查询词典 Rodriguez

In his chase for history, Rodriguez had a chance to make -- well, history.

对正在追求历史的Rodriguez来说，他有机会去创造历史。

The risk for Rodriguez, 31, is mainly to his legacy.

至於Rodriguez，31岁，的风险主是他的生捱。

Rodriguez is in his fourth season with the Yankees and, he says, his most comfortable.

这是 Rodriguez 在洋基的第四个球季，如他所述，也是他最自在的一个球季。

More amazing, however, was the fact that Rodriguez missed his invitation to the party.

更令人惊奇的，无论如何，事实是Rodriguez错过了他的全垒打派对邀请。

"It's pretty exciting. He has a lot of energy," Rodriguez said. Sometimes we need that energy, so that's good.

"这很让人兴奋，他有旺盛的精力，"Rodriguez说，我们需要这种活力，这很好。

Mr. Rodriguez will retire as chairman, but remain an active member of the board of directors.

Rodriguez先生将从主席职位退休，但他将仍然是董事会成员之一。

Although he loaded the bases with no outs in the first inning, he got Alex .Rodriguez to hit a sacrifice fly, then induced an inning-ending double play from Jason .Giambi.

虽然第一局无人出局时让洋基攻占满垒，不过他让Alex Rodriguez击出高飞牺牲打，随后又让Jason Giambi击出双杀打结束这一局。

Rounding out the sextet is Victor Rodriguez-Guerrero, who in the great LA tradition fills out the middle register with his farfisa organ, and adds a refreshing sense of playfulness and levity to the music.

最后是沿袭车库摇滚传统的farfisa风琴演奏手Victor Rodriguez-Guerrero，给六人乐队添加了嬉戏和率性的气质。

Rodriguez is signed through 2010, but that may be only a technicality.

Rodriguez的约则到2010年，但这只是合约技术面而已。

This is well-trodden terrain, but given the right actor--Sylvester Stallone in Rocky and Michelle Rodriguez in Girlfight--you get a hero you not only care about but can root for.

这是一个常被踏进的地带，但是给你一个正确的演员----在Rocky这部电影中的Sylvester Stallone和Girlfight这部电影中的Michelle Rodriguez--你得到了一个英雄，你不仅关心他而且为他加油。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。