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Strauss相关的网络例句

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与 Strauss 相关的网络例句 [注:此内容来源于网络,仅供参考]

But that the philharmonic orchestra performs everywhere , performing at every time declares all obscurely on the playbill "with being commanded " by Mr. Strauss Strauss, is which one Strauss to appear on the scene , three brothers also to only have that moment mounting a platform in at last knowing just now by after all. On a costume ball in February , 1863, the sponsor announces to audience: The dance party will by Mr. Strauss conductor , because of, three Strausses have all come time the midnight.

施特劳斯乐团到处演奏,每次的演出海报上都含糊其词地宣称"将由施特劳斯先生指挥",而到底是由哪一位施特劳斯出场,三兄弟也只有在最后登台的那一刻才知道。1863年2月的一次化装舞会上,主办人向观众宣布:舞会将由施特劳斯先生们指挥,因为,午夜时三位施特劳斯都来了。

Besides, still have John · Strauss's "legal action process fleetness Bohr gets stuck " and "noble Hungarian , fleetness Bohr get stuck "; Edward · Strauss "express train mail car fleetness Bohr gets stuck " draws giving Prag regards , France Bohr gets stuck "; Joseph · Shite is angry with this ", the artist's giving regards , France sound waltz of Bohr card " and "the Virgin Mary.

此外, 还有约翰·施特劳斯的《爱之歌圆舞曲》、《美酒、女人和歌圆舞曲》、《波斯进行曲》、《诉讼过程快速波尔卡》和《高贵的匈牙利人、快速波尔卡》;爱德华·施特劳斯《特快邮车快速波尔卡》和《向布拉格致意,法兰西波尔卡》;约瑟夫·施特恼斯的《蜻蜓玛祖卡波尔卡》、《艺术家的致意,法兰西波尔卡》和《圣母之声圆舞曲》。

Austria has been the birthplace of many famous composers such as Joseph Haydn, Michael Haydn, Franz Schubert, Anton Bruckner, Johann Strauss, Sr. and Johann Strauss, Jr.

奥地利是很多著名作曲家的诞生地,比如约瑟夫海顿,米歇尔海顿,弗朗茨舒伯特,安东布鲁克纳,老约翰斯特劳斯以及小约翰斯特劳斯等等。

The ambience of the city is ornate and frothy: white horses dancing to elegant music; snow dusting the opulent draperies of Empress Maria Theresa's monument; lavish decorations filling the interior courtyards of outwardly severe town houses; a gilded Johann Strauss among a grove of green trees; the voluptuous music of Richard Strauss; the geometric impasto of Klimt's paintings; the stately pavane of a mechanical clock.

维也纳的气氛是华丽和肤浅的:白马随着优雅的音乐翩翩起舞;雪花飘落在玛利亚。特里萨女皇纪念碑上华丽的装饰物上;外表朴素的住宅内,庭院却装饰奢华;在绿树从中有约翰。施特劳斯的镀金雕像;还有理查德。施特劳斯的悦耳音乐,克里木特的油画几何厚涂法和机械大钟奏响的庄严的孔雀舞曲。

The program will feature 21 compositions in total by the composers Johann Strauss, Jr., Johann Strauss Sen., Joseph Strauss, Joseph Hellmesberger Jr. and Joseph Lanner.

节目单上将有约翰·斯特劳斯、小约翰·斯特劳斯、约瑟夫·斯特劳斯、小约瑟夫·赫尔梅斯伯格以及约瑟夫·兰纳的共21首作品。

The second chapter focuses on the course of events that Strauss starting from Cohen"s interpretation of Spinoza, gradually moving close to Maimonides, and being ready for the religious critique of Spinoza, tries to show Strauss"s progressive understanding of Maimonides in many aspects.

第二部分集中于梳理施特劳斯从柯亨的斯宾诺莎解读开始,慢慢接近迈蒙尼德,并为对斯宾诺莎的宗教批判做好准备的过程,试图展现出施特劳斯对迈蒙尼德的认识的不断加深的发展历程。

With this understanding of Strauss's rhetoric in mind, I will show, in the rest of this section, how three of Strauss's criticisms of Weber that seem to be refutations of Weber serve the unpolemical purpose of clarifying Weber's thesis.

带着对施特劳斯修辞术的这种理解,我在这一部分的余下篇幅将表明,施特劳斯对韦伯的三个批评如何看似是对韦伯的拒斥而实际上意在澄清韦伯的论题。

Originally, Strauss neither has very high expectation to him , model can as long as he appears on the stage of go and swaying , the band does not command to be able to perform the bend eye knowing well that as usual because of the technology is adept.On July 23 , 1853, build is long and thin , is growing jeep match long hair, have work black swallow-tailed coat white trousers , a pair of brown eye on with bright piercing eyes Joseph · Strauss dresses up and goes on the stage formally.

本来,施特劳斯对他也没有太高的期望,只要他上台去摆摆造型就可以了,因为技术娴熟的乐队没有指挥照样可以演奏熟悉的曲目。1853年7月23日,个子细长,留着吉普赛长发,穿著黑色燕尾服白色长裤,一双褐色眼睛炯炯有神的约瑟夫·施特劳斯正式粉墨登场。

This thesis focused on tone poem "Also Sprach Zarathustra"(op.30) written by Germans composer Richard Strauss in later romantic period. Based on analyzing each basic structural elements within this work, the author summarized phenomenon of structure, discussed structural phenomenon and then achieved a grasp of structural thinking of entire works. By observing historical and cultural background of the era when Richard Strauss was in, Author explored the root of formation of musical structure of this thesis.

本文以浪漫晚期德国作曲家理查·施特劳斯的音诗《查拉图斯特拉如是说》op.30为研究对象,以对作品中各基本结构元素的分析为基础,总结其中的结构现象并探究其结构思维,从而实现对整首作品结构思维的把握,并通过对理查·施特劳斯所处时代历史文化背景的考察,探寻这首作品音乐结构的形成原因。

Think that the agency-- has gossip to say at the meeting Strauss has plagiarized Joseph's manuscript left unpublished by the author at his death in light opera "bat", Edward has agreed with lavishly unexpectedly. Be 50 anniversaries celebrating John · Strauss learning performance in 1894 , somebody is experienced "the first waltz of him" according to his growing up having compiled a one-act play, front day performing Edward places obstacles in the way in the evening, coming jumping out of , does not ought to appear in saying drama his parents, compel getting a sponsor for stopping inviting trouble, before one final minute his parents's drama middle first name has been changed completely. In the testament that John · Strauss stands on in 1895, any does not present a gift to Edward, after Strauss passes away in 1899, Edward neither has the funeral ceremony joining him, at that time, he Germany performs in course of.

当社--会上有流言说,施特劳斯在轻歌剧《蝙蝠》中剽窃了约瑟夫的遗稿,爱德华居然大加赞同。1894年为庆祝约翰·施特劳斯从艺50周年,有人根据他的成长经历编了一个独幕剧《他的第一首圆舞曲》,演出的前一天晚上,爱德华又跳出来作梗,说剧中不应该出现他的父母,逼得主办人为了少惹麻烦,在最后一分钟把剧中他父母的名字全改了。1895年约翰·施特劳斯立的遗嘱中,没有给爱德华任何馈赠,1899年施特劳斯去世后,爱德华也没有参加他的葬礼,那时,他正在德国演出。

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