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Stravinsky相关的网络例句

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Paris was the uncontested cultural capital of the world-the home not just of French intellectuals and artists such as Sartre and Matisse but of a foreign galaxy, too, from America's Man Ray to Romania's Brancusi and Russia's Stravinsky.

毋庸置疑,巴黎是世界文化之都。她不仅是像萨特、马蒂斯这样的法国知识分子和艺术家们的故乡,同时也是外国精英们的故乡,从美国的曼雷到罗马尼亚的布兰库什,还有俄国的斯特拉文斯基等,都汇聚巴黎。

Picasso did not only paint, he also transposed the concepts of Cubism to metal sculptures, and did set design for one of Igor Stravinsky' s premiere performances, and sets and costumes for one of Eric Satie' s. He also did sets for Jean Cocteau' s play Antigone. He even wrote plays himself.

毕加索不仅作画,他还把立体主义的概念转移到金属雕塑中,并且为伊戈尔·斯特拉文斯基一部作品的初次公演做舞台设计,为埃里克·萨蒂的一部作品设计了布景和服装,还为简·科克托的戏剧《安提戈涅》做布景,他甚至自己写剧本。

Matisse designs the sets and costumes for Diaghilev's ballet, Le Chant du rossignol , with music by Stravinsky.

马蒂斯设计的集合和佳吉列夫的芭蕾舞衣,杜乐咏罗西尼奥尔与斯特拉文斯基的音乐。

In 1910, shortly after completing the first of his ballet scores for Diaghilev - The Firebird - Stravinsky had a vision; I saw in my imagination a solemn pagan rite: wise elders, seated in a circle, watching a young girl dance herself to death.

1910年,当史达拉汶斯基刚为狄亚格列夫完成了芭蕾舞剧《火鸟》的音乐后不久,他幻想出一个景象:「我想像到一个肃穆的异教祭典:一群长老围成一圈坐著,看著一个少女跳舞至死。

Igor Stravinsky and Serge Diaghilev fled the riot that greeted The Rite of Spring and Vaslav Nijinsky''s choreography.

史特拉汶斯基和狄亚基列夫因为他们的作品&春之祭&加以尼金斯基的舞蹈,引致了一场暴动而逃离。

Stravinsky''s L''Histoire du Soldat is thought of as a seminal "neo-classical piece", as are his Dumbarton Oaks Concerto and his "Symphonies of Wind Instruments", as well as his Symphony in C.

史特拉汶斯基的大兵的故事(L''Histoire du Soldat)、顿巴敦橡园协奏曲、管乐交响曲、C大调交响曲都是例子。

Stravinsky once asked for his opinion on The Rite of Spring, and Scriabin answered frankly that he didnt know this work, which had already been a household name due to its disastrous premiere.

斯特拉文斯基有一次问他对于&春之祭&的看法,他坦陈自己完全不知道这部在当时由于首演事件而路人皆知的作品。

As Stravinsky puts it: For, Frankly, is it possible to connect a musician like Scriabin with any tradition whatsoever?

俄罗斯作曲家斯克利亚宾(1872-1915),是一个非常不一般的作曲家和人,斯特拉文斯基曾说老实说,怎么可能把像斯克利亚宾这样的音乐家和任何传统联系起来?

The use of traditional folk material was an integral part of the upsurge in nationalism in the 19th century, found in Glinka, Tchaikovsky, as well as in early Stravinsky.

到了19世纪时随著民族主义的高涨,许多作曲家渐渐将丰富的民族元素转变为古典音乐的创作来源,像是格林卡,柴可夫斯基,以及斯特拉文斯基在他们早期作品中,不难发其影响。

Few attain the stature of a Beethoven or a Stravinsky in composition, but how many attain the stature of a Heifetz or a Rubinstein in performance?

虽然很少人在作曲上能够达到贝多芬或斯特拉文斯基的成就,但又有多少人在表演上能够达到海菲兹或鲁兵斯坦的成就?

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