查询词典 Iliad

The hero of Homer's Iliad, the son of Peleus and Thetis and slayer of Hector.

阿喀琉斯荷马史诗伊利亚特中的英雄，是珀琉斯和西蒂斯之子，杀害赫克托耳的人

The hero of Homer's Iliad, the son of Peleus and Thetis and slayer of Hector

阿基里斯：荷马史诗《伊利亚特》中的英雄，是珀琉斯和西蒂斯之子，杀害赫克托耳的人

Achilles The hero of Homer's Iliad, the son of Peleus and Thetis and slayer of Hector

阿基里斯：荷马史诗《伊利亚特》中的英雄，是珀琉斯和西蒂斯之子，杀害赫克托耳的人

Whether this imperfection of structure arises from an enlargement of the plan; or from the imperfect reconcilement in the writer's own mind of the struggling elements of thought which are now first brought together by him; or, perhaps, from the composition of the work at different times-- are questions, like the similar question about the Iliad and the Odyssey, which are worth asking, but which cannot have a distinct answer.

无论这种结构上的不完美是源于过分肥大的写作计划，还是源于作者思想之中不断涌现却又矛盾重重的协调性缺憾，还是极有可能发生的因创作时间不同导致的写作风格差异——这些至今仍是有待研究的题目，然而就像《伊里亚德》和《奥德赛》一样，是值得去求证的，只是不容易得出清晰而可靠的结论罢了。

Perhaps in that way Howard is less like the tragic heroes of Shakespearian lore, but draws more parallels with the most polarizing of characters from Homer's The Iliad , the legendary Achilles.

也许霍华德并不像是莎士比亚文学里的悲剧英雄那样，不过对比起希腊诗人荷马的著作里的角色，霍华德更像是神话里的第一勇士阿喀琉斯。

The Greek myths and legends are known today primarily from Greek literature, including such classic works as Homer's Iliad and Odyssey, Hesiod's Works and Days and Theogony, Ovid'sMetamorphoses, and the dramas of Aeschylus, Sophocles, and Euripides.

今日所知的希腊神话或传说大多来源於希腊文学，包括如荷马史诗《伊里亚德》和《奥德赛》，赫西奥德的《工作与时日》和《神谱》，奥维德的《变形记》等经典作品，以及艾斯克勒斯、索福克里斯和尤利比提斯的戏剧。

In the literary world of the Iliad, xenia is vividly represented in several places as the Greek warriors' respect for the cultural institution and for the philosophy of ethics and morality that lies behind it.

宾主之谊乃是出门在外的希腊旅人於他乡异地时，与留宿并盛情款待他的他乡知遇主人发展出家族间的宾主情谊，而这样的情谊也是古希腊人用以巩固家族与城邦间同盟关系的方法。

For readers, diverted by its various incidents,observe its hero Odysseus primarily from without;the tragic Iliad,however,presents "life-as-experience":readers are asked to identify with the mind of Achill es,whose otivations render him a not particularly likable hero.

其主题〔若借鉴梅纳德。迈克的两个分类范畴的话〕是&人生作为外部景象&，因为读者的注意力被作品那形形色色的事件所分散，主要是从外部来观察其主人公奥德修斯的；然而，富于悲剧色彩的《伊利亚特》所表现的则是&人生作为内心体验&：读者被要求与阿基琉斯的心灵产生共鸣，而其行为动机却致使他变作一个并非特别惹人喜爱的主人公。

The Iliad, Odyssey, plots, doings, wanderings of Eneas

奥德赛》，《埃涅伊德》的情节、活动和漫游

One operator is running an internal "Tout Sauf Free" project, working on ways to keep Iliad out, says Mr Niel, who with his long hair and casual clothes might seem more at home in Silicon Valley than France's stuffy corporate scene.

一家运营商在国内实施了一项&宁务死，不'自由'&计划，机关算尽，要把伊利亚特挤出市场，Niel先生如是说。他一头长发，穿着随意，看起来更像是闲居在硅谷的家中，而非在法国公司的办公室里气闷。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。