查询词典 Kandinsky

The internality that Kandinsky pointed out could be the "depth" embodied in art and nature.

康定斯基在这里所说的"内在性"，或可理解为由艺术和自然所体现的"深度"。

It's well acceptance that Kandinsky present such internality by the means of abstract art which was initiated by him.

康定斯基用由他所开创的抽象艺术来呈现这种内在性，这早已被世人所认同。

Read this book if you have any interest in the synaesthetic artistic aspirations of Kandinsky, Klee and Kupka.

阅读此书，如果您有任何的康丁斯基，克利，库普卡通感的艺术诉求的利益。

This approach was first followed in the visual arts by modernist painters like Kandinsky, Klee, and Mondrian.

这种方法在视觉艺术的代表像康丁斯基、克利和蒙得里安。

There are some photos of Mies in Chicago, sitting down, distracted, a long way away, on an English armchair, anonymous, smoking, surrounded by his paintings by Kandinsky, Klee, his books and his records.

有一 些密斯在芝加哥的照片，心烦意乱的，远远的，坐在一把英式扶手椅上，没有什么特别的，抽着烟，周围是他的康丁斯基和克利的画，他的书和他的唱片。

After Kandinsky, Mondrian will color to a completely abstract, especially the new color.

之后的康定斯基、蒙德里安又将色彩推向了完全的抽象，色彩尤新。

Some of the greatest modern painters — Kandinsky, for instance, or Mondrian — saw their work as an instrument of evolution and human development.

有些伟大的现代主义画家，如卡第斯基和摩敦把他们的作品看做是人类的发展和进化的工具。

The psychological motivation of Kandinsky is 'inherent impulse'; While that of Mondrian is "rational thinking".

康定斯基的心理动因是"内在冲动"，而蒙德里安的心理动因是"理性思考"。

Kandinsky produced nonfigurative art characterized by imagery that had a musical quality.

康定斯创作的抽象作品有一种音乐美。

So when we felt another kind of tetra-dimensional, extreme, music-like art made up of colors and lines in Malevich and Tatlin's experiment in the early of last century, people had to get used to the visional format from Kandinsky, Pollock, Mondrian and Roscoe. The brand-new artistic experiment is further rooted into experience of our religion, music, philosophy, life and other staffs not only from format to content, but also from theory to techniques. And the traditional plane paintings are used to annotate the art meaning of non-representation. But Chinese are unwilling. It is only the format product of powerful culture in expanding, rather that there are lots of differences between the western abstract and oriental "image".

所以当我们从上个世纪初在马列维奇、塔特林的实验中，体验到一种被称为四度的、极致的、音乐似的、或者说将色彩和线编制成为另一种艺术自由的端倪时，人们就不得不习惯由康定斯基、波洛克、蒙德里安和罗斯科所带给我们的视觉图式，它们从形式到内容、从理论到技巧，无不变本加厉地把这种全新的艺术实验根植于我们对宗教、音乐、哲学、生活以及诸多问题的体验中，并用传统的二维平面绘画来诠释出非具象的艺术意义，不过这些对中国人来说，很可能是不情愿的，它只是强势文化在扩张中的样式产物，更何况这些西方式的抽象与东方式的"意象"仍然有着极大的差异。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。