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Shakespeare相关的网络例句

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与 Shakespeare 相关的网络例句 [注:此内容来源于网络,仅供参考]

The latter, who was still by temperament, and a school master by trade, selects a beautiful objects, puts it straight out before him and his readers, and accumulates upon it all the learned imagery of a thousand years: Shakespeare glances at it and says something of his own: it is not our intention to say that, as a describer of the external world, Milton is inferior; in set description we rather think that he was the better.

相反。Milton依然和蔼,和一个校长交换,选择一个漂亮的物体,直接放在他和他的读者面前,积累了上千年的学术心理过程。Shakespeare注视着那物体并说了一些他自己的想法。说那些话并不是我们的意图,与一名外部世界的描述者相比较,Milton是相反的。

On the contrary, you will hold steadfast to thoughts of exhaustless strength, of super-abundant vitality, knowing that, as Shakespeare said-"There is nothing, either good or bad, but thinking makes it so."

相反,你会更加坚信自己的有使不完的劲儿、精力旺盛,只要了解到这一点,就如 Shakespeare 所说:"世事本无好坏之分,思想使然。"

After all,the country of Shakespeare and Wordsworth has a literary tradition of which to be proud.

该段说:英国是闻名作家Shakespeare和Wordsworth的故乡,他们以及英国的摇滚乐团创造了大量的精神财富,也为英国赚得了大量的钱,显示了创造性经济的力量。

We are now in the midst of an extremely rich and varied period for Shakespeare on film which began with the release of Kenneth Branagh's Henry V in 1989 and includes such films as Richard Loncraine's Richard III, Julie Taymor's Titus, Zeffirelli and Almereyda's Hamlet films, Baz Luhrmann's William Shakespeare's Romeo + Juliet, and Shakespeare in Love.

我们现在处在一个及其丰富多样的时期中,莎士比亚电影上起始于Kenneth Branagh的《亨利五世》在1989年开始发行,包括了像Richard Loncraine的《理查德三世》,Julie Taymor的《泰特斯》,Zeffirelli和Almereyda的哈姆雷特电影,Baz Luhrmann的威廉·莎士比亚的《罗米欧和朱丽叶》以及《恋爱中的莎士比亚》。

This paper is to explore how Shakespeare's Otello be represented after three centuries in the music context of the nineteenth century, Early in the seventeenth century in a work Mr.

本文旨在探讨莎士比亚(William Shakespeare, 1564-1616)的原著《奥泰罗》在历经近三百年后如例再度重现於十九世纪音乐时空里。

They've been besting the likes of feisty heroines for centuries: Shakespeare's Helena, But do bad boys -- in the immortal words of Gloria Estefan -- really make us feel so good?

They've besting 易怒的女英雄喜欢几个世纪: Shakespeare's 海伦娜,但坏男孩--在Gloria Estefan 的不朽的词--真正地使我们感觉很好吗?

In his mode of delineating natural objects,Shakespeare is curiously opposed to Milton.

在他的描述自然物体的风格里,Shakespeare很奇怪的与Milton。

In Stratford-upon-Avon , I could see Shakespeare's Birthplace , Shakespeare Countryside Museum , the Royal Shakespeare Theatre , and a lot of places that are connected with Shakespeare.

在斯特拉特福德镇,我可以看到莎士比亚出生的地方,莎士比亚乡村博物馆,皇家莎士比亚大剧院,还有许多与莎士比亚有关联的地方。

Is it possible that that player Shakespeare, a ghost by absence, and in the vesture of buried Denmark, a ghost by death, speaking his own words to his own son's name (had Hamnet Shakespeare lived he would have been prince Hamlet's twin), is it possible, I want to know, or probable that he did not draw or foresee the logical conclusion of those premises: you are the dispossessed son: I am the murdered father: your mother is the guilty queen, Ann Shakespeare, born Hathaway?

82身为演员的莎士比亚,由于外出而做了鬼魂,身穿死后做了鬼魂的墓中的丹麦先王的服装,他可不可能就是在对亲生儿子的名字(倘若哈姆奈特。莎士比亚不曾夭折,他就成为哈姆莱特王子的双生兄弟了),说着自己的台词呢?我倒是想知道,他可不可能,有没有理由相信:他并不曾从这些前提中得出或并不曾预见到符合逻辑的结论:你是被废黜的儿子,我是被杀害的父亲,你母亲就是那有罪的王后,娘家姓哈撒韦的安。莎士比亚?

Stratford-on-Avon, as we all know, has only one industry - William Shakespeare - but there are two distinctly separate and increasingly hostile branches. There is the Royal Shakespeare Company, which presents superb productions of the plays at the Shakespeare Memorial Theatre on the Avon. And there are the townsfolk who largely live off the tourists who come, not to see the plays, but to look at Anne Hathaway's Cottage, Shakespeare's birthplace and the other sights.

如我们所知,埃文河畔斯特拉特福德只有一种产业——威廉莎士比亚,但是,它有两个各自明确独立而相互间敌意不断增长的分支,这就是英国皇家莎士比亚剧团——它在埃文河畔的莎士比亚纪念剧院上演富丽堂皇的莎剧——和在很大程度上依靠到镇上来不是为了看戏,而是来参观 Anne Hathaway 别墅、莎士比亚的出生地以及其他景观的旅游者的市镇居民们。

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