查询词典 Kurt

Kurt Cobain 's personal problems and subsequent suicide naturally deepen the dark undercurrents, but no matter how much anguish there is on Nevermind , it's bracing because he exorcises those demons through his evocative wordplay and mangled screams -- and because the band has a tremendous, unbridled power that transcends the pain, turning into pure catharsis.

如果 Cobain 不曾写下这首歌，他的传奇和他艺术的成就就会打点折扣，因为正是这首歌，成为了所有对现代社会的异化感同身受的青年的共同呐喊，成了全世界那些精神上似乎是无法得到满足的人们得到无限满足的欢叫，成了一切在残酷现实面前梦想破灭者的呻吟，成了依然保持最后理想者疲于奔命时的狂野呼告。

Kurt had no doubt that she could have been in fluorescent orange fatigues and still managed to look like part of the terrain.

库尔特毫不怀疑她能在荧光黄的战斗服里还是会设法使自己看起来就是地形的一部分。

The authors of this book are admen, professional hucksters.

昨天看见论坛上有个哥们KURT说到这本书《至爱品牌》，原文照抄如下

Kurt then saw outlines that made his stomach clench, silhouettes that hulked over the smaller Elites.

库尔特看着那些使他的胃紧缩的轮廓，一些外形巨大的轮廓挡住了小一些的精英。

Kurt inhaled deeply then said, There are two things.

库尔特深深吸气然后说，有两件事情。

She stopped midsyllable and Kurt saw her glasses reflected the jiggling lines of his TEAMBIO signals.

她没有说出下面的话，库尔特看到她的眼镜反射出他的小队生物指标摇动的线。

Their plasma bolts dissipated along their two-hundred-meter-long trajectories, but several needier rounds exploded on the stones near Kurt.

它们的等离子闪电沿着它们两百米长的射击轨迹消散了，但几个针弹在库尔特身边的石头上爆炸。

This, however, would be a lopsided siege against an enemy who was well prepared and, Kurt had to admit it, outthinking them.

但这次，要面对敌人占优势的围攻，而且它们准备得很好，库尔特也不得不承认，它们还更深谋远虑。

Kurt set three grenades on the floor, grabbed a zip line, and rappelled down.

库尔特把三颗手雷留在地板上，挂上拉索，用绳索降下去。

To Kurt it looked like a mechanical worm regurgitating over the mountainside.

对库尔特来说，它看起来象一个机械虫子在山腹中涌动。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。