查询词典 Parisian

In July 2008, ICANN(internet name and digital address allocate an orgnaization) resolution is passed on Parisian annual meeting,.

2008年7月，ICANN(国际互联网名称与数字地址分配机构)在巴黎年会上通过决议，。

The programs provide some idea of the richness of Parisian artistic life during this period, such as the concert on March 23, 1833, in which Chopin, Liszt and Hiller played the solo parts in a performance of Johann Sebastian Bach's concerto for three harpsichords, and the concert on March 3, 1838, when Chopin, Alkan, Alkan's teacher Pierre Joseph Zimmerman and Chopin's pupil Adolphe Gutman played Alkan's 8-hand arrangement of Beethoven's 7th symphony.

节目表现了当时巴黎艺术生活的丰富多采，比如：1833年3月23日的音乐会上，肖邦、李斯特和希勒表演了JS巴赫三大键琴协奏曲的独奏部分，1838年3月3日的音乐会上，肖邦、Alkan、Alkan的老师Pierre Joseph Zimmerma和肖邦的学生Adolphe Gutman演奏了Alkan改编的贝多芬第七交响曲八手联弹版。

An outstanding figure of the early French Enlightenment, he wrote the influential Parisian Letters (72), a veiled attack on the monarchy and the ancien régime, and The Spirit of the Laws (748), a discourse on government.

他是早期法国启蒙运动的杰出人物。著有隐含攻击君主制和古代政体的有影响力的作品如《波斯人信札》（72年）和谴责政府的《论法的精神》

In 1848, the manufacturing of the singing birds is improved by Blaise Bontems in his Parisian workshop, to the point where it has remained unchanged to this day.

Bontems 达到了如此完美的境界以致他的生产方法一直延续到今天。

IN 1976 Pierre Boulez, then already a cutting-edge musician in France, named an unknown 19-year-old to be the resident pianist in his elite Parisian troupe, the Ensemble InterContemporain.

1976年，当时的法国领军音乐家皮埃尔。布列兹把一位默默无闻的19岁男孩命名为"现代乐集"--布列兹的精英巴黎剧团--的常驻钢琴师。

Extravagant France often can be experienced in the work that we wait for critically realistic writers in mulberry of fruit of Baerzake, rain, Mo Bo brownstone social situation, there is no lack of to be described to what women install late among them, imagine not hard, the social activity that late outfit is evening this kind only and expensive dress of preparation is by extravagant at that time temporarily Parisian circle spreads to come outwards.

我们在巴尔扎克、雨果、莫泊桑等批判现实主义作家们的作品中经常能够感受到奢靡的法国上流社会的社交场合，其中不乏对于女子们晚装的描述，不难想象，晚装这种专为晚间的社交活动而预备的奢华服饰是由当时奢靡一时的巴黎社交圈向外蔓延开来的。

Assembling at the Bussy Saint Georges train station, Tzu Chi volunteers and residents of this Parisian suburb have one common goal: to clean up their community.

巴黎郊区的碧西市火车站前，聚集了慈济志工以及当地居民，他们只有一个目标，就是打扫社区。

It was of no avail that the pavements of Paris were there on every side, the classic and splendid hotels of the Rue de Varennes a couple of paces away, the dome of the Invalides close at hand, the Chamber of Deputies not far off; the carriages of the Rue de Bourgogne and of the Rue Saint-Dominique rumbled luxuriously, in vain, in the vicinity, in vain did the yellow, brown, white, and red omnibuses cross each other's course at the neighboring cross-roads; the Rue Plumet was the desert; and the death of the former proprietors, the revolution which had passed over it, the crumbling away of ancient fortunes, absence, forgetfulness, forty years of abandonment and widowhood, had sufficed to restore to this privileged spot ferns, mulleins, hemlock, yarrow, tall weeds, great crimped plants, with large leaves of pale green cloth, lizards, beetles, uneasy and rapid insects; to cause to spring forth from the depths of the earth and to reappear between those four walls a certain indescribable and savage grandeur; and for nature, which disconcerts the petty arrangements of man, and which sheds herself always thoroughly where she diffuses herself at all, in the ant as well as in the eagle, to blossom out in a petty little Parisian garden with as much rude force and majesty as in a virgin forest of the New World.

巴黎的铺石路白白在那一带围绕，华伦街上的那些典雅富丽的府第相隔才两步路，残废军人院的圆顶近在咫尺，众议院也不远，勃艮第街上和圣多米尼克街上的那些软兜轿车白白地在那一带炫耀豪华，驶来驶去，黄色的、褐色的、白色的、红色的公共马车也都白白地在那附近的十字路口交织奔驰，卜吕梅街却但是冷清清的；旧时财主们的死亡，一次已成过去的革命，古代豪门望族的崩溃、迁徒、遗忘，四十年的抛弃和寡居，已足使这个享受过特权的地段重新生满了羊齿、锦葵、霸王鞭、蓍草、长茅草，还有那种叶子宽大、颜色灰绿、斑驳的高大植物，蜥蜴、蜣螂、种种仓皇急窜的昆虫，使那种无可言喻的蛮荒粗野的壮观从土壤深处滋长起来，再次展现在那四道围墙里，使自然界棗阻扰着人类渺小心机的、随时随地在蚂蚁身上或雄鹰身上都肆意孳息的自然界，在巴黎的一个陋劣的小小园子里，如同在新大陆的处女林中那样，既犷悍又庄严地炫耀着自己。

Sometimes the music of this period is called the Parisian school, or Parisian organum, and represents the beginning of what is conventionally known as Ats antique.

有时也把这个时期的音乐成为巴黎乐派，或者是巴黎奥尔加农，它代表着被按惯例称为旧艺术的开始。

IT'S SAID THAT THE TERPSICHOREAN, WHO WENT FROM THE ILLINOIS STATE OF AMERICA TO FRANCE, IN THE 19TH CENTURY HAD ASTONISHED PARISIAN WITH THEIR RARE DANCE AND CLOTHES, SINCE THE PARISIAN ADAPT THE PERFORMANCE WHEN THEY MAKE SUCH WINE, THAT SHOW THE INNATE WORSHIP AND RESPECT.

传说在19世纪时代，由美国伊利诺州到法国表演的舞蹈家，曾以罕见的舞步和衣着，震撼了那些蜂拥而来的绅士淑女们。沉醉于舞蹈家舞姿中的巴黎子弟，在调制此酒时淋漓尽致，体现出内心的敬仰和崇拜。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。