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We conducted high-density resistivity surveying combining with boring data across F1 and F3. The results show that F1 cut the 3rd terrace which formed in late Pleistocene, and the last activity was extensional normal slip by echelonment falling down toward the basin. F3 stroke zigzag and cut the 1st alluvial-proluvial terrace and Holocene stratum with large displacement of fault and wide fracture zone in bedrock, and the last activity is the continuous falling around the fault.

结果表明，F1断层错断了盆地区内晚更新世晚期至全新世早期的Ⅲ级阶地；受拉分构造的影响，该断层最新活动显示了向安远拉分盆地方向迁移的阶梯状递减的张性正断裂性质。F3断层在走向上呈锯齿状，错断了山前Ⅰ级冲洪积阶地及全新统至上更新统地层，断距大，基岩破碎带宽，新活动主要表现为断层附近原地连续沉降。

The minerogenetic geotectonic background of typical copper deposits is proved according to the geotectonic evolution,genetic type of deposit, the genetic type of metallogenic mother rock and metallogenic epoch, and the results show: Gongpoquan volcanic rock type copper deposit formed in late eu-geosyncline phase, Gongpoquan porphyry copper deposit formed in orogenic phase, Baishantang copper deposit formed in geosynclinal phase.

综合考虑区域大地构造演化史、矿床成因类型、成矿母岩岩石类型及成岩成矿时代来论证北山地区典型铜矿床成矿大地构造背景，结果表明公婆泉铜矿区斑岩型铜矿形成于褶皱造山期、火山热液型铜矿形成于优地槽期，白山堂铜矿形成于地槽期。

The investigation results show that the shrubs diameter apart from root 50 mm mostly shall not exceed 15mm, such as Caragana Korshinskii Kom, Vitex, Fourfold Acacia, and Grewia biloba var.parviflora. The moisture content of the above shrubs is about 55%, 55%, 61% and 50% separately in late autumn and winter when they are reaped.

通过实地调查研究和统计分析适值收割的柠条等几种常见灌木的距地50 mm左右处的直径一般不超过15 mm，适宜收割期间柠条含水率为55%左右，荆条含水率为55%左右，四倍体刺槐含水率为61%左右，扁担木含水率为50%左右。

The result fights allergic experiment to show, dispel the wind stops land of can different level restrains urticant Ding allergy of akin and passive skin mixes the bandicoot that antiserum causes 2, the sex of small rat late hair of chloric benzene be caused by exceeds 2 nitro- of 4- quick the thymus index that reaction; still can increase small rat when dosage greatly and lienal index; stop urticant experiment shows, dispel the wind stops urticant Ding can reduce the time of fit of small rat itching with dextrose lead anhydride and itching duration apparently, can increase Guinea pig to be able to bear or endure those who suffer phosphoric acid histamine send urticant threshold.

结果抗过敏试验显示，祛风止痒酊能不同程度地抑制抗血清诱发的大鼠同种被动皮肤过敏和2，4-二硝基氯苯所致的小鼠迟发性超敏反应；大剂量时还可增加小鼠的胸腺指数及脾指数；止痒试验显示，祛风止痒酊能明显降低右旋糖酐诱导的小鼠搔痒发作次数及搔痒持续时间，并能增加豚鼠耐受磷酸组胺的致痒阈。

The diagenetic characteristics of Chang 6 sandstone of the Upper Triassic in Yanchi-Jiyuan area of the western Ordos Basin show that this set of sandstones are in the early A period of the late diagenetic stage at present and controlled by the acidic diagenetic environment, where the abundant diagenetic phenomena including widespread dissolution of feldspar and lithoclast, secondary enlargement of quartz and well-developed early chlorite film can be observed.

对鄂尔多斯盆地西部盐池-姬塬地区三叠系延长组长6砂岩成岩作用特征的研究表明，该套砂岩目前处于晚成岩阶段A期的早期，受酸性成岩环境控制。长石类易溶颗粒普遍发生溶蚀。石英次生加大发育。特别是早期形成的绿泥石粘土膜非常发育。

To be eligible for land, indigenous communities normally must show that title was granted to them in the late 19th century, when the south of Chile was finally subdued after over three centuries of Mapuche resistance.

如果想要有获得土地的资格，土著居民通常需要证明他们在19世纪晚期，也就是智利发生内战并随后发生政权更迭之前，是土地的所有者，而这场内战之前，智利南部是马普利人的定居地。

In summary, the results of this study show a partial dissociation of attention and oculomotor preparation with TMS at late time point.

然而，此研究并没有观察到如Juan等人观察到的早期跨颅磁刺激的效果，可能的原因为我们没有办法将那些未经视觉选择的反应删除。

Men who used forks were thought to be sissies,and women who used them were called show-off sand overnice,Not until the late 1600's did using a fork become a common custom.

用叉的男人们被认为是脂粉气太重，女人们则被指摘为卖弄、炫耀和过分讲究。直到17世纪后期，用叉进食才成为一种风俗。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

In case of late cancellation or no show the first night penality will be apply.

请同时查阅客房描述。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。