查询词典 James Bond

James Bond: I need to use your phone.

詹姆斯·邦德：我需要用你的电话。

James Bond:What are you talking about?

詹姆斯·邦德：你在说什么？

From this landing, you look down on a twisted vortex of line and space that van Berkel describes us a kaleidoscopic dynamism, where mobility and materiality come together' If there were a remake of the 1971 film Diamonds are Forever, this stair and living room should be the place where the Amazonian bodyguards cavort with James Bond, rather than John Lautner's Elrod House (1968 ), which was the setting in the original film.

从这个着陆，你看不起的线路和空间扭曲的漩涡，面包车伯克尔描述了我们一个万花筒般的活力，流动性和重要性的地方走到一起'如果有一个1971年的电影重拍钻石是永恒的，这个楼梯和客厅应该是地方亚马逊保镖与007，而不是约翰劳特纳的埃尔罗德楼（1968年），这是在原来的电影设置跳跃。

Maggie, Wales' first date, asked him to jump into the center of the lake in a park to show his sincerity,; the other date asked him to date in a casino like the recent James Bond movie – Casino Royal; another time, he went with a date to dive in a sea where there is ship wrecks.

威尔斯的第一个约会对象玛吉要求他跳到公园的湖中以示诚意；另一女子要求与威尔斯在赌场中进行詹姆斯·邦德式的约会；还与一位浪漫女子则带威尔斯到一处沉船地点"浪漫"潜水。

Who's the better james bond, sean connery or daniel craig?

谁演的007更出色？肖恩·康纳利还是丹尼尔·克雷格

James Bond:It's becoming quite a habit, isn't it, Contessa Teresa?

詹姆斯·邦德：已经变成了习惯，特里萨女伯爵。

James Bond:Its decent quite a habit, isnt it, Contessa Teresa?

詹姆斯·邦德：已经变成了习惯，特里萨女伯爵。

James Bond:It\'s becoming quite a habit, isn\'t it, Contessa Teresa?

詹姆斯。邦德：曾经变成了习性，特里萨女伯爵。

The key to the Cygnet, though, won't be the performance angle--a somewhat astonishing statement from a brand that's known for sheer performance, not to mention the gadgetry of the James Bond cars.

的关键，小天鹅，但不会表现的角度-一个有点令人吃惊的声明，从品牌，最为人所熟知的纯粹的表现，更不用提配件的007辆。

James Bond: I already have a dinner jacket.

占士邦：我已经有了外套。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。