查询词典 Space Museum

Eventually, taking Chinese modern museum interior design as the main research object, the article is based on the architectonics, the theory of the space environment art, the theory of light environment, color theories and the theory of ecological architecture, carries on researches to the space design, the light environment design and the color environment design of the Chinese modern museum interior design.

本论文首先简单回顾了中国博物馆的发展演义，以及世界博物馆室内环境设计的发展历程，重点分析了中国博物馆室内环境设计的产生与发展，进而以中国现代博物馆室内环境设计为其中的主要研究对象，从建筑学、博物馆学、空间环境艺术理论、光环境理论、色彩理论、生态建筑理论等方面对中国现代博物馆室内环境设计的空间设计、光环境设计与色彩环境设计等方面进行研究。

The framework of the study covering the exhibition space design of modern museum of science and technology is as following:Focus on five developing stages of the exhibition space design of modern museum of science and technology.

现代科技馆展示空间设计研究分析框架如下：从现代科技馆展示空间的发展历程进手，得出展示空间由早期产生发展到当代的新发展历经五个阶段。

They wen t to the space museum last year.

他们去年去了太空博物馆。

E.g. They went to the space museum last year.

他们去年去过太空博物馆。

How are you going to the Space Museum?

你们打算如何去航天博物馆？

Sweeting, a former curator at the National Air and Space Museum, writes in Combat Flying Clothing that artwork and slogans on the jackets seemed innocent enough until November 26, 1943, when the crew of a B-17 heading for Bremen was shot down near Eggese, Germany.

"制图情人，前任馆长，在国家航空和航天博物馆中写道，战斗飞行衣，艺术品和口号外衣"看似天真，直到1943年11月26日，当船员一乙- 17往不来梅附近被击落eggese ，德国。

In 2000 Gate of the Century: 1979——1999 the Exhibition of Chinese Art, Chengdu Modern Art Museum, Chengdu, China; Man+SPACE, Kwangju Biennial 2000, Kwangju, Korea; Messagers of the Hearth, Center of Contemporary Art of the LycEe Xavier Bernard in RouillE; Transcending Boundaries, Montclair State University, USA; Portrait de Chine Contemporaine, Espace Culturel Francois Mitterand, Perigueux; Les Passe —— Murailles, Contemporary Art of China, Picardie Museum Amiens, France; The First Collection Exhibition of China Contemporary Art, Shanghai Art Museum, China; China, Art in the Twentieth Century, Touring Show in Beijing and Shanghai, China; Asia Contemporary Art Exhibition, Japan.

参加在法国班里哥弗郎索瓦·密特郎国际文化中心举办的&当代中国肖像&；参加在法国阿密庇加底国家美术馆举办的&中国当代艺术邀请展&；参加在中国上海上海美术馆举办的&首届中国当代艺术收藏展&；参加在中国美术馆，上海美术馆举办的&20世纪中国油画展&参加在日本宇都宫美术馆，新汤县民会馆举办的&亚洲当代艺术邀请展&。2001年作品分别在上海美术馆，四川省美术馆，广东美术馆展出；参加在法国巴黎法兰西画廊举办的&是我，是我们&展；参加在中国上海艺博画廊举办的&学院与非学院&展；参加在中国上海艺博画廊举办的&最初的形象——当代纸上作品展&

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

Rather than rely upon computer-generated images, director Mira Nair insisted on real aircraft, so the flight scenes in Amelia feature faithful recreations of the planes she flew, including the bright red Lockheed Vega with which she crossed the Atlantic (and which is on display at the Smithsonian's Air and Space Museum) and the twin-engine Electra from that final, fateful journey.

导演米拉内尔坚持真实飞机飞行场景，而不是依靠电脑图像，所以阿梅莉亚剧中的飞行场景，忠实地重制她飞过的飞机，包括她横跨大西洋所驾的鲜红色洛克希德织女星型飞机(陈列在史密森尼航太博物馆)，还有最后致命旅程的双引擎伊莱翠机。

An observatory opened recently at the Smithsonian Institution's National Air and Space Museum.

日前开幕的一个天文台在史密森学会国家航空航天博物馆。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。