查询词典 Roderigo

Roderigo. O, I am slain!

罗德利哥啊，我死了！

Iago. Will you hear me, Roderigo?

伊阿古 你愿意听我说吗，罗德利哥？

Roderigo. O, villain that I am!

罗德利哥啊，我真是个恶人！

Roderigo. Be near at hand; I may miscarry in't.

罗德利哥不要走开，也许我会失手。

Roderigo and DonPedro flew to the rescue, and all were taken out unhurt, though many were speechless with laughter.

原来她们坐的那张小床——临时用作贵宾席的——突然折了起来，把那些激情高涨的观众都埋在里面了。

And, ordering Roderigo up, banished him from the kingdom with wrath and scorn.

他命令罗德力戈站起来，盛怒而轻蔑地将他驱逐出去。

Act 2 Scene 3: How Now Roderigo?

22：第二幕，第三场：罗德里格，现在如何？

Roderigo produced a rope ladder, with five steps to it, threw up one end, and invited Zara to descend.

结果，一对可怜的小情侣就这样被埋在了废墟之下。

Roderigo. What say you?

罗德利哥你说什麼？

Hugo demanded a potion to make Zara adore him, and one to destroy Roderigo.

雨果向他索取两种魔药，一种可以使莎拉爱他，另一种用来毒死罗德力戈。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。