查询词典 The Adventures of Huckleberry Finn

Only when the distance is well controlled can readers immerse in the fictional world and at the same time discriminate the work from reality, examine and comment the characters and the circumstances objectively in a more widely view. Then a sense of aesthetics can be acquired by reading the work. This thesis is going to analyze the aesthetic distance in The Adventures of Huckleberry Finn, which is always regarded as Mark Twain's masterpiece. It embodies great artistic appeal and is one typical example in the masterly control of aesthetic distance. The thesis is divided into three chapters. Chapter One demonstrates various distances presented in this novel.

只有恰当地控制审美距离，读者才能融入作品，同时能够将作品与现实区别开来，以更广阔的视野和冷静客观的态度去审视、评品小说中人物的言行及其所处的环境，从而对其有更全面深刻地认识，感受作品的美学效果本文运用韦恩·布斯的"审美距离"理论分析了马克·吐温的杰作《哈克贝里·费恩历险记》中的审美距离及其带给读者的独特的审美体验。

For example, some critics argue that the novel should be read in the context of American Southern literature: with its rural Southern setting and its focus on the relationship between man and nature, the dynamics of human relationships, and a hero's quest for independence, Their Eyes Were Watching God fits well into the tradition that includes such works as Mark Twain's The Adventures of Huckleberry Finn and William Faulkner's The Sound and the Fury.

例如，一些批评者认为，小说应在美国南方文学：其农村南部设置和其重点放在人与自然关系的，动态的人际关系，和英雄的追求独立，眼睛看上帝适合纳入传统，包括工程，马克吐温是哈克贝利费恩历险记和威廉福克纳的喧哗与骚动。

One of the most distinguished features, which is the spirit of the book, in The Adventures of Huckleberry Finn is the constant use of dialects.

哈克贝里·芬历险记》中大量采用的方言土语是本书最重要的特色之一，这种风格已经成为该书灵魂的一部分。

This thesis makes a comparative study of the three Chinese versions of the world famous masterpiece The Adventures of Huckleberry Finn from the perspective of German functional approaches to translation.

本文对世界文学名著《哈克贝里·芬历险记》的三个译本进行了比较研究，旨在从德国功能主义的角度探索不同译本的特色，从而进一步指出功能主义在文学翻译中的指导作用。

The masterwork of Mark Twain,"The Adventures of Huckleberry Finn", is the milestone in American literature.

马克·吐温(1835-1910)是19世纪末期美国批判现实主义文学的代表作家，杰出的幽默家、讽刺家，H.L。

In "The Adventures of Huckleberry Finn", two runaways named Huck and Jim travel down the Mississippi in search of better lives.

在《哈克历险记》中，哈克和吉姆两位逃跑者，沿着密西西比河漂流，寻找更好的生活。

A work seen as capturing fundamental aspects of the national experience and character—such as Herman Melville's Moby-Dick (1851), Twain's The Adventures of Huckleberry Finn (1885), and F.

被认为反应美国经历和特点的书籍有，赫尔曼的Moby-Dick(1851)，吐温的哈克费恩历险记(1885)，斯科特。

Mark Twain wrote "The Adventures of Huckleberry Finn" in eighteen eighty-four.

一八八四年，马克。吐温出版了他的《哈克贝里。费恩历险记》。

Ultimately , The Adventures of Huckleberry Finn has proved significant not only as a novel that explores the racial and moral world of its time but also, through the controversies that continue to surround it, as an artifact of those same moral and racial tensions as they have evolved to the present day.

最终，哈克贝利费恩历险记大量事实证明不仅是小说探讨了种族和道德世界的时间，而且还通过争议继续环绕它，作为一个伪这些相同的道德和种族紧张关系，因为它们演变到今天。

Of all the works by Mark Twain, The Adventures of Huckleberry Finn, honored as the origin of all modern American literature, is no doubt the most noticeable.

马克·吐温一生创作了大量的作品，其中，《哈克贝利·费恩历险记》是他杰出的代表作之一。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。