查询词典 Marcuse

Marcuse believed that, contemporary science and technology which as a new form of control is not neutral, it has a clear political intention, and play an ideological function.

马尔库塞认为，作为一种新的控制形式的当代科学技术决不是中立的，它具有明确的政治意向性，发挥着意识形态的功能。

Eros and Civilization indicated a significant transition in the development of Marcuse's thinking, i.e.

他继承了黑格尔、海德格尔、弗洛伊德等思想家的哲学和理论中的人道主义因素，并把它们充实到马克思本人的学说中。

Two reasons drived the development of Marcuse's thought.

推动马尔库塞思想发展的动力有两个：一是坚持对人的本质和人的解放道路理论的执著追求；一是对社会现实问题的关注。

Marcuse's analysis shows class structure and essence of developed industry society, and it also has effect on the culture realization determined by the society.

透过马尔库塞的这一分析，可看到西方发达工业社会的阶级结构以及本质属性，以及为这一社会所决定的文化的现实作用。

Herbert Marcuse's humanism aesthetics has four fundamental characteristics as follows: first, radical criticism of the reality.

马尔库塞的人本主义美学思想具有如下四个方面的特征：第一，激进的现实批判色彩。

Herbert·Marcuse is an important representative of the western Marxism.

赫伯特·马尔库塞(1898—1979)是西方马克思主义学派的一个重要代表。

But Marcuse only analysed the phenomena without finding a correct way for human liberation.

但是，马尔库塞只看到不人道的现象，而没有找出人类解放的出路。

To make it simple, Marcuse told us that, if you look at the highly capitalism society carefully, you would learn, it makes "one-dimensional people" as well as the totalitarian society does.

简单的说，马库色告诉我们，如果你仔细的观察高度资本主义社会，你会得知，它和极权社会一样会制造单向度的人。

From Freud s perpective on human nature,Marcuse believes that the repression of lust is the basic feature of the modern civilization.

马尔库塞从弗洛伊德关于人的本质的理解出发，得出爱欲压抑是现代文明的根本特征。

Preface: The origin of aesthetic ideas of Schiler and Marcuse in history.

前言部分：席勒、马尔库塞审美乌托邦思想的历史由来。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。