查询词典 Tang-yuan

The second chapter starting from the data, to the fact speaks, from life experiences, poem creation, and female consciousness the three respects, select Tang Dynasty Li Ye, Xue Tao and Yu Xuanji as the most representative of the topics, summarizes Tang Dynasty three poetesses research conditions and results.

第二章从研究资料出发，以事实说话，从生平身世、诗歌创作、女性意识等三个方面，选取李冶、薛涛、鱼玄机研究中最具代表性的话题，归纳总结了唐三女诗人的研究状况与成果。

Jade Dragonfly" Jingui up with the young nuns in Shan Tong Chi Ching of France and China to get to know the Anli; the "three laugh," Tang Bohu in a case of Qiu-xiang, the so-called "three-benefit of laughter," took place in Tiger Hill, and go down the mountain Qiu-xiang Zhou, Tang Yin-employed to track the boat Wuxi sold themselves to slavery, and that "the recovery boat, a book back to the location, Shan Tong will be in the river.

玉蜻蜓》中金贵升与青年女尼志贞就是在山塘的法华庵里结识的；《三笑》中唐伯虎得遇秋香，所谓&三笑留情&发生在虎丘，而秋香下山归舟，唐寅雇小船追踪至无锡卖身为奴，那&追舟&一回书的地点，也就在山塘河里。

After being devastated during civil unrest at the end of the Tang, it was rebuilt anew in 920 to serve as the capital of a local dynasty, the Southern Tang.

被摧毁后，内乱期间结束时，唐，这是重建中的920重新担任首都的地方王朝，南唐。

Imagine very hard, this one target arises 2005 when career of profession of fine horse of the Tang Dynasty of the end of the year is the hardest, this makes Tang Jun new examine this fixed position: Who am I?

很难想象，这一目标产生于2005年年底唐骏职业生涯最艰难的时候，这让唐骏重新审阅自己的定位：我是谁？

Small 寨 in Xian 汉 Tang's customer relation management analysis of the book city The Take off the to want: The the The the WTO the the goes into the the a the life the the time to the the release the the the the book to the the retail the the market, the the the the foreign the the book tycoon the the joins the in the the succession and state- owned the the new the 锐 the the idea innovation the the of the the the the bookstore of 华, the the gradual the maturity the and native the numerous run the by private the capital bookstores the of quantity the in Xian the of the electronic commerce, be the 汉 of the run by private capital Tang the book city faces the various pressure.

西安小寨汉唐书城的顾客关系管理分析摘要：WTO入世放开了图书零售市场，国外图书巨头的纷纷加入和国有新华书店的锐意革新，电子商务的日渐成熟以及西安本地数量众多的民营书店，作为民营的汉唐书城面临着多方面的压力。

This dissertation is from multi-layer respects such as literature , historiography , philosophy and art studying , folklore , anthropology ,etc., the research approach to draw support from many kinds of relevant disciplines , not merely get deeply to the music characteristic of string instrument development in Tang Dynasty, and mostly carry on profound exposition of the close relation between the literature and music of Tang Dynasty .

本文从文学、史学、哲学和艺术学、民俗学、人类学等多层方面，借助多种相关学科的研究方法，不仅深入到唐代拨弦乐器发展的音乐特点，而且更多的是将唐代文学与音乐之间的密切关系进行深入的阐述、研究。

The third part"Treatment acts rely on Medical skills and drugs", through the research on the status of the professional doctors comes to the conclusion that those who see professional doctors mainly confined to the upper society in the Tang Dynasty, but common people can also have the Therapy such as"self-treatment"or"experienced treatment"rely on Prescription and drugs because of the promotion of government and some scholar-officials of Tang Dynasty.

虽然唐代官方的医疗机构根本无法满足民众的医疗需求，但是唐政府对民众医疗救助服务的关注以及对于相关事务的管理，都是前所未有的。第三部分&依靠医术、药物的求医行为&，主要通过对唐代民间专业医生状况的论述，得出了求治于专业医生的治疗主要限于唐代上流社会。

Chen Tianqiao thought of only, he should let Tang Jun be held in the palm royal, cannot think of, royal more held Tang Jun in the palm.

2004年，陈天桥只想到了，他要让唐骏托一下盛大，没想到，盛大更托了一下唐骏。

These research results Deepen people's understanding of the works of Tang Xianzu,Nevertheless,The most of the research are pase the Focus on the literature and the opera of the hia works.the research which in-depth study the works of Tang Xianzu From the level of thinking was very few.

首先，本文根据&意识取决于一定物质条件&的哲学原理，详细闸述了汤显祖所处的时代环境和个人成长经历对其思想形成的影响，其次，在总结了前人研究的基础上，分析了汤显祖&至情&思想产生的思想根源，再次，本文深入的研究了汤显祖作品中所渗透的&情&的思想及其从&一点情痴&到&生死为情&的升华，并重点阐述了汤显祖关于&情&与&理&的关系的观点，得出如下结论：汤显祖虽然&主情&，但并不是单纯的要以&情&代&理&，而是驳斥虚理、张扬实情，基于真情、维护合理，统一理欲于真情。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。