查询词典 Marxist

The general points are as follows:first, investigating literature from the angle of humanity and making use of Marxist humanitarianism spirit to explain the modern value in ancient literature;second,using psychoanalysis to inquire into Mankind's spirit world and analyze writers' cultural character;third, strengthening the culture consciousness, seeking from the perspective of culture about the cultural influence on the literature ontic characteristic and aesthetic form,also paying attention to the interaction between literature and culture,and so on;fourth, returning to thing-in-itself of literature and groping for the interior law of literary development,thus building up the inner research of literature.

第三，文化意识增强，强调从文化的视角考察文化对文学本体特征、美感形式的影响；也注重文学与文化的互动，文化在文学中的表现和文学对文化的作用。主要考察了政治文化视角、民俗学和文化人类学方法的运用，以及儒家思想、道家思想、佛教、道教等文化现象与文学的关系。第四，文学研究回归文学本体，探索文学演进内在规律，文学的内部研究得到加强。

As Oona herself was the child of a large family with its own problems, she was well-prepared for the battle that Chaplin's life became as unfounded rumors of Marxist sympathies surrounded them both — and, later on, she was the center of rest in the quarrels that Chaplin sometimes sparked in their own large family of talented children.

由于沃娜本人出生在一个被各种麻烦困扰的大家庭，她对卓别林生活中将面临的挑战也作好了充分准备，因为当时有毫无根据的流言说他俩是马克思主义的同情者。后来在他们自己的有那么多天才孩子的大家庭中，卓别林有时会引发争吵，而她则成了安宁的中心。

As Oona herself was the child of a large family with its own problems, she was well-prepared for the battle that Chaplin's life became as unfounded rumors of Marxist sympathies surrounded them both — and, later on, she was the center of rest in the quarrels that Chaplin sometimes sparked in their own large family of talented children.,}- j6 '/ L7 P* A

但是人们不禁会感到，卓别林一定会把这一奇怪的事件看作是对他的十分恰当的纪念——他以这种方式给这个自己曾带来这么多笑声的世界留下最后的笑声。7 U h： s/？

As Oona herself was the child of a large family with its own problems, she was well-prepared for the battle that Chaplin's life became as unfounded rumors of Marxist sympathies surrounded them both — and, later on, she was the center of rest in the quarrels that Chaplin sometimes sparked in their own large family of talented children., J8 i \, y- S7 K9 F8 f$ v; U

但是人们不禁会感到，卓别林一定会把这一奇怪的事件看作是对他的十分恰当的纪念——他以这种方式给这个自己曾带来这么多笑声的世界留下最后的笑声。

And yet it's nearly impossible to find an orthodox Marxist in Beijing.

不过要在北京找到一个正统马克思主义者几乎是不可能的。

But Marxist theory of labor and labor value is not outdate.

但马克思的劳动和劳动价值理论在当今世界没有过时和失效。

We said that the ideology belongs to the overtop structure, if then we take "the construction" to analogy between the theory of evolution and Marxist philosophy relations, between them should be one kind "the ground" and "the house" between relations, the theory of evolution takes China Marxism this building "the ground" to its influence is huge and profound

我们说意识形态属于上层建筑，那么如果我们拿"建筑"来比喻进化论和马克思主义哲学之间的关系的话，他们之间应该是一种"地基"和"房屋"之间的关系，进化论作为中国马克思主义这座大厦的"地基"对其影响是巨大而深远的

In chapter II, on the basis of the explanation of the concept of the Marxist interests concept and the concept of market economy system , The second chapter analyzes the subjects of interests and multiple interests relationships, describes the confliction of interests in urban updating and house demolition, then builds the desired planning of the way and a path of the main interests integration mechanism .

第二章在对马克思主义利益观和市场经济体制下的利益观进行简要阐述的基础上，清理了城市改造拆迁中的多个利益主体及多重利益关系，描述和分析了城市改造拆迁中的利益冲突，进而对利益主体之间的利益整合机制的构建方式和路径作出了预想性规划。

His shifts in theory,however,has rerealed his doudt about Marxist theory on pauperization,proletarian revolutionand the inevitable collapse of capitalism,therefore,he tries to ues"critical theory"to provoke people's consciousness of self-criticism and to emancipate people fromtheir enslavement.

霍克海默在理论上的转向表明了他对马克思关于贫困化和无产阶级革命以及资本主义必然崩溃的理论产生了怀疑，并企图以"批判理论"来唤起人们的自我批判的意识，把人从奴役的状态中解放出来。

Yes," change " itself means " inherit", with statement of Marxist philosophy being to " develop what is useful and discard what is not", such tactics as the peculation , imitating , duplicating ,etc, is it possible " sublation " in art history too in authors view.

是的，"变化"本身就意味着"继承"，用马克思主义哲学的说法是"扬弃"，当前后现代艺术所普遍采用的挪用、摹仿、复制等手法，在作者看来也莫不是对艺术史的"扬弃"。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。