查询词典 Shakespeare

You don't just read Shakespeare; you watch actors performing, listen to songs, view Elizabethan buildings.

你不仅可以读莎士比亚的作品，也可以看演员表演，听歌，欣赏伊丽莎白时代的建筑。

As writers of tragedy, most of the other Elizabethan dramatists are far beneath Shakespeare.

作为悲剧作家，伊丽莎白女王时代的大多数剧作家都远远不及莎士比亚。

Her pies were simply divine; the divine Shakespeare; an elysian meal; an inspired performance.

她做的馅饼简直绝妙；神圣的莎士比亚；绝妙的盛筵；神妙的表演。

In his historical plays, Shakespeare has created many vivid characters through the methods of embossment, consistence, typification or individuation, and foil.

莎士比亚在历史剧中运用"浮雕式"、连贯性、类型与个性以及情境中的动态映衬等多种方法，塑造了众多鲜活生动的人物形象，构建了一座历史剧的艺术大厦。

We have all grown up nourished by Shakespeare and Beethoven and other forms of culture emerging from the West.

在我们的成长过程中，莎士比亚和贝多芬以及其他形式的来自西方的文化培养了我们的思想。

Chapter Ⅲ discusses the extraordinary imagination Empson showed in interpreting the verses of Shakespeare play.

第三章讨论了燕卜荪在莎士比亚诗句解读上显示的与众不同的想象力。

Empson provided firstly a paradigm of the new way to read Shakespeare play in his Seven Types of Ambiguity.

燕卜荪1930年出版的《含混七型》，率先为用这种新方法解读莎剧提供了范例。

Chapter Ⅱ focuses on Empson's new discovering of Shakespeare play by analyzing multi-meanings of the words in the stanza.

第二章讨论了燕卜荪通过分析莎剧诗行中词语的多重意义对莎剧诗境的开拓。

And verbal analysis was just a tool to Empson, through which he studied how the effects of poems came into being, especially how Shakespeare as a poet made such effects.

而且词语分析在燕卜荪也只是一种工具，他借以研究莎剧诗意效果产生的原因，特别是莎士比亚作为诗人是如何创造出这种效果的。

Chapter Ⅴ is about the relationship between Empson's analytical explanation of Shakespeare's poetic effects and the scientific movement appeared in literary criticism in 1930s. In 20th century, influenced by development in natural science, New Critics, headed by Richards, devoted themselves to transferring literary criticism from literary enjoyment to scientific study.

第五章讨论了燕卜荪用分析的方法来阐释莎剧的诗意与30年代文学批评中出现的科学主义思潮的关系。20世纪受自然科学发展的影响，以新批评为主流的批评家们在瑞恰兹的推动下，致力于将文学批评从一种艺术欣赏变成科学研究。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。