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Pope Benedict has written a pastoral letter to Roman Catholics in Ireland.

教皇本笃向爱尔兰罗马天主教堂致牧函。

Even Pope Benedict has accepted that the Catholic church in Ireland has lost moral authority,saying in his pastoral letter last month that its bishops had lost their effectiveness because of the way they handled the sexual abuse.

甚至教皇本笃也已经接受这样一个事实，爱尔兰天主教已经丧失了道德权威地位。

The Pope decided to write a pastoral letter to the Catholic face of Ireland after meeting the 26 Irish bishops who he summoned to Rome last month to report on the pedophile priest scandal there.

上月，教皇将26名爱尔兰主教召集至罗马，对爱尔兰发生的恋童癖神父丑闻进行讨论。随后，教皇决定向爱尔兰天主教致牧函。

Pope Benedict XVI, head of the Roman Catholic Church, Saturday issued a pastoral letter on the child abuse scandal in the Church in Ireland, amid growing anger about similar affairs in other countries, AP reported.

据美联社报道，鉴于天主教会虐童丑闻在爱尔兰等欧洲国家愈演愈烈引起公愤，罗马天主教皇本笃十六世20日发布了致信徒的公开信。

But in Ireland many of the super-bullish, newly rich housebuilders and wheeler- dealers were happy to provide

但事实似乎表明，有相当多的借款人都忘记了这条至关重要的定律。

Other indicators tracked the immunisation of young children, which was generally high in OECD states, and physical activity among older ones, which was low in Ireland and America.

其他数据包括免疫接种，这点经合组织国家普遍打了很高的分数。数据还包括对较大孩子体育运动的衡量，爱尔兰和美国得分不高。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

The Villareal attacker is looking forward with confidence to Wednesday's game against Ireland ("I hope to be there") and has talked about the issue of naturalised players: I'm happy that so many foreigners want to play for the Azzurri.

比利亚雷亚尔前锋罗西信心十足的展望了本周三意大利对阵爱尔兰队比赛，他也谈到了球员移民的问题：看见很多外国球员向往为蓝衣军团踢球我很高兴。

The mission of the Irish Peatland Conservation Council is to conserve a representative sample of living intact Irish bogs and peatlands for the benefit of the people of Ireland, and to safeguard their diversity of wildlife.

爱尔兰泥炭地保护委员会的使命：保护爱尔兰共和国那些没有被人类影响过的、具有代表性的沼泽和泥炭地；保护这些地区的野生动植物多样性。

In the course of his perambulations round the docks in the congenial atmosphere of the Old Ireland tavern, come back to Erin and so on.

同样地，他极其机敏地猜到约翰尼。利弗在码头一带徘徊的时候，想必在&老爱尔兰&酒店的融洽气氛下唱起《回到爱琳来》等曲调，散了些财。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。