查询词典 Tang Dynasty

Invite public bidding of equipment of first time TD-SCDMA is medium 2007, formed 4 large a group of people of same interest, include: Big the Tang Dynasty department (big Tang Yi is moved, Beieraerkate, Guangzhou mails balefire, Shanghai newly a), resurgence is (resurgence communication, love establishs letter), vessel bridge is fastened (China for, Nuojiyaximen subsidiary), general day is fastened .

2007年第一次TD-SCDMA设备招标中，形成了四大阵营，包括：大唐系(大唐移动、烽火、上海贝尔阿尔卡特、广州新邮通)，中兴系，鼎桥系(华为、诺基亚西门子公司)，普天系。

According to the ancient booklore, the territorial expansion after the reign of Emperor Wudi of the Han Dynasty, had begun to exchange with neighboring countries. Therefore, the Chinese incense culture has opened its pluralism future. Buddhism's usher during the Tang Dynasty and the use of incense among scholars in Song Dynasty both have changed the incense primitive appearance.

透过连串的古籍举证得知，汉武以后的领土扩张，开始了与邻近诸国的交流，开启了中华香文化的多元未来；唐代佛教的传入、宋代文人雅士的用香习惯，也改变了香的原始面貌，香与美已融合为一。

The Book of Liang Dynasty was written by Silian Yao, a historiographer of the early Tang dynasty. It is a comprehensive and original document on the history of the Liang Dynasty. But the previous work on the book is far away from enough, thus it is necessary to do more research in this subject.

梁书》成于初唐史官姚思廉之手，是现存有关梁史较为原始和全面的记录，但前人对《梁书》的研究还比较薄弱，因而对这部史书作进一步的研究就显得十分必要。

In the first chapter, the author studied the traditional decorative patterns of plants and analyzed unique aesthetic tendency of the Indian nation in the field of decoration as well as its different embodiment in Buddhism and Hinduism through the typical relics of decorative patterns of plants in Buddhism left in all different parts of Gandhara, Mathura, Amaravati of different period in ancient India, such as the Phoenician Dynasty, Kushan Dynasty, Sunda kingdom Galerkin, Gupta period and so on, which is the exotic origin of decorative patterns of plants in Buddhism in Tang Dynasty.

本文第一章借助遗留在犍陀罗、马土腊、阿马拉瓦蒂各个不同地区的孔雀王朝、贵霜王朝、巽伽王朝、笈多王朝等各个时期佛教植物装饰纹样的典型遗物，探讨了古代印度传统的佛教植物装饰纹样，并分析了印度民族在装饰领域的独特审美倾向及其在佛教和印度教中的不同体现。

The confucianism of Wang Anshi is different from the confucianism of Han-Tang Dynasty and Song dynasty of his time; at the same time, his works of Ci poetry also made him a very big writer of Ci poetry in Sond dynasty.

王安石具有既不同于汉唐诸儒又不同于程朱宋儒的经学观，是宋代不可忽视的一位经学大家；同时，王安石以一首《桂枝香》横亘宋代词坛，单片成名，成为宋代词史上的重要词人。

Maybe scrupulous person will find out that 3 days, we interconvert between 3 different dynasties.--- Qin dynasty, Tang dynasty and Qing dynasty.

也许细心的人会发现这3天，我们就处于3个不同朝代的互换之中。

In the dissertation, the researcher started from quantitative and qualitative methods, as well as counted the number of tunes, sorted by the rules of chis of and 838 tunes of chis. It was concluded that the authors of chis in Tang Dynasty, Five-Dynasty and Ten-Kindom period and Song Dynasty often used traditional culture and folk tales as metaphor and construct the principles of chis.

本文以定性、定量的方法论出发，视词为「倚声制词之曲子词」，并统计词调的数量，以〔清〕万树《词律》及补遗共八百三十九词牌为序，得知唐、五代、宋之词家多是以传统文化、典故为喻体，互相因袭、模拟、激荡、生发并建构出其词艺系统。

This paper mainly consists of five parts. The Introduction mainly defines the scope and relative concepts, and covers the present situation of research about it. The first chapter traces the Seeing-off-poetry's cultural origin, classifies its emotion contents and artistic achievements, and differentiates the flows from the base of comprehensive reorganization of the Seeing-off-poetry from pre-Qin to latter-Han Dynasty. The second chapter studies its variations about styles, artistic expressions, and gentries' spirit features. And in this part we also discuss the reasons of Four-word-see-off-poetry's booming and its peculiarities in Jin Dynasty. The third chapter demonstrates the influence on Seeing-off-poetry in the Early and Glorious Ages of Tang Dynasty such as the construction ways, poetry images and emotion styles. The Appendix enumerates all the 465 Seeing-off poems' tittles, authors, their birth and dead time, writing time and sources of quotation one by one, so that all of them can be checked to prepare the investigation.

论文主要有五个部分：&绪论&重在界定魏晋南北朝送别诗的研究范围和相关概念，并对其研究现状作一全面回顾；第一章&送别诗溯源&，在全面整理先秦两汉送别诗的基础上，对《诗经》以来送别诗的文化渊源、情感內容和艺术成就分类概说，辨明其源流；第二章&魏晋南北朝送别诗研究&，从诗体、艺术表达、士人精神风貌三个角度研究这一时期送别诗的演变，并探讨两晋时期四言送别诗的繁盛原因及其特点；第三章&对唐代送别诗影响&，从建构方式、诗歌意象、情感风格三个方面论证魏晋南北朝送别诗对初盛唐送别诗的影响；&附录&部分列出魏晋南北朝送别诗系年一览表，分朝代逐条列举魏晋南北朝465首送别诗的诗题、作者、生卒年、创作时间及其出处，以备查考。

The main matter is divided into nine chapters: the background of Siling poetry school, textual research on their lives, their relationship with Ye Shi, contemporary poets, textual research on their poetry anthologies, their poetry theories, their poetry works, review on style of late Tang Dynasty in early times of the Song Dynasty and its spread after Southern Song Dynasty.

全文本着从作品出发的原则，尽可能地从四灵所处时代环境出发，再现其生平经历，注重四灵与同时代诗人交往，考察四灵诗集版本流传情况，对于其理论及创作进行精细化研究，并将在四灵前后诗歌史上不同时期出现的&晚唐体&加以分析比较，凸显出四灵诗派的文学史意义。

Six-character pomes that derived form Saoya formed in the Weijin Dynasty, became mature in the Tang Dynasty and peaked in the Song Dynasty. It has great influence on the other forms of songs.

六言诗起源于骚雅，在汉魏六朝成型，在唐代成熟，在宋代发展到高峰，并对其他诗歌样式产生了很大的影响。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。