查询词典 Maya-quiche

Chocolate was regarded as jewelry and jinni of Maya, and it is the only one which still countermark the former brilliance of Maya.

巧克力被玛雅人视为珍宝和神灵，只有它依然刻印着玛雅王国的往日辉煌。

We are the Maya of yesterday, the Maya of today and we will be the Maya of tomorrow.

我们是玛雅的昨天，玛雅的今天，将会是玛雅的明天。

Maya civilization prosperous two millenniums, but to the 9th century, lived scatteredly the Maya person as if likely has received some kind of instruction as if by prior agreement, at the same time dozens of ancient city-states is abandoned, they gave up the fertile land, to remote mountain migration which went out of cultivation, about the Maya civilization interrupt's reason, is still until now unable to agree.

玛雅文明昌盛了二千年，但到公元9世纪，散居的玛雅人似乎象是不约而同地接到了某种指令，数十座古老的城邦同时被废弃，他们放弃了肥沃的土地，向荒芜的深山迁移，关于玛雅文明中断的原因，至今仍莫衷一是。

The two-mile beach road from XCALAK pueblo to Hotel Tierra Maya is fairly good as beach roads go.

在两英里长的海滨公路XCALAK普韦布洛到酒店火Maya是相当好的海滩的道路去。

I'll describe a shot from the Exterior Brookfield sequence of an exterior of a row apartment on fire with an explosion blasting out the third story windows. The shot was composited on an Inferno by Bob Wiatr. We started with a live plate of the street scene. Our first task was to remove a foreground chainlink fence and camera crew. We recreated the fg matching the flashing ambulance lights. To create a snowy, misty look we used a number of logic ops of the bg with a mist plate which was basically the bg heavily blurred and multiplied back onto itself, graduating to create a sense of dimensionality. Glows were added around lights and flames using Sapphire plug-ins and light beams were added to streetlights. Four or five layers of 3d particle snow created in Maya were combined with practical elements varying in size and focus depending on distance from the camera.A miniature explosion element was incorporated into the comp, also with added glows, interactivity with the building, and rotoscoping of foreground objects. The entire comp was then time warped for editorial matching with the subsequent cut.

我可以描述一个Exterior Bookfield的几个镜头，那是一排的公寓着火，在三楼窗户引起爆炸，这个镜头是Bob Wiatr用Inferno合成的，我们用一个现场的街道镜头开始，我们的第一个任务是删除一个在前景中的链条状的篱笆和摄像人员，我们重新制作了前景以期与前景中的闪烁的救护车灯匹配，为了制作一个下雪的雾蒙蒙的效果，我们用了大量的logic ops，用了一个雾层，这个层基本上就是把背景尽量模糊然后再把它重新加到背景上面，渐变式的制作出一个层次感，自发光用Sapphire插件加在灯光和火焰的周围，而光线被加到路灯上，在maya中制作的四到五层的三维的粒子雪用来和不同大小的真实的素材混合在一起，焦距则依赖镜头的景深，同时在楼房爆炸的地方加入了一个缩小了的爆炸素材，以及爆炸的辉光效果，和重新放置的前景物体，整个的镜头接着匹配时间用来做最后的剪辑制作。

If checked, Maya writes the size and position of every window ever launched to "windowPrefs.mel" in the "pref" directory.

如果勾选了，Maya将将所有对话窗口的大小、位置等信息写入&pref&文件夹中的&windowPrefs.mel&文件。

Secondly, I am using the mip_matteshadow shader with my own spin on it for coloring the flattened sphere. I'll do my best to explain: mip_matteshadow is a more powerful version of maya's native useBackground shader. It is normally used to catch shadows, occlusion, reflections and indirect lighting for compositing later and supports multiple outputs.

第二，我需要mip_matteshadow节点，来生成扁平球体的色调，我来解释一下：mip_matteshadow节点比Maya自带的Usebacgground节点要强大很多，一般用于分离阴影、阻塞、反射、和间接光照用于后期合成以及支持多种输出。

The focus of this lecture is to demonstrate how objects is Maya can be positionally and orientationally constrained to softbody movement in order to create mechanisms which combine both rigid and elastic objects.

这个教学着重示范如何在MAYA中的物体的位置和方向强制到软体的运动，为了创建刚体和弹性的机械物体，我们首先创建弹性凸轮用于模拟手控和骑动电影相机的效果。

The direct lighting technique is conceptually simple, as one adds additional lights which represent light bounce. One of the key Maya tools for this process is the ability to exclusively link lights to specific surfaces.

而直接灯光技术又仅仅只是一种简单地概念，为了让光线更有活力，在Maya中专门设置了一种处理这种功能的工具link lights。

Heavy crude such as Maya crude from Mexico, and the Canadian heavy crude, Bow River and Peace River, have also contributed to changing production dynamics at refineries producing asphalts.

诸如来自墨西哥的Maya原油，加拿大的重原油，Bow River and Peace River，同样有助于改变精炼厂生产沥青的动力。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。