查询词典 S. op. s.

The rhythmic proportion was an important precondition and foundation to the serialize rhythm and integral serialism later. The article analyzed Webern's two early compositions, the Six Orchestral Pieces, Op.6 (1909), and the Five Pieces for Orchestra, Op.10 (1913), both of them in the style of free atonality. From the relation principle of the rhythmic cell, the writer discussed Webern's way of organizing rhythm, technique of developing variate of rhythmic cell, as well as its score writing way, and summarized the Webern's early orchestral outputs rhythmic features and its impact on the rhythm style of the works in his later years.

文章以威伯恩早期自由无调性时期的两部管弦乐作品《六首管弦乐小品》Op.6和《五首管弦乐小品》Op.10为对象，从"节奏细胞"的形成以及关系原则着手进行剖析，挖掘、揭示作品中节奏的组织方式；并进一步用作品文本说明、论证节奏细胞的变值发展手法与节奏细胞的谱面组成方式；最后总结出威伯恩早期管弦乐作品中的节奏特征以及对作者晚期节奏风格产生的影响。

The study of optimum conditions of the colour reaction of scandium with chrome azurol S in the presence of tetradecyl pyridinium chloride and emulgent OP is reported in this paper.

研究了在氯化十四烷基吡啶及乳化剂OP 存在下，铬天青S与钪显色反应的适宜条件。

In Volume Two, besides the Op.10 and the Trois Nouvelle Etudes, it also contains some Koczalski's piano pieces played by Tatarski.

第2辑收录了Koczalski演奏的Op.10的12首练习曲以及Op.posth的3首新练习曲之外，还有由钢琴家Tatarski演奏的数首Koczalski的作品。

They are:1 Max-Reger's biography and creation synopsis2 A summary of the structure of Partita and Fuga3 Synopsis of Chromatische Polyphonie4 Creation background of(op 132)5 Linearity writing technique of(op 132)6 Partita inheriting with innovation and Parts analysis7 Fuga melody analysis

本文将分七个部分予以陈述，分别为：一马克思-雷格尔生平及创作简介二简述变奏曲与赋格及其它赋格音乐套曲结构三半音复音音乐简介四《莫扎特主题变奏与赋格》(op 132)的创作背景五《莫扎特主题变奏与赋格》(op 132)线性写作技巧六变奏手法的继承与创新及各变奏乐章分析七赋格曲分析

Op.25'sinterpretation quality varies, some like No.3 and No.5 are beautiful,and forthe No.6 Double Third Etude shows Koczalski's great finger movements and his rubato made this popular etude more interesting.

Op.25演奏质量相对参差比较大，有的很美如Op.25 No.3， No.5，还有像Op.25 No.6双三度练习曲，听得岀Koczalski的手指功夫挺有一手的，而且我就挺喜欢他那样的速度变化，让这首被经常演奏的练习曲多了点趣味。

Many of Lisitsa's performances, including Frédéric Chopin's Op. 10 and Op. 25 Etudes and Beethoven's Appassionata Sonata, have been made available on her YouTube channel, often in high quality.

她的YouTube频道上有许多她的演奏视频，比如肖邦练习曲（Op.10和Op.25）和贝多芬热情奏鸣曲，大多是高质量的视频。

Bestriding the two periods of classical music and romantic music, Beethoven's A Major Key Piano Sonata (Op.101) is a big fantasia, with the precise way of classical rural style and the mark of romanticism. It exceeds the epoch and fully reflects a great composer's creative bourn of high professional proficiency.

贝多芬的《A大调钢琴奏鸣曲》(Op.101)是一首大型的幻想曲，横跨古典音乐和浪漫主义音乐两个时期，它既有古典田园风格的严谨作风，又有浪漫主义的痕迹，超越了时代，达到了伟大作曲家炉火纯青的创作境界。

This piece is drawn from Handel's Six Fugues or Voluntaries for the Organ or Harpsichord, which were published in about 1735 as his Op.3 (an opus number already used in the previous year for six of his concerti grossi!).

这个片断从器官或大键琴的Handel's六赋格曲或义务得出，在大约1735被出版作为他的Op.3 (用于去年已经的电视剧数字为六他的协奏曲！)。

The rhythmic proportion was an important precondition and foundation to the serialize rhythm and integral serialism later. The article analyzed Webern's two early compositions, the Six Orchestral Pieces, Op.6 (1909), and the Five Pieces for Orchestra, Op.10 (1913), both of them in the style of free atonality. From the relation principle of the rhythmic cell, the writer discussed Webern's way of organizing rhythm, technique of developing variate of rhythmic cell, as well as its score writing way, and summarized the Webern's early orchestral outputs rhythmic features and its impact on the rhythm style of the works in his later years.

文章以威伯恩早期自由无调性时期的两部管弦乐作品《六首管弦乐小品》Op.6和《五首管弦乐小品》Op.10为对象，从&节奏细胞&的形成以及关系原则着手进行剖析，挖掘、揭示作品中节奏的组织方式；并进一步用作品文本说明、论证节奏细胞的变值发展手法与节奏细胞的谱面组成方式；最后总结出威伯恩早期管弦乐作品中的节奏特征以及对作者晚期节奏风格产生的影响。

This paper includes the most representative works of this Period in France from composers Faure's "Dolly's Suite", Debussy's "Children's Corner" and Ravel's"Ma mere l'oye".

本论文藉由此时期法国最具代表性的佛瑞（Gabriel Faure， 1845-1924）《多莉组曲》（Dolly， op.56。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。