查询词典 Notre Dame

In some churches with double aisles, like Notre Dame, Paris, the transept does not project beyond the aisles.

在一些教会双过道，像巴黎圣母院，巴黎， transept并不项目以外的过道。

The upper or Old Town contains the grand Gothic cathedral, Notre-Dame; its turreted towers a well-known symbol of the city.

上部或旧城区包含宏伟的哥特式大教堂，巴黎圣母院的精髓，它的炮塔塔著名城市的象征。

You will see the major attractions of the Capital city: Arch of Triumph and Champs-Elysees,Trocadero, Invalides, Concorde Square, Notre-Dame Cathedral, Vendome Square,etc.

巴黎协和广场位於巴黎市中心、塞纳河北岸，是法国最著名广场和世界上最美丽的广场之一。

My research paper is mainly about beauty and ugliness in Victor Hugo's great Romanticism novel Notre Dame De Paris.

我的论文主要讲的是巴黎圣母院这部大型浪漫主义小说中的美与丑的分析。

"Jesus expected a radical transformation of the world and that this would involve the coming of a heavenly figure," says Adela Yarbro Collins of the University of Notre Dame.

&耶稣期待的是一个激烈的世界变革，并且与一个来自天国的人物联系在一起，&圣母大学的Adela Yarbro Collins说。

After nearly two decades of teaching at the Menninger Clinic in Kansas and at the Universities of Notre Dame, Yale and Harvard, he left to share his life with mentally handicapped people at the L'Arche community of Daybreak in Toronto, Canada.

卢云曾分别在堪萨斯的门宁各诊所以及圣母院大学，耶鲁大学和哈佛大学任教近二十年，此后前往位于加拿大多伦多的&方舟黎明之家&（the L'Arche community of Daybreak），与智障人士一起生活。

Hugo gained wider fame with his play Hernani (1830) and with his famous historical work The Hunchback of Notre Dame(1831) which became an instant success.

剧本虽未能演出，但那篇序言却被认为是法国浪漫主义的宣言，成为文学史上划时代的文献。

For, the rooms, though a beautiful scene to look at, and adorned with every device of decoration that the taste and skill of the time could achieve, were, in truth, not a sound business; considered with any reference to the scarecrows in the rags and nightcaps elsewhere (and not so far off, either, but that the watching towers of Notre Dame, almost equidistant from the two extremes, could see them both), they would have been an exceedingly uncomfortable business--if that could have been anybody's business, at the house of Monseigneur.

因为这些房间尽管漂亮豪华，具有当时最高雅最精美的设计和装饰，实际上已是摇摇欲坠。考虑到别的地方那些衣衫褴褛、戴着睡帽的穷汉们的存在（他们离此不远，巴黎圣母院的高塔差不多就在两极的正中，从那里可以眺望到这两处），这些华屋已成了令人极其不安的地方-一若是大人府第里也有人负责研究这个问题的话。

For, the rooms, though a beautiful scene to look at, and adorned with every device of decoration that the taste and skill of the time could achieve, were, in truth, not a sound business; considered with any reference to the scarecrows in the rags and nightcaps elsewhere (and not so far off, either, but that the watching towers of Notre Dame, almost equidistant from the two extremes, could see them both), they would have been an exceedingly uncomfortable business--if that could have been anybodys business, at the house of Monseigneur.

因为这些房间尽管漂亮豪华，具有当时最高雅最精美的设计和装饰，实际上已是摇摇欲坠。考虑到别的地方那些衣衫褴褛、戴着睡帽的穷汉们的存在（他们离此不远，巴黎圣母院的高塔差不多就在两极的正中，从那里可以眺望到这两处），这些华屋已成了令人极其不安的地方-一若是大人府第里也有人负责研究这个问题的话。

There is something indescribable there which exhales grace, a green meadow traversed by tightly stretched lines, from which flutter rags drying in the wind, and an old market-gardener's house, built in the time of Louis XIII., with its great roof oddly pierced with dormer windows, dilapidated palisades, a little water amid poplar-trees, women, voices, laughter; on the horizon the Pantheon, the pole of the Deaf-Mutes, the Val-de-Grace, black, quat, fantastic, amusing, magnificent, and in the background, the severe square crests of the towers of Notre Dame.

那地方散发着一种无以名之的淡远的情趣，一片青草地，上面有几根拉紧的绳索，迎风晾着一些旧衣破布，蔬菜地边有所路易十三时代的古老庄屋，庞大的屋顶上开着光怪陆离的顶楼窗，倾斜破烂的木栅栏，白杨树丛中有个小池塘，几个妇女，笑声，谈话声，朝远处看，能望见先贤祠、盲哑院的树、军医学院，黑黝黝，矮墩墩，怪模怪样，有趣，美不胜收，在更远处，有圣母院钟塔的严峻的方顶。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。