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Richard I相关的网络例句

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与 Richard I 相关的网络例句 [注:此内容来源于网络,仅供参考]

For a ghastly moment I thought he might be planning a soundtrack full of l960s pop hits — that black hole compounded of Cliff Richard, Paul Anka, Liberace, Lonnie Donegan — but Nick said no, he wanted to know what I and my schoolmates really listened to.

在一个极令人不快的时刻,我认为他正在计画一个全部是六十年代的流行音乐的电影配乐——由Cliff Richard、Paul Anka、Liberace和Lonnie Donegan的音乐混合而成的黑洞——但是Nick说不是的,他想要知道我和我的同学们实际上听什麽。

RICHARD GEPHARDT, Democratic Leader,: When you get in a room with both Alan Greenspan and Robert Rubin and they say they're scared to death, and they've never seen anything like this, and they're worried about whether they can get through it, I get worried, because they know a heck of a lot more about it than I do.

RICHARD GEPHARDT,美国众议院的*党领袖:如果你与格林斯潘和罗伯特。鲁宾来到同一个房间,而他们说他们快要吓死了,他们从没见过这样的事,而且他们担心他们能否扛过去,我就紧张了,因为他们对此的了解比我多得多。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962)and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯(Richard Strauss,1864-1949)正是欧洲人文发展空前灿烂的年代,无论在哲学思想、文学、美术以及音乐方面,都有辉煌的成就。在他音乐学习历程中,结合了古典时期及浪漫时期两种音乐风格,发展出独特的作曲风格。本论文分成五章:第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨;第二章则从对理查史特劳斯生平的详实记载中,了解他创作作品的时代背景和心情;第三章则就浪漫时期艺术歌曲作家舒伯特(Franz Schubert1797-1828)、舒曼(Robert Schumann1810-1856)、布拉姆斯(Johannes Brahms1833-1897)、沃尔夫(Hugo Wolf1860-1903)及马勒(Gustav Mahler1860-1911)等,以诗人、旋律、伴奏型态及曲式和声,稍加整理并说明,以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整,藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析,则探讨此部作品诗人赫塞(Hermann Hesse 1877 - 1962)及艾辛朵夫(Joseph von Eichendorff﹐1788-1857)的生平和作品特色,以及诗的结构与格式,和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法,创作出一组宁静感人又深刻的终曲。

I am writing to you today from Necker Island in the Caribbean where I am meeting with about 20 business leaders including Sir Richard Branson the founder of Virgin Atlantic Airways and owner of the Island.

今天,我从加勒比海的Necker岛上给各位写这封信。我正在这里和包括维珍航空公司的创始人Richard Branson——他同时也是岛的主人——在内的大约20位商业领袖们会晤。

Getting to know Nancy led to an invitation for my wife and I to spend five days on the breathtakingly beautiful Necker Island where we have been meeting with financial wizards of business, movie producers,and successful business leaders such as Sir Richard Branson (OK, I won't hold back this week is a networker's dream).

结识Nancy之后,她邀请我和我的妻子一起到美丽的Necker岛上共度5天假期。也是在这里我们见到了商业金融界的奇才,电影制作人,成功领导人Richard Branson先生。(好吧,我承认这个星期真是一场社交生物所期待的美梦。

Frank churchill?- ah! here's miss woodhouse.- dear miss woodhouse, how do you do?- very well I thank you, quite well. this is meeting quite in fairy-land!- such a transformation!- must not compliment, I know - that would be rude - but upon my word, miss woodhouse, you do look - how do you like jane's hair?- you are a judge.- she did it all herself. quite wonderful how she does her hair!- no hairdresser from london I think could.- ah! dr. hughes I declare - and mrs. hughes. must go and speak to dr. and mrs. hughes for a moment.- how do you do? how do you do?- very well, I thank you. this is delightful, is not it?- where's dear mr. richard?- oh! there he is. don't disturb him. much better employed talking to the young ladies. how do you do, mr. richard?- I saw you the other day as you rode through the town - mrs. otway, I protest!- and good mr. otway, and miss otway and miss caroline.- such a host of friends!- and mr. george and mr. arthur!- how do you do? how do you all do?- quite well, I am much obliged to you. never better.- don't I hear another carriage?- who can this be?- very likely the worthy coles.- upon my word, this is charming to be standing about among such friends! and such a noble fire!- I am quite roasted. no coffee, I thank you, for me - never take coffee.- a little tea if you please, sir, by and bye,- no hurry - oh! here it comes. every thing so good!

