查询词典 Picasso

Picasso's Guernica insists that viewers remain overwhelmed by the horrors of war.

毕加索的《格尔尼卡》强调，人们应该继续被战争的恐怖所震撼。

When pressed to explain them in Guernica, Picasso said,...this bull is a bull and this horse is a horse...

当年毕加索被要求解释这两个元素在此壁画中的含义。

The attack on Guernica inspired the passion and genius of Pablo Picasso to reveal his truth about war: war is not about power and glory, war is about pain, suffering, and death.

对格尔尼卡的袭击激发了巴勃罗·毕加索的创作热情和天赋，让他挥笔揭露战争的真相：战争无关权力和荣誉，它带来的是痛苦和死亡。

We finished our vacation in Spain with a stop in Guernica, the town memorialized in Picasso's remarkable painting of its bombing in the Spanish civil war.

我们在西班牙之旅的最后一站是格尔尼卡，这个地方由于毕加索的一幅卓越的作品而留在了人们的记忆里。那幅画反映了西班牙内战中格尔尼卡遭到轰炸的情形。

In 1937, Pablo Picasso created the painting " Guernica " when he heard about the bombing in this Spanish town.

1937年，画家毕加索创作了一幅名为"格尔尼卡"的画作。

By contrast, Picasso the cubist has expressed a profound truth in Guernica with a refreshingly avant-garde freshness and originality.

相反，立体派画家毕加索则以一种令人耳目一新的、带有先锋派色彩的清新与原创性在《格尔尼卡》一画中表达了一种深刻的真理。

A highbrow is the kind of person who looks at a sausage and thinks of Picasso.

所谓有高度文化修养的人，就是看见香肠即思及毕加索的人。

However, though he managed to get 'close without being seen' and indiscreetly catch his subjects in intimate moments (for example, Picasso is shown shirtless and buckling his belt next to an unmade bed) and even capture something essential about their personalities (Giacometti amongst his sculptures, looking like one of them), many of his photos also clearly acknowledge the photographer's presence; they are sometimes slightly out of focus and in most pictures of crowds, some people look straight into the camera.

他是设法靠近他拍摄的对象，在不被注意的情况下自然的记录下那个亲切的瞬间（例如那幅毕加索在没整理好的床边敞开衬衫系皮带的那幅作品）和他们内在的个性（例如Giacometti坐在和他很相似的雕塑品中那幅作品），他的很多作品也清楚地表面了摄影者的存在；他们有的时候些许偏离的焦点处在一堆图片之中，一些是直视这照相机。

Picasso was an individualist. He never did anything like everyone else.

毕加索是位个人主义者，他从不重复别人做过的事。

So Velázquez's 1653 portrait in oil of the Infanta Maria Marguerita hangs alongside Picasso's geometric riot of yellow, red and green of the same subject.

比如，委拉斯贵支1653年的油画作品粉红色的玛丽公主与毕加索在同一题材的作品摆在一起，毕加索的作品布满了几何元素，红黄绿色彩张扬。

These rules reflect some inherent feature of self and nonself, and they are the basic detection criterion of GECISM.

这些规则反映了"自我"和"非我"的内在特征，是GECISM进行"非我"检测的判据。

Until today, the media from China and the outside world still uses the term "Post 89". Regardless to whether it is for commercial gimmick or convenience, everybody still remember "Post 89", a term which carries a strong Cantonese accent.

时至今日，国内外艺术媒体还是在沿用&后八九&这个称谓，不管当初是为了商业噱头还是容易上口好记，反正大家现在是记住了&后八九&这个广东口音很重的词。