查询词典 Shakespeare

I read Shakespeare and the Bible, and I can shoot dice.

当我读莎士比亚和圣经的时候我会之筛子，这就是我的艺术文化课

To illustrate it, he quotes from part 3, scene 3, in Shakespeare's Much Ado about Nothing the remarks of Dogberry, who informed Seacoal

为此，马克思引用了莎士比亚《无事烦恼》第三幕第三场中道勃雷教导巡丁西可尔的话

We can still read Shakespeare's First Folios, the original Gutenberg Bible, the Domesday Book, and even the Dead Sea Scrolls and the Rosetta Stone though we may have trouble with the language!

今天，我们依然能阅读1623年印刷的莎士比亚作品、原始的古登堡圣经、英国土地志、甚至死海古卷和埃及罗塞塔碑（虽然我们也许不清楚它用的语言！

Margaret Drabble, author of 17 novels, was the only author to name Shakespeare's Antony and Cleopatra .

致力于女性小说写作的英国著名女作家玛格丽特·德拉布尔是唯一提名莎士比亚《安东尼与克莉奥佩拉》的作家。

Attracting our readers from generation to generation, Shakespeare's plays have been discussed and researched by scholars at all times and in all countries. They interpreted this great dramatics in their own positions, and once had a high or low opinion of him.

莎士比亚的戏剧曾经吸引了一代又一代的读者和观众，古今中外的学者都对莎翁的戏剧进行过探讨和研究，他们站在各自的立场来诠释这位伟大的剧作家，给过他或高或低的评价。

Mr Brook once said of the work of Sir Peter's Royal Shakespeare Company in the 1960s that "its ideal was to do good things very well". His own inventive "Dream" for the RSC in 1970 was one of its finest productions, but he grew restless and left London for Paris, where he was happier as his own impresario, artistic director and dramaturge.

布鲁克曾经说过，彼得爵士指导下的英国皇家莎士比亚剧团20世纪60年代的演出"尽善尽美、恰到好处"。70年代，他为皇家莎士比亚剧团排演的《仲夏夜之梦》富有创意，可谓是精品剧作，不过他动荡不定，离开伦敦远赴巴黎，在那里任剧团导演、艺术指导和剧作家。

He returned to the Old Vic in 1946 and stayed until 1948, playing Abel Drugger in Ben Jonson's The Alchemist , the Fool in King Lear opposite Laurence Olivier in the title role, DeGuiche in Cyrano de Bergerac opposite Ralph Richardson in the title role, and finally starring in an Old Vic production himself as Shakespeare's Richard II. After leaving the Old Vic, he played Eric Birling in J.

1946年他回到了老维多利亚剧院，一直待到1948年，期间扮演过本琼森的《炼金术士》中的亚伯德拉格，与劳伦斯奥利弗在其担任同名主角的《李尔王》中出演弄臣，与拉尔夫理查德森合作在其担任同名主角的《大鼻子情圣》中出演德古奇，最终得以亲自在老维多利亚剧院出品的莎剧里担任主角理查德二世。

In 1740–1741 Arne composed music for the Drury Lane productions of Shakespeare 's The Tempest , As You Like It , Twelfth Night and The Merchant of Venice , including songs such as "Where the bee sucks","When Daisies Pied" and "Under the greenwood tree" which are still performed in concerts and recitals today.

在1740至1741年阿恩组成的特鲁里街的莎士比亚氏如你所愿的暴风雨，制作音乐，第十二夜和威尼斯的商人，包括诸如"如果蜜蜂吸"一首歌，"当雏菊斑"和"根据绿林树"，仍留在今天的音乐会及演奏表演。

It would simply have been one more proof of the irreligious, earthbound nature of Shakespeare and his admirers.

而这恰恰相反恰恰相反再一次证明了莎士比亚和他的崇拜者们不信宗教，入世的本性。

There are many echo es of Shakespeare in his work .

他的作品中有很多处模仿莎士比亚。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。