查询词典 PLATO

According to Plato, a state which is made up of different kinds of souls, will overall decline from an aristocracy to a timocracy, then to an oligarchy, then to a democracy, and finally to tyranny (rule by one person, rule by a tyrant).

按照柏拉图，由不同种类灵魂构成的国家大体上要历经从贵族统治到荣誉统治，然后到寡头统治，再到民主，最后到暴政统治（由一个人统治，由暴君统治）。

As if Plato were my townsman and I never saw him —— my next neighbor and I never heard him speak or attended to the wisdom of his words.

好像柏拉图是我的同乡，而我却从没有见过他，——好像是我的近邻而我却从没有听到过他说话，或听到过他的智慧的语言。

On this basis, this treatise tries to make further analysis and remark about the argument of Plato.

在此基础上，本文试图对柏拉图的这一论证做更进一步的分析和评论。

Horace there by Homer stands, Plato stands below, And here is Tully's open page.

赫拉斯站在荷马的身旁，柏拉图站在下边，这里是他里打开的书页。

And if one of these uncomely people has a mind to seek self and philosophy, Plato compares him to a bald little tinker, who has scraped together money, and has got his release from service, and has had a bath, and bought a new coat, and is rigged out like a bridegroom about to marry the daughter of his master who has fallen into poor and helpless estate.

他说如果在世俗的人们中有一个想寻求自我和哲学，那么他就像一个秃顶的补锅匠，攒了些钱，丢掉工作，洗了澡，买了件新外套，打拌简直就像要取他落魄师傅的女儿一样。

Mr Ball is wary of easy conclusions, but he is clear that the images of Plato, Euclid and Pythagoras that adorn the entrance are not there to symbolise unknowability.

巴尔不妄自揣测，但他十分清楚装饰着讲堂入口的柏拉图，欧几里德，毕达哥拉斯绝非用来象征愚昧。

Unmarked works are assumed to have been written by Plato.

没有任何标注的作品是被认为是柏拉图写的。

Better be unbound than untaught, for ignorance is the root of misfortune.--Plato , ancient Greek philosopher

与其不受教育，不知不生，因为无知是不幸的根源--古希腊哲学家柏拉图

Philosophers of the tradition, to the degree that they had thought about art at all, thought chiefly about the art of their own time: Plato, about the illusionistic sculptures of his contemporaries; Kant, about the tasteful objects of the Enlightenment; Nietzsche, about Wagnerian opera; the Wittgensteinians, about the extraordinary proliferation of styles in the twentieth century, when a whole period of art history appeared to last about six months.

传统的哲学家们，就他们对艺术所做的思考的范围而言，想的主要是他们自己时代的艺术：柏拉图，想的是他的同代人搞的那些幻象性质的雕像；康德，想的是启蒙时代的那些颇有品味的东西；尼采，想的是瓦格纳的歌剧；魏特根斯坦，想的是二十世纪各种风格的大量繁殖（其时整个一个艺术史阶段似乎只延续六个月）。

When we remember that a training in music and poetry formed a prominent part of the education of every wellborn Athenian, we cannot be surprised at finding in Aristotle, and to a less extent in Plato, considerable traces of a tradition of technical language and even of aesthetic theory.

只要我们没有忘记，雅典出身名门的人所受教育中最突出的部分即音乐和诗歌的训练，那我们在亚里士多德，也包括稍微早一点的柏拉图身上找到传统的言语习惯，甚至审美理论的痕迹也就不足为奇。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。