查询词典 Segovia

In fact, Segovia astounded the audience.

事实上，塞戈维亚演奏震惊四座。

But Lamilieshi breed of guitar, after all, is the world's Stradivarius, Segovia has been used to death Lamilieshi III, IV World guitar.

但拉米烈斯一族的吉他毕竟是世界名琴，塞戈维亚至死一直使用拉米烈斯III、IV世的吉他。

Finally at the Chapter of Segovia in 1621, the minister general, Benignus of Genoa (1618-25), approved the "Statuta Segoviensia" for the ultramontane family, with suitable additions both for the French and for the German-Belgian nation.

在最后一章塞戈维亚在1621年，部长一般，贝尼希努斯的热那亚（ 1618年至1625年），通过了" statuta segoviensia "为ultramontane家庭，配合适当的补充，既为法语和德语的比利时国家。

Over the coming years, Segovia would perfect his technique and push luthiers to experiment with new woods and designs that could increase the natural amplification of the guitar.

随后的几年中，塞戈维亚的技艺日臻纯熟，鼓励弦乐器工匠去对吉他进行木材和设计方面的设计改进试验，这样放大了吉他自然音量。

Even now, whereas small provincial cities like Valladolid and Segovia are connected to a new line, it will still take several years to link up with France's network.

即便是现在，小型省会城市如瓦利阿多里德和塞戈维亚间也有高速铁路连接，仍要在几年的等待之后新干线才会和法国铁路网驳接。

Even now, whereas small provincial cities like Valladolid and Segovia are connected to a new line, it will still take several years to link up with France's network.

甚至现在，即使像巴拉多利德与塞戈维亚的地方小城市都连有铁路，但仍需数年时间与法国铁路网联通。

Soon composers like Manuel de Falla and Heitor Villa-Lobos were writing music specifically for Segovia and his guitar.

不久，作曲家如曼努埃尔·德·法利亚和魏拉·罗伯士(Heitor Villa-Lobos)专门为塞戈维亚和他的吉他谱曲。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。