查询词典 Notre Dame

Here tourists can appreciate a wide variety of replicas of famous sights, such as the Arc of Triumph, the Eiffel Tower, the Glass Pyramid of Louvre, Versailles Palace and Notre Dame de Paris in France; London's Tower Bridge and Buckingham Palace in Britain; the Leaning Tower of Pisa, the Colosseum, Venice and St. Mark Square in Italy; the Alcazar Castle in Spain; the Cologne Cathedral in German; the idyllic sight of windmills and tulips of Holland; the Acropolis of Athens in Greece; the wall and clock towers of Kremlim in Russia; the Taj Mahal in India, the Grand Palace in Thailand; the Angkor Wat in Cambodia; Shwedagon Pagota in Burma; the Merlion in Singapore, the pyramids of Giza and the Abu Simbel Temple in Egypt; the Grand Canyon and the Stature of Liberty in the United States, Sydney Opera House in Australia; the Olmec Heads in Mexico; the statues of Easter Island in Chile; the Linear Drawings at Nasca in Peru; and the Great Wall and the Palace Museum in China, etc.

游客可以在这里观赏法国的凯旋门、埃菲尔铁塔、卢浮宫玻璃金字塔、凡尔赛宫和巴黎圣母院；英国伦敦的塔桥和白金汉宫；意大利的比萨斜塔、罗马大斗兽场、威尼斯水城和圣马克广场；西班牙的阿卡沙堡；德国的科隆大教堂；荷兰的风车和郁金香田园风光；希腊的雅典卫城；俄罗斯的克里姆林宫墙及钟楼；印度的泰姬陵、泰国的泰王宫；柬埔寨的吴哥窟；缅甸的仰光大金塔、新加坡的狮头鱼身像；埃及的吉萨金字塔群和阿布辛伯勒神庙；美国的大峡谷和自由女神像；澳大利亚的悉尼歌剧院；墨西哥的巨石头像；智利的复活节岛巨人石像；秘鲁的那斯卡线画；中国的长城和故宫等景物复制品。

Principles of Gothic structure were defined and promulgated by the nineteenth-century French architect Viollet-le-Duc, drawing on his experience restoring such large cathedrals as those of Amiens [8] and Notre-Dame, Paris.

原则的哥特式结构进行了界定，并颁布了十九世纪法国建筑设计师viollet -乐德，借鉴他的经验，恢复，如此庞大的参观大教堂，因为那些亚眠[ 8 ]和圣母院，巴黎大学。

The Abbey of Notre Dame de Ronceray, at Angers, founded in 1028 by Fulke, Count of Anjou, was one of the most influential convents in France in the Middle Ages, and had under its jurisdiction a large number of dependent priories.

该修道院圣母院Ronceray ，在昂热，成立於1028年由Fulke ，安茹伯爵，是一个最有影响力的法国修道院在中世纪，并在其管辖范围内的大量依赖修道院。

Byatt's Possession, García Márquez's One Hundred Years of Solitude, the short stories of Borges, Umberto Eco's The Name of the Rose, Arturo Pérez-Reverte's The Club Dumas or Paul Auster's "New York" trilogy, not to mention Victor Hugo's Hunchback of Notre Dame and William Hjortsberg's Falling Angel, then you will love The Shadow of the Wind.

厄拜特的《占有》，马尔克斯的《百年孤独》，博尔赫斯的短篇小说，艾柯的《玫瑰之名》，雷维特的《大仲马俱乐部》，保罗奥斯特的《纽约》三部曲，甚至是雨果的《巴黎圣母院》Hjortsberg的《堕落天使》相比较。其中，雷维特，奥斯特，以及《堕落天使》和它的作者都是我第一次听到过，也不知道有没有这些书的中文译本。

Both are located at the french basillica Notre-Dame in Beaune, Burgandy.

