查询词典 Mic.

The traditional snake model only applies the features of the curve, which did not adequately apply the feature of the image. But in the algorithm, the corners of the detected object is detected based on the MIC operator; the initialized curve is set based on the corners; the object is fitted according on the snake model. The traditional snake model highly depended on the initialized position of the curve and can not get well fitted effort for the image which has the corners and concaves. The proposed algorithm preferably solve the drawbacks.

传统的snake算法只考虑曲线本身的特征，并没有充分的利用被拟合图像本身的特征，而此算法首先检测被拟和目标的角点，然后以这些角点为基准进行曲线初始化，最后根据snake算法进行目标拟和；较好地解决了传统snake模型对初始化位置敏感、对有角点和凹陷的图像收敛效果差的缺点。

This article presents a new technique to reduce the size of microwave planar circuits using defected ground structure.

前 言目前在广泛使用 MIC和 MMIC技术的微波平面电路设计中，小型化设计研究已经成为一门非常重要的课题。

So let it be known, the only reason that we do this Is so you can pick it up and just bang your head to it While emcees fight to see who can be the commonest Be floatin overhead like a space odyssey monolith Over seeing the game, over being part of the same ol' thing It's all gonna change in a hurricane of darkness and pain And acidic rain and promises that you won't do it again Meanwhile I just grip my mic And hope me and my team make it through alright Because say what you will, and say what you might But don't ignore who it's for at the end of the night Pulling me close, the shadow is warm inside This is where I feel at home, this is my place to hide Pulling me close, the shadow is warm inside This is where I feel at home, this is my place to hide This is dedicated to the kids Dedicated to wherever music lives Dedicated to those tired of the same ol' same And dedicated to the people advancin' the game What's real, everybody who doesn't feel safe What's real, everybody who knows they're out of place What's real, anybody with nowhere to run Who hides in the shadows waiting for the sun

专用 我有一个梦想的一个场景之间的绿色山丘云拉开了距离，并在阳光下的发现人们不谈论把它真正的它的理解是，他们实际上将和陶醉和刺激emcees 凝视中的树木，偏执，已经消失在微风中观察他们逃离，嘻哈安打散步与我和你会看到是一个土地上的沙子是由粉碎了蜡和天空以后你是蓝色krylon 大家都在讲方言韵和emcees已经离开唯物论背后同时我刚才握我的麦克风并希望我和我的团队使它通过好吗说什么，因为你会，说什么你可能但是，不要忽视谁是为年底的夜晚由于这是专门为孩子们致力于音乐生活的地方献给那些厌倦了相同的醇'同一和专门人民advancin '游戏什么是真正的孩子谁知道有错什么是真正的是谁的孩子认为他们不属于什么是真正的是谁的孩子无处可运行谁是隐藏在黑暗中等待阳光我已经看到了很多屎，我接触过的一个屁股在日落大道上，他问我，你将如何感觉如果大家都像你行事不存在您会失去您的抓地力，最终可能翻转。

If you are going to be miked, do a sound check.

如果你要使用 mic ，做一个声音检查。

Note that you should also reverse the phase of all mics on drums that are miked from the top of the sound source — the only mic that sees correct phase is the kick — air moving towards the diaphragm at initial attack.

需要注意的是，你同样也要反相在鼓之上的所有麦克的信号，因为它们都是在音源上方拾取信号—看来相位合适的只有拾底鼓的麦克了—在撞击开始的那一刻，空气就是向着振膜而来。

Octane is ideal for miking drum kits or bands - and the two mic/instrument channels are great for guitar, bass and other instruments.

采用M-Audio自己的获奖话放技术，可为带光纤ADAT的设备提供8路高品质前端放大模拟输入，特别适合录制鼓组或乐队；其中两路麦克风/乐器两用输入通道，是录制吉他、贝斯或其他乐器的理想选择。

I really like when Adam pronounces the word because he sounds like he is a little closer to the mic.

我真的很喜欢当亚当判决一词，因为他听起来像是他是一个很少贴近麦克风。

Plate reverbs - It simulates a large sheet of metal in a box with a speaker attached to the plate to make it vibrate and mics to pick up the sound.

金属板混响－他是模拟在一个空间里面的一大块薄金属，让喇叭付在金属板上，使得金属板震动，一定把声音用MIC录制下来。

He straddled that mic right in front of me!

他的站麦就立在我的前面，当他驾骑它的时候，我完全是陷入疯狂的&尖叫&。

Actually when I went to bbq in this area, quit worried because of all the reviews, however, is a bit surprise for me from food to decoration. To be honest, when you first entered into the bar, is a bit mystery because you need to call out who book the place via a mic system.

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We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。