化于布面之上，并最终传达给我们的观众。

We will be showing selections of works from two ongoing series by the artist, 'Taxi Legs' and 'Blow Up,' presented in a series of installations in the gallery space under the title 'Frivolous.' The state of being: 'Frivolous' reflects the artist's subject-matter and it's relation to her life.

在'轻浮'之下，'出租车上的腿'和'放大'两个仍在持续创作中的系列装置作品共同架构起此次展览，同时影射艺术家的创作主题和与其息息相关的日常生活。

Being a contemporary realistic artist, Xu paints in his own way the portraits and the subject matter of the Cultural Revolution with a layer of historical color. He rediscovers history from within the new value system. The thinking and value behind these artworks lead to the artist's special practices.

作为一个当代现实主义画家，徐唯辛以自己的画笔，为文革题材和人物肖像涂上了一层历史的色彩，作者在新的价值体系中去发现历史，作品背后的思考和价值观反映出艺术家自己的方法论。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。