邱吉尔先生,啊,伍德豪斯小姐也来了,我亲爱的伍德豪斯小姐,你好吗,太好了,谢谢你,好极了,这次宴会简直是到了仙境,啊,全都不一样啦,不敢乱说,真的,她十分神气地看着爱玛,'那么做太粗俗但是,说实话,伍德豪斯小姐,看起来你太你认为简的发型如何,你太有眼力了,都是她一个人弄的,她设计得太美了,我觉得,全伦敦的理发师中也找不到一个能梳得这么漂亮的啊,我猜那一定是休斯大夫吧那是休斯太太,我必须同休斯大夫和他太太聊聊,你好,你好,太好了,谢谢你,见到你太高兴了,你呢,亲爱的理查先生来了吗,啊,看到了,他在那儿,不要惊动他,让他同姑娘们聊天,这样好一点,你好理查先生,有一次你骑马去城里,我看见了,奥特威太太也一定来了,是不是,还有仁慈的奥特威先生,奥特威小姐,来了这么多朋友,那还有乔治先生和阿瑟先生,你好,你们好,太好了,谢谢你,今天最高兴了,我怎么又听到马车的动静了,会是哪一位呢,也许是尊敬的柯尔一家吧,这火太热了,快烤熟了,咖啡我不喜欢,太谢谢你了向来不喝咖啡,先生,一会给我一杯茶吧,别慌啊,端来了,这儿太好了

Leo Sayer: In 1976, I went over to Los Angeles to work with producer Richard Perry. We didn't immediately hit it off, Richard wanting me to concentrate on singing other people's songs, and up to that time I'd only recorded my own.

Leo Sayer :1976时我去洛杉矶与制作人Richard Perry工作,但是我们并没有很快成功,Richard想让我唱唱其他人的歌,因为直到那时我都没有唱过别人的歌。

Richard, I know your next book will be a sess.

Richard 我相行拍愕南乱本书会成功。

I'm enclosing an op-ed piece I wrote for The Washington Post describing a truly breathtaking bill that was passed 312-111 by the House last summer. Thanks to Senator Richard Shelby, the Senate didn't ratify the House's foolishness. And, to his great credit, Bill Donaldson, the investorminded Chairman of the SEC, has stood firm against massive political pressure, generated by the check-waving CEOs who first muscled Congress in 1993 about the issue of option accounting and then repeated the tactic last year.

附件有一篇我曾在华盛顿邮报刊登的社论,文中提到去年夏天在众议院以 312 票对 111 票通过的一项惊世骇俗的法案,多亏参议员 Richard Shelby 的阻挡,参议院最后并未批准众议院的愚蠢行为,另外证管会主委 Bill Donaldson 以其一生清誉,坚定抵挡强大的政治压力,大企业总裁们企图利用政治献金游说国会议员,重施在 1993 年封杀选择权会计原则实行的故技,。

Kind of like Richard Hamilton where he drives into a player and then kicks back creating space and making it very difficult to block. I see no reason why he won't be able to do that in the NBA as well. He also can drive the lane and then find the open man on the court and dish it to him.

正如前面所言,Spanoulis溜底线的功夫不错(呵呵,自创,意思是他突破不错),而且他的投篮常常如他所愿,冲入蓝筐,恩,正如 Richard Hamilton(呵呵,当然没 Richard Hamilton的强悍),懂得摆脱防守创造投篮空间,哦,就是不给对手增加盖帽统计。

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