查询词典 Red Ink

As you know, the closer of ink, you would become to be black, the closer of vermilion, you would become to be red, I wonder how come I speaked so loudly and no manner?

如你所知，密切油墨，你将成为黑，紧密唇红，你会变成红色，我不知道怎么说话这么大声，没有礼貌？

Mineral dyes and metal salts of various inorganic metal oxides, mainly brown-red, light green, yellow, white, mixed together, after smashing available after more than 20 chromatography; vegetable dyes are Rubiaceae, Shikonin, hematoxylin, indigo , safflower, pomegranates, Gardaniajas minoides Ellis, tea, song blue, Arthraxon hispidus, persimmon, shikonin, ink tree, etc.; animals are insects dye plastic, carmine and other insects.

矿物染料是各种无机金属盐和金属氧化物，主要有棕红色、淡绿色、黄色、白色，经过粉碎混拼后可得20多个色谱；植物染料有茜草、紫草、苏木、靛蓝、红花、石榴、黄栀子、茶、崧蓝、荩草、柿子、紫草、墨水树等；动物染料有虫胶、胭脂红虫等。

Lines of small white dots across the right shoulder and falling from the left seem to mark the passage of a narrow stole which, however, does not obscure the brightly coloured patches with their wavy ink lines, reminiscent of the moir patterns formed when light passes through two layers of textile. In some areas the silk seems to be left without any colour, as in the background to another painting of Ksitigarbha, holding a cintāmani and altogether more robust, wearing an ordinary robe in strong contrasts of green and red and pale blue Fig.

从右肩斜向下到左肩有一条由白色小点组成的线，好像记录了这段窄的绶带，鲜艳的颜色搭配他们墨色的波浪线，无论如何都是明显的，暗示当光线透过两层织物时形成了云纹绸，某些局部地方绢上已经看不出任何颜色了，就象另一个地藏菩萨的背景——他手持宝珠，更加健壮魁伟，穿著普通的红、绿、浅蓝强烈对比的袈裟。

Use this kind of printing ink printing of there are color or invisible diagram text, when article or tool which be to use hard quality rub, press to press, then the occurrence is chemical of the pressure color change or the tiny capsule break dyestuff to show to leak and appear a color.red, blue, green, purple, Huang etc.

用这种油墨印刷成的有色或隐形图文，当用硬质的物件或工具磨擦、按压时，即发生化学的压力色变或微胶囊破裂染料显漏而出现颜色（红、蓝、墨、绿、紫、黄等）。

The charged (with white business card printing and membership card making ink) scourability portionedout diltue, black on the Mexican side of the blue, but as the weakened, the line will slowly deflexions blue-violet blue — monascs — zibaishan — red.

把黑墨（用白色的制卡和会员卡制作油墨）冲得很淡时，单黑墨是偏蓝色调的，但随着冲淡的减弱，偏色会慢慢偏向蓝—紫蓝—紫—紫红—红色。

For example, to control the cyan ink film thickness, the amount of red light absorbed is need and filter is applied .

举例来说，控制蓝绿色墨水电影厚度，被吸收的红灯数量是需要和滤波器被应用的。

He kept terning all the cards and I told him somebody spilld ink on all of them red and black.

伯特说：&对&然后他笑了起来，这让我感觉好了一些。

The next development in musical notation were "heighted neumes", in which neumes were carefully placed at different heights in relation to each other. This allowed the neumes to roughly indicate the size of a given interval as well as the direction. This quickly led to one or two lines, each representing a particular note, being place on the music with all the neumes relating back to them. At first these lines had no particular meaning and instead had a letter placed at the beginning indicating which note was represented. However, slowly the lines indicating middle C, and the F a fifth below, became most common. Having at first been merely scratched on the parchment, the lines now were drawn in two different colorded ink: usually red for F, and yellow or green for C.

音乐记谱法的再一次新发展是heighted neumes，这种记谱法标识出音符之间的音高关系，这样就使得纽姆谱可以粗略并直接地标记出指定音程的增减，这样的标识方法导致了谱上一线或者二线的出现，每条线代表一个特定的音符，这个音符与纽姆谱中所有的音符的音程关系都能被标识出来，最初这些线并没有什么特殊的含义，反而会有一个字母被放在开始的位置表明代表哪个音符，渐渐的，线代表中央C或者比C低五度的F 变得最常用，这些一开始只不过在羊皮纸上刮出的线，开始用两种不同的颜色书写，红色代表F，黄线或者绿线代表C，以上的这些便是我们所知道的音乐记谱法发展的开端。

It is applied as the basic features of make-up soil to create a wealth of decorative techniques, that is, all kinds of colored glaze decoration, depiction of flowers, pick flowers, and white flowers, white painted underglazed designated flower, and red and green color, low-lead three-color glaze and white printing, printing and so on more than 30 kinds of celadon; techniques in particular rust spent five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting and traditional Chinese painting, calligraphy, art and porcelain technology combine to create a new integrated arts, explore the ancient ceramics of the new realm of aesthetics; for the future and colorful blue and white porcelain had paved the way for development.ci zhou yao decorative themes are rich and varied, unique, artist have a very cool way, and masterly skills of painting, will be pleased to see civilyu chong bird, rare birds andrui shou , landscape character, opera stories, poems Qu Fu,min yan motto, children at play Zaju painted on porcelain, etc., to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang's artistic style and rich color and a distinctive non-governmental national characteristics, and the world at large on the domestic ceramics have had a profound impact.

它以施用化妆土为基本特征，创造了丰富的装饰技法，即有各类色釉装饰、刻划花、剔花、白地黑花、白地釉下绘划花，又有红绿彩、低温铅釉三彩和印花白瓷、印花青瓷等三十多种；尤其是铁锈花技法突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果并把中国的传统绘画、书法技艺与制瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界；为以后青花和五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们以极其潇洒的手法和高妙的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏曲故事、诗词曲赋、格言民谚、婴戏杂剧等绘于瓷器，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格及浓郁的民间色彩和鲜明的民族特色，对国内乃至世界陶瓷产生了深远的影响。

It is applied as the basic features of make-up soil to create a wealth of decorative techniques, that is, all kinds of colored glaze decoration, depiction of flowers, pick flowers, and white flowers, white painted underglazed designated flower, and red and green color, low-lead three-color glaze and white printing, printing and so on more than 30 kinds of celadon; techniques in particular rust spent five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting and traditional Chinese painting, calligraphy, art and porcelain technology combine to create a new integrated arts, explore the ancient ceramics of the new realm of aesthetics; for the future and colorful blue and white porcelain had paved the way for development.ci zhou yao decorative themes are rich and varied, unique, artist have a very cool way, and masterly skills of painting, will be pleased to see civilyu chong bird, rare birds andrui shou , landscape character, opera stories, poems Qu Fu,min yan motto, children at play Zaju painted on porcelain, etc., to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang's artistic style and rich color and a distinctive non-governmental national characteristics, and the world at large on the domestic ceramics have had a far-reaching implications.

它以施用化妆土为基本特征，创造了丰富的装饰技法，即有各类色釉装饰、刻划花、剔花、白地黑花、白地釉下绘划花，又有红绿彩、低温铅釉三彩和印花白瓷、印花青瓷等三十多种；尤其是铁锈花技法突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果并把中国的传统绘画、书法技艺与制瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界；为以后青花和五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们以极其潇洒的手法和高妙的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏曲故事、诗词曲赋、格言民谚、婴戏杂剧等绘于瓷器，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格及浓郁的民间色彩和鲜明的民族特色，对国内乃至世界陶瓷产生了深远而巨大的影响。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。