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Modernism相关的网络例句

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与 Modernism 相关的网络例句 [注:此内容来源于网络,仅供参考]

From the viewpoint of literature development, there is no absolute boundary between modernism and postmodernism.

从文学发展角度讲,现代主义和后现代主义之间并不存在绝对的界限。

Focusing on Bai's alimentary obsession, this article traces the development of his writing career in the last three decades and attempts a new approach to some of the most studied aspects of his fiction such as cultural nostalgia, modernism, and homoeroticism.

另一方面,本文也想透过一种不同的阅读方式,重新思考过去有关白先勇的评论中,诸如文化乡愁、现代主义、同性恋等等一些最受关注的课题,在文化研究盛行的今天,提出一个新的诠释可能。

In after modernism, has vanished about past this kind of depth perception, we only exist in the present, does not have the history; The history only was pile of texts, the file, the recording is firmly already the event or the time which did not exist, stayed behind only is some papers, the dispatch case.

在后现代主义中,关于过去的这种深度感消失了,我们只存在于现时,没有历史;历史只是一堆文本、档案,记录的是确已不存在的事件或时代,留下的只是一些纸、文件袋。

Vered Gallery - Art advisor, consultant and dealer offers services as:* photographic art consultant * photography dealer * photography curator Modernism, milton avery, Willem de Kooning, Jackson Pollock, Childe Hassam, Thomas Moran, Chagall, Picasso, Matisse.

4~5画廊-艺术顾问、顾问及经销商提供服务为:摄影艺术摄影顾问***经销商馆长现代摄影、米尔顿艾维利,kooning次Willem德、鳕杰克逊、少爷hassam托马斯默然,罗丹,夏卡尔、毕加索、马蒂斯。

This strain of modernism looks backward to the dada school of art exemplified by Duchamp, and to the collage of "concrete" music, as well as experiments with electronic music by

这个现代主义原则看起来可回溯至

SANCTIONING MODERNISM: U Texas symposium on post-WWII architecture - We are pleased to announce an upcoming symposium hosted by the School of Architecture at the University of Texas at Aus ...

现代制裁:美国德州学术研讨会战后建筑-我们高兴地宣布了即将举行的研讨会上大学建筑学院在德州:澳元

"Beat Generation" Literature is popular in the 1950s in the United States anti-modernism and cultural ideas.

&垮掉的一代&文学是20世纪50年代流行于美国的现代主义反文化思潮。

Noneof the other fathers of Modernism felt it so strongly — not Matisse, not Mondrian, certainly not Braque.

在其他现代主义创作者之中没有ㄧ个人体认到如此强烈的想法-不包括马提斯、摩敦、当然更不是巴克。

The first part presents a comprehensive scene of the art environment in which Soutine was involved, the influences he received and his opinions on the problems he confronted. This is achieved by analyzing the relationships between his paintings and those of his contemporary as well as between his paintings and the classical art works in museums. The second part will, through his landscape, still life and portrait paintings, explore the forming of Soutine\'s characteristically expressive art language and the development of his art style, which integrated the modernism paintings with classical art elements. The third part will discuss the culture background of his art, the psychology of his creation and his techniques in order to point out" the intuitively expressionist nature "of his art. This part will also analyze the achievement of Soutine\'s art and its contribution to art history through critics\' opinions of him and his influences on other artists.

第一部分分析了苏丁绘画与同时代的艺术家的创作及博物馆中的经典作品的关系,尽力全面地描述苏丁在当时所面对的艺术环境,对其所受到的影响及面对的问题有所认识;第二部分分别从风景、静物、人物三个方面,从苏丁艺术自身的形成、发展来论述他在现代艺术的框架下,借助古典艺术以形成其独特的表现性语言的过程;第三部分从苏丁绘画的文化、心理以及艺术技巧等多个方面进行分析,指明其&富于直觉的表现主义&的特质,并通过批评家的评论与他对后来艺术家的影响来认识苏丁艺术的成就及在美术史上的作用。

During the early twentieth century, art underwent dramatic changes. Without blindly following the contemporary trends, Soutine selectively inherited the previous modernism art achievement and learned from the classical art works as well to solve specific problems that he faced. He created a strikingly expressive modern art language while embedding the charm and spirit of traditional art. His unique style has inspired and affected a great number of artists.

总之,在二十世纪初期艺术激变的时代,苏丁在接受现代主义艺术成果的同时,没有盲目追随潮流,而是认真地面对自己的问题,通过向古典作品的学习,创造了极富表现力的具有现代感的艺术语言,使传统艺术的精神、魅力在自己的作品中得到体现,由此他的艺术启示和影响了后来众多的艺术家。

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