查询词典 Sam

Ramon Rodriguez puts a usually amusing high-energy spin on his performance as Sam's motor-mouthed blowhard of a roommate.

Ramon Rodriguez表现很活跃，扮演山姆的夸夸其谈的室友。

More recently, experiences in Angola and Mozambique, in Morocco's Polisario guerrilla war, in the Falklands, and in Afghanistan have further confirmed the danger that the SAM poses to attackers--particularly the small SA-7-/Redeye-/Blowpipe-/Stinger-class weapon.

更近一点的，发生在安哥拉和莫桑比克，摩洛哥波利萨里奥游击战，福克兰群岛，以及阿富汗的战争进一步证明了地对空导弹给攻击机带来的危险——特别是小型的SA-7/红眼-/吹管-/毒刺之类的武器。

Old Sam booted his son out of the home.

老山姆把他儿子从家里赶了出去。

Sam is such a bore that no one wants to have anything to do with him.

山姆是个很令人讨厌的人，谁都不想与他打交道。

Sam: If it's breakable, I'll pack it really well and then get it insured.

如果它是易碎的，我得把它包好了，然后买上保险。

Then suddenly, as before under the eaves of the Emyn Muil, Sam saw these two rivals with other vision. A crouching shape, scarcely more than the shadow of a living thing, a creature now wholly ruined and defeated, yet filled with a hideous lust and rage; and before it stood stern, untouchable now by pity, a figure robed in white, but at its breast it held a wheel of fire. Out of the fire there spoke a commanding voice.

突然间，就如同在爱明莫尔时一样，山姆看见了这两个人与外表不同的形象：一个畏畏缩缩的身影，被彻底打败、可怜兮兮的生物，体内几乎被剥夺了一切生命的迹象，但却满心只是贪婪的欲望和愤怒；而在他眼前的则是严厉、不再心软，披著白袍的身影，它的胸前有著一轮火焰，从那火焰中发出了一个命令的声音

Our released young left-back Sam Tillen is taken on by Brentford.

合同到期的年轻左后卫山姆-蒂兰转会布伦特福德。

Sam is a bullyboy.

三姆是个流氓。

Sam Witwicky buys his first car, which happens to be the Autobot Bumblebee.

山姆买他的第一辆汽车，竟然是大黄蜂。

Sam: Then I guess you'll have to burn the midnight oil tonight.

山姆：那我想你今晚就只好开夜车了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。