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Matisse相关的网络例句

查询词典 Matisse

与 Matisse 相关的网络例句 [注:此内容来源于网络,仅供参考]

Holly Brubach, a fashion consultant and vintage aficionado who recently worked with fashion retail website Yoox.com on the sale of Matisse muse Rosamond Bernier's vintage collection, is not convinced: Those of us who are in the industry are constantly trying to find ways to justify all the money we spend on clothes.

霍莉布吕巴赫是一位时装顾问和古董服饰迷,最近,她与时装零售网站Yoox.com合作售卖马蒂斯的缪斯女神——罗莎蒙德伯尼尔的古董衣收藏。她不是特别相信弗莉的话:我们这行中的人一直都在试图找到一些方式,来证明我们花在衣服上的钱是正确的。

The long years of learning followed: in 1891 Matisse studied under Bouguereau at the Académie Julian, and in 1892 transferred unofficially to Gustave Moreau's studio at the Ecole Beaux-Arts, where he met Marquet, at the same time attending the Ecole Nationale des Arts Décoratifs.

多年的学习之后:在1891年马蒂斯Bouguereau在朱利安学院研究,并於1892年转移到古斯塔夫妮摩收,在高等美术学院的工作室,他在那里会见马尔凯,在同一时间参加了学校国营装饰艺术。

It clearly demonstrates Matisse's intense sensibility, and it is for that reason that I called it provisionally calligraphic.

这清楚地表现了马蒂斯强烈的感性特质。正因为这一点,我将它称为暂时书法式。

In 1905, Matisse exhibited a portrait of his wife at the Salon d'Automne: La Femme au chapeau.

1905年,马蒂斯在沙龙展出科特迪瓦Automne他妻子的画像:与帽子以及妇女起首。

He was nevera great colorist, like Matisse or Pierre Bonnard.

毕卡索从来不像马提斯和皮尔波纳德一样的善用色彩者。

Not only Henri Matisse discovered the applications of complanation, decroativeness and solid color, the particular forms of representation and the simple, imagery, relaxing shaping models, but he also had an intensive study of the harmonious relation of object and self, the reality of likeness and unlikeness, pursuit of representation and hence put them into his works.

马蒂斯不但从东方绘画中发现了平面化的、装饰性的、纯色彩的运用形式,在构图上对空间、透视和空白的特殊表现形式,以及简约、意象、轻松的造型特征,而且对中国绘画的物我相融关系、"似与不似"的真实观、"追求表现"等观念有着深入的研究,并且将之融入自己的绘画中。

For this work which played a part in the renewal of sacred art, Matisse collaborated with Brother Rayssiguier , who developed the plans with the architect Auguste Perret , and Father Couturier , who commissioned the Monastery of Les Tourettes, a project designed by Le Corbusier.

对这项工作发挥了神圣的艺术重建的一部分,马蒂斯的合作与兄弟Rayssiguier,谁开发与建筑师奥古斯特佩雷的计划,和父亲图里尔,谁委托的Les抽动一秽语,由勒柯布西耶设计了一个项目寺。

Almost all of the artists known to us, including Dürer of Renaissance, Rafeal, Holbein and Bruegel of 16th century, Rembrandt of 17th century, Goya of 18th century, Delacroix, Daumier, Gauguin and Munch of 19th century, Paul Klee, Picasso, Matisse, Brac, Rouault of 20th century, as well as some famous painters in modern period, have ever created some print paintings.

像大家都熟知的文艺复兴时期的丢勒、十六世纪的拉斐尔、贺尔拜因、布鲁盖尔、十七世纪的伦勃朗、十八世纪的戈雅、十九世纪的德拉克洛瓦、杜米埃、劳特莱克、高更、孟克、二十世纪的保尔·克利、毕加索、马蒂斯、布拉克、鲁奥……以及至近代的许多知名画家几乎没有不从事版画创作的。

Finally, for painting to become that "art of balance, purity and serenity, with no troubling or disquieting subjects, so that for any mental worker, for example the businessman just as much as the artistic man of letters, it can be a soothing influence on the brain, rather the way a good armchair gives him relaxation from physical tiredness"(as he observed in 1908), Matisse pursued his original intuition through the great currents of art history over half a century: divisionism, fauvism and abstraction - without ever getting lost.

最后,成为该画的平衡,纯洁和宁静"艺术,没有麻烦或令人不安的科目,所以对于任何脑力劳动者,例如商人一样的英文字母艺术的人很多,它可以是一个安慰的影响对大脑,而不是一个很好的方式椅子给他身体的疲劳,放松"(正如他在1908年发现),马蒂斯的艺术追求,通过历史的伟大潮流他原来的直觉半个多世纪:divisionism,野兽派和抽象-而没有迷路。

Matisse had often dealt with dance as a subject before, for example through the theme of the Golden Age, in one of the panels commissioned by Shchukin in 1909*, and when he was asked in 1937 to produce the ballet screen for Léonide Massine 's Rouge et Noir or Etrange farandole .

马蒂斯经常处理,舞蹈的主题之前,例如,通过黄金时代主题,在受委托休金在1909年*小组之一,当他在1937年要求生产芭蕾为莱奥尼德马西涅屏幕氏红与黑或 Etrange法朗多勒。

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