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Karajan相关的网络例句

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与 Karajan 相关的网络例句 [注:此内容来源于网络,仅供参考]

No other music could be more suitable for a concert programme dedicated to the memory of Herbert von Karajan than Giuseppe Verdi's Messa da Requiem that was of such great importance to him throughout his entire life.

任何其它的音乐都不能比选用朱塞佩·威尔第的《安魂曲》作为纪念赫伯特·冯·卡拉扬的音乐会曲目更为适宜,这首《安魂曲》在他一生当中具有如此重要意义。

Since those days the Vienna Boys' Choir have given concerts under nearly all the great conductors of this century: Claudio Abbado, Leonard Bernstein, Nikolaus Harnoncourt, Herbert von Karajan, Carlos Kleiber, Lorin Maazel, Riccardo Muti and Sir George Solti.

因为这些天的维也纳男童合唱团音乐会已下几乎所有伟大的指挥家在本世纪:克劳迪奥阿巴多,伦纳德伯恩斯坦,自1985赫伯特冯卡拉扬,卡洛斯克莱伯,洛林·马泽尔,里卡尔多穆蒂和爵士索尔蒂。

Georges Prêtre's appearance at the New Year's Concert brings an added dimension to the list of New Year's Concert conductors which includes such illustrious names as Willy Boskovsky, Lorin Maazel, Herbert von Karajan, Claudio Abbado, Carlos Kleiber, Zubin Mehta, Riccardo Muti, Nikolaus Harnoncourt, Seiji Ozawa and Mariss Jansons.

这份名单上都是鼎鼎大名的指挥家,诸如威利·勃斯科夫斯基、洛林·马泽尔、赫伯特·冯·卡拉扬、克劳迪奥·阿巴多、卡洛斯·克莱伯、祖宾·梅塔、里卡尔多·穆蒂、尼古拉斯·哈农库特、小泽征尔以及马瑞斯·杨颂斯。

Unfazed, Karajan managed to stage such major works as Strauss's Salome and Wagner's Die Meistersinger .

但卡拉扬以他无畏的精神仍上演了如施特劳斯的萨洛米和瓦格纳的歌者这样一些大型作品。

Karajan's 1967--70 Deutsche Grammophon recording of the Ring is one of the glories of the phonograph; his 1971 version of Die Meistersinger with the Dresden State Orchestra may be the most vital operatic recording ever made.

从67年到70年他灌制的德国歌剧尼贝龙指环的演奏唱片是唱片界的一朵奇葩。他在1971与德累斯顿国家剧院合作的唱片—歌者,是有史以来出版的最重要的歌剧唱片之一。

When he finally made his Salzburg festival debut with the Missa Solemnis in 1991,the stage seemed set for Harnoncourt to assume the throne vacated by Herbert von Karajan.

1991年,当他完成萨尔茨堡节日首演《庄严的大弥撒》之后,音乐舞台上能够填补赫伯特·冯·卡拉扬空下的宝座的人似乎非他莫属。

When he finally made his Salzburg festival debut with the Missa Solemnis in 1991, the stage seemed set for Harnoncourt to assume the throne vacated by Herbert von Karajan.

在1991年,哈农科特在萨尔兹堡首次指挥《庄严的弥撒》后,事业之门向他敞开,赫伯特。冯。卡拉杨离开后的领袖之位似乎非他莫属。

She embarked on her international career as a soloist in 1976 at the Lucerne Festival and a year later made her Salzburg debut at the Whitsun Concerts under Herbert von Karajan.

第二年2月,穆特有幸在音乐大师卡拉扬指挥下,由柏林爱乐交响乐团协奏,演出莫扎特《G大调协奏曲》,听众为她报以雷鸣股的掌声。

Although the bend fame that Joseph · Strauss assumes is inferior to "king Johann · Strauss, of his elder brother waltz" Karajan still is fond of Joseph · Strauss comparatively this composer , he already melts because of Joseph · Strauss with "Beethovenian" music giant writing gimmick to enter the waltz middle having arrived at the Strauss clan.

虽然约瑟夫·施特劳斯作的曲名气不如他的哥哥&圆舞曲之王——约翰·施特劳斯,&但卡拉扬还是比较喜欢约瑟夫·施特劳斯这名作曲家,因为约瑟夫·施特劳斯他已经将音乐巨人&贝多芬&的写作手法融入到了施特劳斯家族的圆舞曲中。

The Philharmonic Orchestra in London was created for him, and Karajan was a regular at La Scala in Milan.

伦敦的爱乐乐团完全是他的舞台,而在米兰的斯卡兰剧院也常常见到他的身影。

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