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Summer Palace相关的网络例句

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与 Summer Palace 相关的网络例句 [注:此内容来源于网络,仅供参考]

I went to the Summer Palace, climbed the Great Wall and went to many places of interest.

我去爬长城和去了很多有趣的地方。

Yuanmingyuan, or the Old Summer Palace, will jointly launch a protective program with the Chinese Academy of Cultural Heritage on part of its stone cultural relics by smearing some paint to prevent them from efflorescing, the Yuanmingyuan Management Office said Friday.

圆明园管理处12日表示,圆明园将联合中国文化遗产研究院,对园内石质文物进行保护性试验,通过涂上具有防护层作用的涂料,避免石刻文物风化,延长文物生命。

Recounted in Chinese textbooks and in countless television dramas, the destruction of the Old Summer Palace, or Yuanmingyuan as it is called in Chinese, remains a crucial event epitomizing China's fall from greatness.

在中国的教科书和数不清的电视剧里面如此叙述的,这个古老夏宫,也就是圆明园的毁坏被概括成为中国从伟大到衰落的关键性事件。

They can understand when English and French soldiers ask for the Summer Palace, the Yongho Lamasery or the " Eight Alleys" red-light district, and they will not teach their foreign lingoes to others.

英国兵,法国兵,所说的万寿山,雍和宫,&八大胡同&,他们都晓得。他们自己有一套外国话,不传授给别人。

The united army carried out violent reprisals in Beijing, widely looting the city, massacring residents, and burning royal palaces; corpses piled up in the city, and the Imperial Summer Palace was particularly heavily looted and despoiled.

这支军队对北京城进行了疯狂的烧杀抢掠,并焚毁了举世闻名的皇家园林圆明园。北京城里的尸体不断增加,皇宫也遭到了彻底的洗劫。

"An outing like this is certainly more exciting than picnicking in the Summer Palace," one student said.

&这样的郊游的确比去颐和园野餐有意思,&一位同学说。

Bull; The Summer Palace is the largest and best-preserved imperial garden in China.

颐和园是目前中国最大的、保存最完整的皇家园林。

A5.Another famous site is the Summer Palace, which is the largest and best-preserved imperial garden in China.

另外一处非常著名的景点是颐和园,它是中国最大、保存最完整的皇家园林。

The first is to the West Willow community Sihuan Xishan board along the fast, is very strong academic atmosphere of the region, both the transmission to the Summer Palace, Yuanmingyuan represented rhyme at the end of the millennium culture, but also compatible with the Beijing University, Qinghua humanistic spirit of the times ; Yizhuang The second is that the new industrial base, forming a kind of leisure real estate development mode, both the industrial layout, economic development, living environment, space, etc. all have the typical atmosphere of the post-industrial era residential cultural identity, a unique regional cultural competitiveness, also contributed to the Yizhuang real estate in recent years has remained very active, the vitality of this culture will continue; third CBD based commercial real estate for the center, forming a very modern color international business culture; article Four Olympic plate, surrounding the new concept of real estate are the Olympic Games, closely focusing on sports, culture and contemporary spirit of sport psychology to build a living space.

首先是西方柳树社会西山局四环沿线的速度快,是非常强大的学术氛围的区域,无论是传输到颐和园,圆明园代表韵结束时的千年文化,而且也符合北京工业大学,清华大学人文精神的时代;亦庄第二个问题是,新的工业基地,形成了一种休闲房地产的发展模式,无论是产业布局,经济发展,生活环境,空间等都有典型的气氛后工业时代住宅文化认同,一个独特的区域文化竞争力,也有助于亦庄房地产在最近几年一直是非常积极的,富有活力的这种文化将继续;第三次生物多样性公约的商业房地产为中心,形成了非常现代色彩的国际商业文化;第四条奥林匹克板,周围的新概念房地产是奥运会,紧紧围绕体育,文化和当代精神的运动心理学建立一个生活空间。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识,但关键就是分寸感的把握,不然,或者伦为真的大众趣味,或者切入过多的经英语词汇,而使语言虚弱,就我而言,我不敢重操油画,或是改造扩充,就是由于它本身太文化了,一出手就高雅了,怕弄个不伦不类而失掉语言直接性的强度,文化结构的改变,艺术的俗语是一种趋势,从艺术语言上,我是用传统刺绣方式和手法的,早在圆明园画家村时,我几乎没有画出什么东西,油画肯定觉得使用起来有问题,在当时偶然在颐和园门前,看到很多刺绣的艺术品,一下子感到找到了方法,因为刺绣这种手段属于工业文明之前的东西,它有种土色和平民的感觉,这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求,那种不伦不类的现代性,正好我的家乡唐山有一个很有名的刺绣厂,找师傅做作品可能更方便,有了这个想法之后,也得到朋友的鼓励,刺绣这一传统民间资源的再利用,在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然,它不单单是语言风格样式上的意义,它体现的是深层的社会文化结构改变的宣示。

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