查询词典 New-Year

The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is somethingthat happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves,which is modified by the introduction of the new work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly,altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

他之必须适应，必须符合，并不是单方面的产生一件新艺术作品，成为一个事件，以前的全部艺术作品就同时遭逢了一个新事物现存的艺术经典本身就构成一个理想的秩序，这个秩序出于新的作品被介绍进来而发生变化这个已成的秩序在新作品出现以前本是完整的，加入新花样以后要继续保持完整，整个的秩序就必须改变一下，即使改变得很小；因此每件艺术作品对于整体的关系、比例和价值就重新调整了；这就是新与旧的适应。

The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is something that happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves, which is modified by the introduction of the new work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

他之必须适应，必须符合，并不是单方面的产生一件新艺术作品，成为一个事件，以前的全部艺术作品就同时遭逢了一个新事物现存的艺术经典本身就构成一个理想的秩序，这个秩序出于新的作品被介绍进来而发生变化这个已成的秩序在新作品出现以前本是完整的，加入新花样以后要继续保持完整，整个的秩序就必须改变一下，即使改变得很小；因此每件艺术作品对于整体的关系、比例和价值就重新调整了；这就是新与旧的适应。

Enter the new Fiat 500, the manifesto of the 'new Fiat', a model that represents to all intents and purposes the materialisation of a new approach, of new brand strategies, and a different approach to the car.

输入新的菲亚特500，对宣言'新菲亚特'，一个模型，所代表的所有意图和目的的一种新方法materialisation新的品牌战略，并以不同的方式车。

We developed many products in every stage to share our country people as dealt with American since 1966. For creating new industry to produce new jobs, we announced that " developing the RF Transmitter "--it's called " Toller " at newspaper in 1989, because we believed that new era needs new products.

从1966年与美国人做成生意以来，我们在每一个阶段都发展不同的产品分享乡亲；为创新产业解决失业，我们在1989年於经济日报与工商时报宣布发展「射频转换器」，我们确信新世代需要新产品。

Furthermore, the development of China in the most recent twenty-odd years has been so consistent and rapid that new things, new technologies, and new products have continuouly emerged, which inevitably leads to the coinage of new words and technical terms and the reflection of this phenomenom on the media.

加之中国20多年来持续地快速发展，新事物、新技术和新产品等层出不穷，这必然导致新词汇、新术语的不断出现，并反映在各种媒体上。

Company has strong technical strength, with a high-quality development and design team to provide professional services at the same time, actively open up new products, new value-added project space to network and embedded processing technology as an opportunity to grasp the development trend of time, vigorously develop intelligent building system integration and customer application solutions design and development of two new areas of sustainable development for the company to inject new vitality.

公司技术力量雄厚，拥有一支高素质的开发设计队伍，在提供专业化服务的同时，积极开辟新产品、新项目的增值空间，以网络和嵌入式处理技术为契机，把握时代发展的趋势，大力发展建筑智能化系统集成和客户应用解决方案的设计开发两块新领域，为公司的可持续发展注入新的活力。

Economic globalization extended the capacity of world market, the development that is each country economy brings larger mobile space, offer more development opportunity, the characteristic that also makes world market risk increases revolution of; new science and technology to deciding structure of prospective world industry at the same time and the way that economy grows, for economy development provides new power and new field, also make the development of traditional industry faces greater pressure, competitive advantage tilts to the state that has capacity of advanced technique innovation further the structural adjustment of limits of; whole world will make area of world economy growth widens further, the shirt-sleeve rate of each country economy rises further, at the same time each country also do one's best holds vantage ground in new international division of labor.

经济全球化拓展了世界市场的容量，为各国经济的发展带来更大的活动空间，提供更多的发展机遇，同时也使世界市场风险加大；新科技革命决定着未来世界产业结构的特点和经济增长的方式，为经济发展提供新的动力和新的领域，也使传统产业的发展面临更大的压力，竞争的优势进一步向拥有先进技术创新能力的国家倾斜；全球范围的结构调整将使世界经济增长面进一步拓宽，各国经济的融合程度进一步提高，同时各国也力求在新的国际分工中占据有利地位。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

Wood turning lathe for new models and parts of the structural design of the design, key components of the design and manufacture of process technologies, select the key components of new materials and heat treatment process to achieve the new target, so that the new improved model wood turning lathe co-ordination among the various components to better structure more reasonable.

进行新式模型锣床的结构设计和零部件设计，对关键的零部件的设计与制造工艺进行技术攻关，选择关键零部件的新材料及热处理工艺，从而达到新指标要求，使改进后的新式模型锣床的各个部件间的配合更好，结构更加合理。

So, Army XXI is really a mental process of new ways, new concepts, new thoughts, new ideas, the changing of the culture.

所以，"21世纪陆军"的研究确实是一个发现新方式、新概念、新思想、新观点的心理活动过程，旨在改变文化。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。