查询词典 Japanese

The political aim of the Japanese imperialists, Chinese collaborators and pro-Japanese elements is to turn China into a Japanese imperialists' colony. In their cultural work they are pursuing a policy of enslavement, trying to extinguish our national consciousness, patriotism and integrity by enslaving us through education and other activities.

日本帝国主义和汉奸亲日派的政治目的是要把中国变为日本帝国主义的殖民地，其文化工作方针是施行奴化政策，以奴化活动和奴化教育来腐蚀我们的民族意识，消灭民族爱国思想，摧残民族气节。

From 1874 to 1915 period Japan launched Sino-Japanese War and Russo-Japanese War,during which China circle and politicians in general experienced realization from igorance of Japan to admiration of Japan,then from admiration of Japan to revenge of Japan. However,there were a part of political leaders who they had the thought of Union of Japan and anti-Japan.Period from 1915 to 1937 is a turning point of the development of Sino-Japanese relations.

不过也有一部分政要存在着&联日&和&防日&的思考。1915年至1937年是中日关系发展的一个转折时期。1915年日本向中国提出&二十一条&要求，暴露了日本独霸中国的野心，使得中国人不得不重新审视自己的邻邦——日本。

China's own school books are harshly critical of Japan's conduct in the 20th century's wars, so even Chinese far too young to remember them harbour strongly anti-Japanese feelings. Last August, after Japan's victory over China in a soccer match in Beijing, Japanese flags were burnt and a Japanese diplomatic car was vandalised.

中国自己的教科书对日本在二十世纪战争中的行为进行了严厉指责，因此在中国，即使那些由于年幼无法记住日本人战争行为的人，心中也聚集了强烈的反日情绪，去年八月，日本足球队在北京战胜中国队后，日本国旗被焚烧，日本外交车辆被人为毁坏。

The art of the Japanese Imperial Household have never to be auctioned in international art market, but on the 18th of May, one Japanese royal hangingscroll will be auctioned in upcoming Fine Asian Art Sale in Stuttgart Germany, which is ink and colour as on silk, and written by the Japanese Tenno.

而在08年5月16日，于德国斯图加特举行的一场亚洲精美艺术品拍卖会上，将会出现一幅日本皇室宫廷御制画（拍品编号1543估价2500欧元），此画由日本天皇御题，为日本皇室收藏品。

Has studied the evolvement and development of Japanese images in Chinese students' eyes by unscrambling their works. Regarding the course of the movement as temporal skeleton, considering correlative political, historical, cultural background and basing on the careful reading and analysis, the dissertation connects the snippets of Japanese images, which formerly appeared in dispersive and hidden states in these works to form clear-cut Japanese images.

中国百年留日文学中的日本形象研究》一文就对这些文学作品进行解读，研究留学生眼中日本形象的演进和发展，文章以中国人留学日本的进程为时间脉络，考虑特定时代的相关政治、历史、文化等背景，以留日文学文本的细读为基础，并对之进行解析和梳理，使原先在各作品中以零散、隐性等状态存在的有关日本及日本人的文字片断连贯起来，形成清晰的&日本形象&。

It analyses the reflection of Japanese rice-growing culture, and then illustrates Japanese group consciousness came into being in a"fertile soil"of Japanese rice-growing culture. This is the purpose of the paper.

通过对日本稻作农耕社会的描述，分析日本稻作文化的表现，进而阐论日本稻作文化是孕育集团意识的土壤，是本文的趣旨所在。

Finally, I want to use the above analysis on the Japanese education in Taiwan, hoping that the except for realizing the basic functions of kara, Japanese learners in Taiwan can also learn from the daily conversations of Japanese their unique speaking habits and put it into practice.

最后，笔者将以上分析运用到台湾日本语教育上，希望台湾日语学习者习得接续助词「カラ」的基本机能外，也希望学习者能够从日本人日常会话中学习到日本人独特的说话习惯并且加以运用。

The Fuji Mountain is Ilocated south central the Honshu island, the elevation 3776 meters, are the Japanese high point, the Japanese present it are the saint mountain, is the Japanese nationality's symbol, is apart from the Tokyo approximately 80 kilometers, cross Shizuoka, mountain ash two counties, the area is 90.76 square kilometers.

富士山 位于本州岛中南部，海拔3776米，是日本最高峰，日本人奉之为&圣山&，是日本民族的象征，距东京约80公里，跨静冈、山梨两县，面积为90.76平方公里。

The Fuji Mountain is Ilocated south central the Honshu island, the elevation 3776 meters, are the Japanese high point, the Japanese present it are the saint mountain, is the Japanese nationality's symbol, is apart from the Tokyo approximately 80 kilometers, cross Shizuoka, mountain ash two counties, the area is 90.76 square kilometers.

富士山 位于本州岛中南部，海拔3776米，是日本最高峰，日本人奉之为&圣山&，是日本民族的象征，距东京约80公里，跨静冈、山梨两县，面积为90.76平方公里。整个山体呈圆锥状，山顶终年积雪。

In a superficial sense, they seem more obviously Japanese: despite the visible influence of Wyler and Toland, their dominant style - high-angle shots with actors set against landscapes and dispersed throughout the frame - is reminiscent of classical Japanese painting. But one may surmise that the choice of this style was partly motivated by a desire on Mizoguchi's part to create a recognisably Japanese aesthetic for foreign consumption.

从某种表面意义上看，这些影片看起来带有更易察觉的日本特征：尽管它们明显受到了惠勒与托兰德的影响，但其主导风格（即演员以风景为背景、散落于画面各处的俯角镜头）令人回想起日本古典绘画；不过人们也可以猜测，沟口健二之所以选择这种风格，部分是受到了他希望创造出一种能为外国消费者所辨识的日本美学这一愿望的驱动。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。