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Stravinsky相关的网络例句

查询词典 Stravinsky

与 Stravinsky 相关的网络例句 [注:此内容来源于网络,仅供参考]

Stravinsky wrote some of his best-known music for ballets: The Firebird, Petrushka, and The Rite of Spring.

斯特拉文斯基写过一些很著名的芭蕾舞曲,如《火鸟》、《彼得鲁什卡》和《春之祭》。

He likens the group OutKast to Stravinsky. He admits that some hip-hop lyrics display an ungentlemanly attitude towards women, but he doubts that listening to violent lyrics causes people to behave more violently.

他将流浪者合唱团比作斯特拉文斯基③,且承认一些说唱歌词对女性不恭,但那种认为"暴力美学的歌词必将容易导致听众产生暴力行为"的观点则让他难以苟同。

He was much influenced by such European composers as Ravel and Stravinsky, but since writing 'Achime' the text of which was taken from the ancient Japanese 'Kagura' or the sacred Shinto music and dance, his interest turned towards finding his own style within the larger framework of the heritage of Asian culture.

他深受拉威尔和斯特拉文斯基这类欧洲作曲家的影响,但自从创作了&Achime&,一部取材于传统日本的&神乐&即专供神道的音乐和舞蹈的作品,他的兴趣转为在传统亚洲文化这个更为广阔的框架内寻找自己的风格。

No one had botITed to dissect the brain of Freud, Stravinsky or Joyce, but in the 1980s, bits of Einsteinian gray matter were making the rounds of certain neurobiologists, who thus absorbed … absolutely nothing.

没人费心去解剖弗洛伊德、斯特拉文斯基或乔伊斯的大脑,但在80年代,一部份神经生物学家为搞清爱因斯坦的一部份灰质大费周折,但最后一无所获。

No one had bothered to dissect the brain of Freud, Stravinsky or Joyce, but in the 1980s, bits of Einsteinian gray matter were making the rounds of certain neurobiologists, who thus learned … absolutely nothing.

没人费心去解剖弗洛伊德、斯特拉文斯基或乔伊斯的大脑,但在80年代,一些神经生物学家为搞清爱因斯坦的一些灰质大费周折,但最后一无所获。

Even in classical music, there was a sense of orgasmic release, as is recognised by Melinda Gebbie and Alan Moore in their striking comic book Lost Girls, which portrays a riotous erotic encounter at the first night of Stravinsky's The Rite of Spring.

甚至在古典音乐中,也有充分愉悦感官的表达,梅琳达·格比和阿兰·莫尔令人惊奇的喜剧书《迷失的女孩》就有这样的认识,而斯特拉文斯基的《春之祭》描绘了第一晚相遇放纵的情欲。

Through the research, the thesis has illustrated that there is a lasting developmental progression in Stravinsky's neoclassic period, and the progression has the tendency of singularization, organization and centralization.

透过三大分析角度,本论文例证了新古典主义时期存有历时性的线性发展历程,并且此一线性发展历程中以&单一化&、&有机化&、&集中化&为其发展上的主要趋向。

Recent and future opera engagements include productions of Stravinsky's Le Rossignol, Zemlinsky's Eine florentinische Trag?0?2die, Mozart's Idomeneo, Britten's The Little Sweep, Richard Strauss's Rosenkavelier and Berg's Lulu

近期的歌剧演出包括:斯特拉文斯基的《夜莺》、策姆林斯基的《佛洛伦萨悲剧》、莫扎特的《伊多梅纽斯》、布里顿的《扫烟囱的孩子》、理夏·施特劳斯的《玫瑰骑士》和贝尔格的《路路》。

The idea is also influential to other arts; it appears in the classical music as well. Stravinsky used the Russian folk tunes and rhythms in his compositions. Furthermore, Bartok notates and collects the Hungarian folk songs as part of his duties. By doing so, it opens another new world in the study of music-Ethnomusicology becomes possible.

这股潮流亦影响著其他艺术形式的发展,原始主义的成染力也出现在古典音乐中;史特拉汶斯基將俄国民谣与节奏运用於作品中,巴尔托克更將匈牙利民谣的採谱蒐集视为使命,甚而影响了音乐的学习態度与思维,间接成就了民族音乐学的產生。

Stravinsky is the smooth-floored crater partially seen on the right side of the image that overlies the rim of the larger, rougher crater Vyasa in the center and left.

斯特拉文斯基为右边半部分平坦陨石坑,覆盖在更大而崎岖的Vyasa陨石坑边缘。

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