两个位于法国勃良第波恩圣母玛利亚教堂，。

The distress of the people, the laborers without bread, the last Prince de Conde engulfed in the shadows, Brussels expelling the Nassaus as Paris did the Bourbons, Belgium offering herself to a French Prince and giving herself to an English Prince, the Russian hatred of Nicolas, behind us the demons of the South, Ferdinand in Spain, Miguel in Portugal, the earth quaking in Italy, Metternich extending his hand over Bologna, France treating Austria sharply at Ancona, at the North no one knew what sinister sound of the hammer nailing up Poland in her coffin, irritated glances watching France narrowly all over Europe, England, a suspected ally, ready to give a push to that which was tottering and to hurl herself on that which should fall, the peerage sheltering itself behind Beccaria to refuse four heads to the law, the fleurs -de -lys erased from the King's carriage, the cross torn from Notre Dame, Lafayette lessened, Laffitte ruined, Benjamin Constant dead in indigence, Casimir Perier dead in the exhaustion of his power; political and social malady breaking out simultaneously in the two capitals of the kingdom, the one in the city of thought, the other in the city of toil; at Paris civil war, at Lyons servile war; in the two cities, the same glare of the furnace; a crater-like crimson on the brow of the people; the South rendered fanatic, the West troubled, the Duchesse de Berry in la Vendee, plots, conspiracies, risings, cholera, added the sombre roar of tumult of events to the sombre roar of ideas.

人民的疾苦，没有面包的劳动人民，最后一个孔代亲王的横死②，仿效驱逐波旁家族的巴黎而驱逐纳索家族的布鲁塞尔，自愿归附一个法兰西亲王而终被交给一个英格兰亲王的比利时，尼古拉的俄罗斯仇恨，站在我们背后的两个南方魔鬼西班牙的斐迪南和葡萄牙的米格尔，意大利的地震，把手伸向博洛尼亚的梅特涅，在安科纳以强硬手段对付奥地利的法兰西，从北方传来把波兰钉进棺材的那阵无限悲凉的锤子声音，整个欧洲瞪眼望着法国的那种愤激目光，随时准备趁火打劫、落井下石的不可靠的盟国英格兰，躲在贝卡里亚背后拒绝向法律交出四颗人头的贵族院，从国王车子上刮掉的百合花，从圣母院拔去的十字架，物化了的拉斐德，破产了的拉菲特，死于贫困的班加曼·贡斯当，死于力竭的卡齐米尔·佩里埃，在这王国的两个都市中棗一个思想的城市，一个劳动的城市棗同时发生的政治病和社会病，巴黎的民权战争，里昂的奴役战争，两个城市中的同一种烈焰，出现在人民额头上的那种类似火山爆发的紫光，狂烈的南方，动荡的西方，待在旺代的德·贝里公爵夫人，阴谋，颠覆活动，暴乱，霍乱，这些都在种种思潮的纷争之上增添了种种事变的纷起。①在法国一八三○年革命中，拉斐德是自由保王派，波林尼雅克是被推翻的查理十世王朝的内阁大臣。②孔代，波旁家族的一个支系，一八三○年孔代亲王被人吊死在野外，未破案。

Inspired by Hictor Huog's classic novel, Disney brings the heroic adventures of Quasimodo, the gentle and lonely bell ringer of Notre Dame, to spectacular life.

灵感来自Hictor Huog的经典小说，迪斯尼带来的英雄冒险加西莫多，柔和和孤独贝尔林格圣母院，壮观的生活。

Art of a different sort can be found in another of Paris' top tourist attractions— Notre Dame Cathedral (Notre-Dame-de Paris).

另一不同参观的内容是巴黎圣母院，它是最顶级的旅游景点深深地吸引游人。

Art of a different sort can be found in another of Paris' top tourist attractions—Notre Dame Cathedral (Notre-Dame-de Paris).

另一不同参观的内容是巴黎圣母大教堂，它是最顶级的旅游景点深深地吸引游人。

Stand in the square in front of the cathedral Here, you are standing in the center of France All distances are measured from the front of Notre Dame Every road in France leads to her front door All French kings and leaders have journeyed here to commemorate important occasions and give thanks Notre Dame is the heart of Paris and the heart of France

站在教堂前面的广场。在这里，你即处于法国的正中心。所有的距离皆是以圣母院前门开始计算。法国的每一条路都通往它的前门。所有的法国国王或统治者都曾经旅游到此来纪念重要的节日或感恩。圣母院是巴黎的中心，也是法国的中心。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。