查询词典 Jane Eyre

Jane · Eyre and Basha are both the most significant figures.

其中简·爱与伯莎是两个最重要的人物。

It's symbolism to analyze Jane · Eyre and Basha. The are just indignant fire-fiend to fight against the inequality in society .

本文以"火"为切入点，从火的象征义看简·爱与伯莎，她们就是抗争不平社会的愤怒的火神。

Still,"Jane Eyre" is a very enjoyable soaper ,especially Welles' campy performance.

不过，《简爱》仍然是一出好片子，尤其威勒斯那栩栩如生的表演格外精彩。

This sentence characterise the infinity of Jane Eyre on free.

这句话充分表达了简爱对自由的无限渴望。

Jane Eyre Charlotte Bronte Chapter 11 The chamber looked such a bright little place to me as the sun shone in between the gay blue chintz window curtains, showing papered walls and a carpeted floor, so unlike the bare planks and stained plaster of Lowood, that my spirits rose at the view.

爱 李霁野译选自第十一章太阳从鲜艳的蓝印花布的窗幔间照射进来时，显出纸糊的墙和铺地毯的地板，和罗沃德的光板同褪色的粉墙很是不同，使得这房子在我看来是一个很愉快的小地方：一看它我的精神就振作起来了。

In the name of all the elves in Christendom, is that Jane Eyre?

"基督世界所有精灵在上，那是简·爱吗？"

In this paper, I attempt to connect the novel discuss the voice of Jane Eyre and Bartha Mason, probe into Jane Eyres voice system, they are opponent and multiplex.

本文试结合文本，以简·爱与伯莎·梅森形象的&声音&作为切入点，探讨构成《简·爱》多元世界的一组对立的声音体系。

Consequently, regard Jane Eyre and Bartha Mason as independent individual, probe into their relation, becomes Jane Eyres discussing blankness.

因而，将简·爱与伯莎作为独立主体，对二者关系的探讨，成为文本《简·爱》研究的一个空白点，事实上，简·爱与伯莎关系的解读能够为我们打开一个新的窗口。

Charlotte Bronte"s novel jane Eyre come up to exceed novel"s tradition on the aspect of contene and form. The novel seems apparent and uniform, but it can display a multiplex world , it also turn into a classical in West literature. In every era, reachers discuss it from different view and different way. Generally, reachers focus on the heroine Jane Eyre, the novel becomes the model of monologue novel in the viewpoint , of Mikhail Bakhtin. Meanwhile, another character Bartha Mason turn into a recessive existence , in the grow up of feminism, Bartha Mason be concerned in some degree, but she is a foil in some views.

夏洛蒂·勃朗特的小说《简·爱》在内容和形式层面，都达到了对小说传统的超越与反叛，小说在一个看似统一的表层之下张扬着一个多元的世界，成为西方文学中的经典文本，历代对它的研究从不同的视角以不同的方式展开，不论做什么层面的解读，常将关注点聚焦于主人公简·爱，小说也成为巴赫金意义上的&独白型&小说的典范，而另一人物伯莎，成为隐性的存在，在女权主义的兴起中，伯莎得到一定关注，但依旧被作为简·爱的陪衬。

This paper compares the novel Jane Eyre and the movie Jane Eyre for its high position in the literature and art history firstly, and secondly for the adaptability of the novel such as the intricate plot, mythical scene, beautiful picture, and characters with unique personality and so on. In addition, the readers of the novel and the audience of the movie have the similar social and cultural background and the adapted movies are paid much more attention by people. For all these factors the novel and the movie are worth deep researching and comparing.

选择《简·爱》的小说和电影比较，首先在于小说长久以来的文学艺术地位；其次，是这一小说本身的适于改编性，如它跌宕的情节，神秘的场景，质感的画面，个性化的人物等等，这些都具有相当程度上的视觉表现意义；此外，二者在接受上相类似的社会文化背景因素，以及改编自小说的电影的广泛受关注，都不得不引起我们的重视和思考，激发我们的深入探究。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。