查询词典 Mondrian

But at a vending machine in the Mondrian South Beach Hotel in Miami, Florida, gussets can get much more than toothbrushes and snack foods.

在美国的佛罗里达州的蒙特利恩南海滩酒店的自动售货机，能销售给贵宾不但象牙刷和小零食等外，还可以给贵宾销售更多的其他物品。

It was derived from Mondrian's sketches of Paris building facades that included traces of demolished elements.Rule decided to use a similar composition--an interlocking sequence of spaces and angles,but composed on the ground plane with lawn edges,low walls,and arrangements of hedges.This had tremendous appeal for the client,an art collector.Rule outdid the competing designer,and the three-acre garden was completed in 2002 after two years of design and construction.

他来自蒙德里安的绘画巴黎的建筑立面，其中包括痕迹拆卸法治要素决定采用类似成分-联锁序列的空间和角度，但对组成的地面上的飞机与草坪边，低墙，并安排h edges.this了强大的感召力，为客户，一门艺术c ollector.ruleo utdid竞争的设计师，和三英亩的花园，是在2002年完成，经过两年的设计和施工。

Abroad, he continues to shake up the traditions and culture of major cities around the world, with the decoration of the Peninsula Hotel restaurant in Hong Kong, the Teatron in Mexico, the Hotel Delano in Miami, the Mondrian in Los Angeles, the Asia de Cuba restaurant in New York, and a whole clutch of projects under way in London and elsewhere.

在国外，他继续主要全球的城市摇动传统而且耕种，藉由半岛的装饰酒店在香港的餐馆， Teatron 在墨西哥，酒店 Delano 在迈阿密，蒙德里安在洛杉矶，在纽约的亚洲 de 古巴餐馆、和在伦敦和其他地方的方法下面的计画的整个抓紧。

Its collection of masterpieces includes Picasso's Les Demoiselles d'Avignon, Van Gogh's Starry Night and Piet Mondrian's Broadway Boogie-Woogie.

它所珍藏的名作包括毕加索的《亚维农的少女》、凡·高的《星夜》和皮耶·蒙德里安的《百老汇爵士乐》。

So how might Xu Hongmin's work, based as it is on line and reductive colour, relate to the legacy of the Constructivists, of Mondrian, of the Abstract Expressionists, or even of Agnes Martin whose work it mostly closely resembles?

这样说来，徐红明的作品，以线条和缩减后的颜色，与结构主义者，蒙德里安，抽象表现主义，甚至与与其最为近似的Agnes Martin的作品又是怎样的一种关系？

The leaked ROM did also include an image of the Mondrian but this is most likely just a render so expect the phone to look somewhat unrecognisable from this early leak.

泄漏的光盘也还包括图像的蒙德里安，但这很可能只是一个期望，以便使手机看有点认不出来，这种早期由泄漏。

We generally divide abstraction into two categories, namely, cold abstraction represented by Malevich and Mondrian and hot abstraction represented by Pollock and De Kooning. Both of them adopt a positive expression_r_r.

我们一般将抽象分为两类，即以马列维奇和蒙德里安为代表的冷抽象，以波洛克和德库宁为代表的热抽象，这两种抽象都采取了肯定的表现方式。

After World War II, we were confronted with the question of how to use ink painting in our shattered homeland while the west was occupied with other things. Surrealist painters like Andre Lubu Lev and Salvatore Dali along with cubist and abstract painters Mondrian, Chagall and Lipchitz headed to America and replaced Paris as the center of the art world. European artists wandered the New York City streets except for Kandinsky due to his age. American contemporary artists like Alexander Calder and Willem De Kooning emerged, followed by the existentialists including Jackson Pollock and Barnett Newman.

二战结束后，在我们面对国破家亡琢磨水墨画还有什么用的时候，西方人也没闲着：纽约取代了巴黎成为世界艺术的中心，超现实主义画家包括安德烈·布列顿、达利等等集体来到纽约，除了70多岁的康定斯基行动不便之外，立体派、抽象派艺术家蒙德里安、夏加尔和利普希茨也都跑到了美国，纽约到处可见欧洲的艺术家在街上晃荡。

In addition, world records were set at the sale for the works of 10 artists, including Henri Matisse, Piet Mondrian, Marcel Duchamp, Constantin Brancusi and Giorgio de Chirico.

另外，曾经的世界记录是在拍卖包括亨利马蒂斯，皮特孟德里安，MD，CB，GDC在内艺术家的作品的拍卖会上创下的。

Galleries on the fifth floor display works from 1880 to 1940, beginning with such pioneers of modern art as Paul Cézanne and Vincent van Gogh and continuing with masterworks by Henri Matisse, Pablo Picasso, Giorgio de Chirico, Fernand Léger, Constantin Brancusi, Piet Mondrian, Salvador Dalí, and Joan Miró, among others.

位于第五层的美术馆展示的作品年代从1880年跨越至1940年，从现代美术的先锋人物开始，这些人如保罗·赛兹安里（Paul Cézanne）、文森特·梵高，继而是：亨里·马提斯、帕布鲁·毕加索、乔治欧·德·奇里卡、费尔南达·雷格（Fernand Léger）、康斯坦丁·布朗克斯、派特·蒙德里安、萨尔瓦多·达里（Salvador Dalí）、琼·米诺，他们创造了伟大的艺术作品。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。