查询词典 Orlando

Shel is "strange and subtle as a woman," while Orlando is tolerant and free-spoken as a man.

&谢是&奇怪的和微妙的作为一个女人&，而奥兰多是&宽容和自由交谈的人。

There's a certain Darwinian angle to recession,' says economist Sean Snaith of the University of Central Florida in Orlando, Fla.

位于佛罗里达州奥兰多的中佛罗里达大学经济学家史乃斯说，对衰退存在着达尔文进化论式的观点。

I'm a Graphics Trainer for Electronic Arts Tiburon in Orlando Florida.

我是一个图形教练员佛罗里达州奥兰多市的电子艺术迪伯伦。

Maybe it's just some kids with a Devil-may-care attitude, Orlando said.

也许只是某些胆大妄为的小鬼。」奥兰多说。

Orlando's Dwight Howard had 16 points, 21 rebounds and a Finals-record nine blocked shots, but he was just 6 of 14 fromthe free throw line as the Magic failed to put away the game in regulation.

魔术的霍华德有16分，21篮板进账，而且还有破总决赛纪录的9个盖帽，但是他的罚球14中6，导致了魔术不能在常规时间里拿下了比赛。

Orlando is here, and the Magic cannot be disparaged.

魔术队在此，并且他们不容轻视。

Orlando Bloom was the first one they discussed, and the female host just about drooled and fell off her chair when she said something like "This guy really has IT".

一个电视节目，分析六个未来之星，2男4女，第一个说的就是咱家阿开。

Excerpted from the workshop in Orlando , FL on Saturday, December 15th, 2001

摘自在美国佛罗里达州奥兰多的工作坊，2001年12月15日星期六

Reflecting the experimental nature of modernism in biography, V. Woolf's Orlando distorts the subject's life while A. Malraux's Les Antimémoires jumbles up chronological sequences and adds fictitious contents.

伍尔芙的《奥兰多传》对传主生平进行变形处理，马尔罗的《反回忆录》打破了叙述的顺序并加上虚构的内容，反映了现代派传记的实验性质。

He wrote about 45 Italian operas, including Giulio Cesare (1723), Orlando (1733), and Alcina (1735). His oratorios include Israel in Egypt (1739), Saul (1739), and Jephtha (1752). His church music includes the Chandos Anthems (1718) and Coronation Anthems (1727). His orchestral works include the famous Water Music (1717) and Royal Fireworks Music (1749), the 18 concerti grossi of Op. 3 and Op. 6, and 17 organ concertos.

他的作品有︰近四十五部义大利歌剧，包括了《朱利奥E凯撒》（1723）、《奥兰多》（1733）和《阿尔其纳》（1735）；神剧包括了《以色列人在埃及》（1739）、《扫罗》（1739）和《耶弗他》（1752）；教堂音乐包括了《钱多斯赞美歌》（1718）和《乔治二世加冕赞美歌》（1718）；他的管弦乐作品有著名的《水上音乐》（1717）和《皇家火焰音乐》（1749），第三号《大协奏曲六首》和第六号《大协奏曲十二首》及十七首管风琴协奏曲。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。