查询词典 Notre Dame de Paris

The distress of the people, the laborers without bread, the last Prince de Conde engulfed in the shadows, Brussels expelling the Nassaus as Paris did the Bourbons, Belgium offering herself to a French Prince and giving herself to an English Prince, the Russian hatred of Nicolas, behind us the demons of the South, Ferdinand in Spain, Miguel in Portugal, the earth quaking in Italy, Metternich extending his hand over Bologna, France treating Austria sharply at Ancona, at the North no one knew what sinister sound of the hammer nailing up Poland in her coffin, irritated glances watching France narrowly all over Europe, England, a suspected ally, ready to give a push to that which was tottering and to hurl herself on that which should fall, the peerage sheltering itself behind Beccaria to refuse four heads to the law, the fleurs -de -lys erased from the King's carriage, the cross torn from Notre Dame, Lafayette lessened, Laffitte ruined, Benjamin Constant dead in indigence, Casimir Perier dead in the exhaustion of his power; political and social malady breaking out simultaneously in the two capitals of the kingdom, the one in the city of thought, the other in the city of toil; at Paris civil war, at Lyons servile war; in the two cities, the same glare of the furnace; a crater-like crimson on the brow of the people; the South rendered fanatic, the West troubled, the Duchesse de Berry in la Vendee, plots, conspiracies, risings, cholera, added the sombre roar of tumult of events to the sombre roar of ideas.

人民的疾苦，没有面包的劳动人民，最后一个孔代亲王的横死②，仿效驱逐波旁家族的巴黎而驱逐纳索家族的布鲁塞尔，自愿归附一个法兰西亲王而终被交给一个英格兰亲王的比利时，尼古拉的俄罗斯仇恨，站在我们背后的两个南方魔鬼西班牙的斐迪南和葡萄牙的米格尔，意大利的地震，把手伸向博洛尼亚的梅特涅，在安科纳以强硬手段对付奥地利的法兰西，从北方传来把波兰钉进棺材的那阵无限悲凉的锤子声音，整个欧洲瞪眼望着法国的那种愤激目光，随时准备趁火打劫、落井下石的不可靠的盟国英格兰，躲在贝卡里亚背后拒绝向法律交出四颗人头的贵族院，从国王车子上刮掉的百合花，从圣母院拔去的十字架，物化了的拉斐德，破产了的拉菲特，死于贫困的班加曼·贡斯当，死于力竭的卡齐米尔·佩里埃，在这王国的两个都市中棗一个思想的城市，一个劳动的城市棗同时发生的政治病和社会病，巴黎的民权战争，里昂的奴役战争，两个城市中的同一种烈焰，出现在人民额头上的那种类似火山爆发的紫光，狂烈的南方，动荡的西方，待在旺代的德·贝里公爵夫人，阴谋，颠覆活动，暴乱，霍乱，这些都在种种思潮的纷争之上增添了种种事变的纷起。①在法国一八三○年革命中，拉斐德是自由保王派，波林尼雅克是被推翻的查理十世王朝的内阁大臣。②孔代，波旁家族的一个支系，一八三○年孔代亲王被人吊死在野外，未破案。

There were confrontations between the authorities and demonstrators throughout the day as the relay attempted to crisscross Paris, birthplace of the modern Olympic movement, passing landmarks including l'Arc d'Triomphe, the Place de la Concord, The Louvre and Notre Dame.

有对立，当局和示威者在整个一天作为中继企图纵横交错，巴黎的发祥地，现代奥林匹克运动的合格名胜包括l'弧-凯旋，的P laced el a康科德，罗浮宫和圣母院。

There is Notre-Dame de Paris, a pointed-arch edifice, which is imbedded by its pillars in that Roman zone, in which are plunged the portal of Saint-Denis,and the nave of Saint-Germain des Près.

那就是巴黎圣母院，尖拱建筑物，但从其早期那些柱子来说，深深根植于罗曼带，圣德尼教堂的正门和圣日耳曼—德—普瑞教堂的中殿也都如此。

My research paper is mainly about beauty and ugliness in Victor Hugo's great Romanticism novel Notre Dame De Paris.

我的论文主要讲的是巴黎圣母院这部大型浪漫主义小说中的美与丑的分析。

After your gourmet dinner, take a walking tour of the floodlit monuments Cross the Pont Neuf, the oldest bridge in the city, to the Ile de la Cite The most famous landmark of Paris looms up in front of you the Notre Dame Cathedral.

在你的美食晚餐之后，可以到被聚光灯照耀的纪念碑去走一趟。穿过第九桥此城市中最古老的桥。到达城市之岛。巴黎最有名的标志即隐约地呈现在你的面前：圣母院。

As " Notre-Dame de Paris " done of the romantic literature model Morality and justice and symbol of intuitive knowledge not merely, purity with kindhearted place, faith, harbour that pursue and castigate to " evil " and to the " beautiful " witness in images sung the praises of, and has represented that blindly, simply, odd-shaped, primitively vividly --Love.

作为浪漫主义文学典范之作的《巴黎圣母院》不仅是道义与良知的象征、纯洁与善良的所在、信仰与追求的港湾以及对&恶&的鞭挞和对&美&的讴歌的形象化的见证，而且也生动地展现了那盲目的、单纯的、畸形的、原始的--爱。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。