查询词典 Modern English

With John Dunstable and other English composers, partly through the local technique of fabutden(an improvisatory process in which a chant melody and a written part predominantly in parallel sixths above it are ornamented by one sung in perfect fourths below the latter, and which later took hold on the continent as "fauxbordon"), the interval of the third emerges as an important musical development; because of the Contenance Angloise("English countenance"), English composers' music is often regarded as the first to sound less truly bizarre to modern, unschooled audiences.

随着John Dunstable和其他英国作曲家在一定程度上通过当地一种叫faburden的技法的运用（这是一种即兴的技法，运用于圣咏的旋律中，下方有一个主要是平行六度的部分，而它们又由一个低于下方的纯四度演唱装饰，这种后来影响了整个欧洲大陆的技法被称为fauxbordon），三度音程的出现成为一种重要的音乐发展，这是因为Contenance Angloise ("English countenance")--这种英国作曲家的音乐常常被未经教育的听众认为是一听上去就不古怪的音乐。

For example,Indo - European.duwo and Old English tw?re etymons of Modern English two.

例如，印欧语中的duwo和古英语中的twa都是现代英语中two的原形词

"Longman English Grammar" is a rich and comprehensive reference book of modern English grammar for intermediate to advanced level of English readers.

朗文英语语法》是内容丰富而全面的现代英语语法参考书，适合中级至高级英语水平的广大读者。

But, despite its seeming absurdity and nonsensicality, it brings to light the moral weaknesses of the English upper class and other problems in modern English society in a jocular manner.

尽管剧中大量对话和情节表面上显得荒诞无稽，但却以轻松、戏谑的笔调暴露和讽刺了英国上流社会人士的种种弱点及现代英国社会的种种弊端。

But it's usually the first writing studied in any English-literature survey course because it's the first piece of literature in English—actually, Old English, which eventually became modern English.

但它通常是任何英国文学课上首选的文章，因为它是英国，实际上是英国古代的开篇之作，由于它最后才慢慢演化成现代英语。

On the basis of direct perception principle of modern English pedagogy, the teaching aid plays an irreplaceable and significant role in English teaching.

基于现代英语教学法的直观性原则，教具在英语教学中起了不可替代的重要角色。

Therefore in Old English we have the following names (with their Modern English developments): Sunnandg, Sunday; Mnandg, Monday; Twesdg, Tuesday (the god Tiu, like Mars, was a god of war); Wdnesdg, Wednesday (the god Woden, like Mercury, was quick and eloquent); Thunresdg, Thursday (the god Thunor in Old English or Thor in Old Norse, like Jupiter, was lord of the sky; Old Norse Thrsdagr influenced the English form); Frgedg, Friday (the goddess Frigg, like Venus, was the goddess of love); and Saeternesdg, Saturday.

所以在古英语中我们看到以下的名字（以及他们的现代英语形式）： Sunnanhd？g，星期日； Monand？g，星期一； Tiwesd？g，星期二（蒂乌神，象玛尔斯一样，是战神）； Wodnesd？g，星期三（沃登，象墨丘利一样，行动敏捷，善于词辩）； Thunresd？g，星期四古英语中的撒纳及古挪威语的索，象朱庇特一样，是宇宙之主；古挪威语的 Thorsdagr影响了英语中的该词的形式）； Friged？g，星期五（女神弗丽嘉，象维纳斯一样，是爱神）；和 Saeternesd？g，星期六

With John Dunstable and other English composers, partly through the local technique of fabutden(an improvisatory process in which a chant melody and a written part predominantly in parallel sixths above it are ornamented by one sung in perfect fourths below the latter, and which later took hold on the continent as "fauxbordon"), the interval of the third emerges as an important musical development; because of the Contenance Angloise("English countenance"), English composers' music is often regarded as the first to sound less truly bizarre to modern, unschooled audiences.

随着John Dunstable和其他英国作曲家在一定程度上通过当地一种叫faburden的技法的运用（这是一种即兴的技法，运用于圣咏的旋律中，下方有一个主要是平行六度的部分，而它们又由一个低于下方的纯四度演唱装饰，这种后来影响了整个欧洲大陆的技法被称为fauxbordon），三度音程的出现成为一种重要的音乐发展，这是因为Contenance Angloise (&English countenance&)--这种英国作曲家的音乐常常被未经教育的听众认为是一听上去就不古怪的音乐。

Before I came to Modern English School, I always absented from English classes and never passed any English examination.

在来到洋话连篇英语学校之前，我在学校每当上英语课的时候我都要逃课。

Going back to Late Latin modernus,"modern," which is derived from modo in the sense "just now," the English word modern (first recorded at the beginning of the 16th century) was not originally concerned with anything that could be later considered old-fashioned.

可追溯至近代拉丁词modernus &现代的&，源自表示&刚才&意思的modo ，英语单词modern （首先在16世纪初被记载）原本与后来被认为过时的事物没有任何联系。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。