查询词典 Kimberlin

Rosalie Kimberlin, the author, spent almost 30 years on a large metropolitan police department, and is now the owner of RK Enterprises.

罗莎莉金柏林，作者，花了差不多30年一个大首都警察署，和现在的业主由于缺少系统训练，企业。

Bureau of Prisons for the ban and rejected a challenge by inmates Brett Kimberlin and Darrell Rice, who wanted to ''.

吉他'。''的禁令，并拒绝了囚犯达雷尔·赖斯和布雷特·金伯林想要在马里兰坎伯兰监狱''。

By a 2-1 vote, the panel upheld the rationale by the U.S. Bureau of Prisons for the ban and rejected a challenge by inmates Brett Kimberlin and Darrell Rice, who wanted to play electric guitar s at a federal prison in Cumberland, Maryland

通过一项2对1的投票表决，上诉法院通过了美国联邦监狱管理局对狱中囚犯使用电吉他的禁令，并拒绝了囚犯达雷尔·赖斯和布雷特·金伯林想要在马里兰坎伯兰监狱弹奏电吉他的要求。

By a 2-1 vote, the panel upheld the rationale by the U.S. Bureau of Prisons for the ban and rejected a challenge by inmate s Brett Kimberlin and Darrell Rice, who wanted to play electric guitars at a federal prison in Cumberland, Maryland

通过一项2对1的投票表决，上诉法院通过了美国联邦监狱管理局对狱中囚犯使用电吉他的禁令，并拒绝了囚犯达雷尔·赖斯和布雷特·金伯林想要在马里兰坎伯兰监狱弹奏电吉他的要求。

By a 2-1 vote, the panel upheld the rationale by the U.S. Bureau of Prisons for the ban and rejected a challenge by inmates Brett Kimberlin and Darrell Rice, who wanted to play electric guitars at a federal prison in Cumberland, Maryland.

通过一项2对1的投票表决，上诉法院维持了美国联邦监狱管理局对狱中囚犯使用电吉他的禁令，并拒绝了囚犯达雷尔·赖斯和布雷特·金伯林想要在马里兰坎伯兰监狱弹奏电吉他的要求。

By a 2-1 vote, the panel upheld the rationale by the U.S. Bureau of Prisons for the ban and rejected a challenge by inmates Brett Kimberlin and Darrell Rice, who wanted to play electric guitars at a federal prison in Cumberland, Maryland

通过一项2对1的投票表决，上诉法院通过了美国联邦监狱管理局对狱中囚犯使用电吉他的禁令，并拒绝了囚犯达雷尔·赖斯和布雷特·金伯林想要在马里兰坎伯兰监狱弹奏电吉他的要求。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。