查询词典 Ralph

One of them was a story about an outstanding architect named Ralph.

其中一个说的是关于建筑师建筑师拉尔夫的故事。

"Well," said Ralph,"I like to keep all my tools in one place."

"噢，我喜欢把我的工具都放在一起。"拉尔夫说。

As for her, she felt of as though Ralph were a member of her family.

至于她来说，她觉的拉尔夫仿佛是她的一位亲人。

Ralph: I can't help it. l'm always busy.

我没办法。我总是很忙。

Ralph Ellison nimbly defends the blacks' humanity with his outstanding cultural vision, and his witty use of metaphors in language. He outdid the traditional literature focusing on moralistic propaganda by Mrs. Stowe, and the naturalistic protest fiction centering on hard boiled remonstration and violence by Richard Wright, firstly by speaking highly of the 191 century classic works by such white writers as Melville, Faulkner and Mark Twain, who showed humanistic spirit affirming the blacks' humanity, and secondly by making use of the highly symbolic arid subversive language both to represent negro's humanity and whites' inhumanity, and more importantly by probing into the universal human nature by alluding to the Riddle of the Sphinx, which demonstrates, in a broad sense, the author's humanistic concern for the living dilemma of the contemporary people and also his advocatory tendency to revive the humanistic spirit of the 19th century writers.

拉尔夫埃利森通过对梅尔维尔、福克纳和马克吐温等19世纪美国经典白人作家的作品解读，赞赏了这些作家在肯定黑人人性时表现出的人道主义精神；同时运用高度象征性和颠覆性的语言，展示了黑人的人性，揭示了白人的非人性；并通过"斯芬克斯之谜"典故的阐释，对普遍意义上的人性作了探讨，体现了作者对所有现代人的生存困境的关注，从而超越了以斯陀夫人小说为代表的注重道义宣传的传统文学，以及以理查德赖特的创作为代表的注重态度强硬的抗议与暴力表达的自然主义文学，体现出回归与提升19世纪人文主义作家人道主义精神的创作倾向。

In demand as a sideman, he has performed with artists such as Eric Alexander, Vincent Herring, Jimmy Heath, Ralph Lalama, Jim Snidero, and Rick Margitza.

在漫长的职业演奏生涯中，曾经担任多位国际知名萨克斯风演奏家的伴奏钢琴手工作，如传奇萨克风大师吉米E海斯，纽约卡内基厅爵士大乐队的萨克斯风手罗夫E拉拉玛，以及曾与爵士小号大师迈尔斯E戴维斯晚年时有长期合作关系的萨克斯风手瑞克E马吉萨等。

On the beach, Ralph and Piggy see a ship on the horizon—but they also see that the signal fire has gone out.

在海滩上，拉尔夫和猪见船舶在地平线上，但他们也看到，信号火灾出去。

A: Hi, this is Ralph Simmons.

你好，我是拉尔夫·西蒙斯。

He's sent on endless battles to defeat Hades (Ralph Fiennes, whispering and simpering) before that misshapen wretch can seize power from his fatuous brother, Zeus (Liam Neeson, squirming and declaiming) and turn the earth into a living hell.

他被派去参加一次次的战斗，打败哈得斯（Hades，费因斯饰，低语傻笑着），然后那个丑陋的坏蛋从他昏庸的兄弟宙斯（Zeus，尼森饰，扭动身子还高谈阔论）那里获取力量，把大地变成一个人间地狱。

To defeat Hades (Ralph Fiennes, whispering and simpering) before that misshapen wretch can seize power from his fatuous brother, Zeus (Liam Neeson, squirming and declaiming) and turn the earth into a living hell.

他被派去参加一次次的战斗，打败哈得斯（Hades，费因斯饰，低语傻笑着），然后那个丑陋的坏蛋从他昏庸的兄弟宙斯（Zeus，尼森饰，扭动身子还高谈阔论）那里获取力量，把大地变成一个人间地狱。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。