查询词典 Hugo Wolf

In certain months, Schubert wrote a song a day. Hugo Wolf did the same.

有几个月舒伯特几乎谱成一曲，伍尔夫·雨果也是如此。

Hugo Wolf(1860-1903)was famous in art songs in the late of the romanticism in Germany.

胡戈·沃尔夫(1860-1903)是德国浪漫派后期以艺术歌曲著称的重要作曲家。

In certain months,Schubert wrote a song a day Hugo Wolf did the same

在几个月进而，舒伯特一天写一首歌曲，胡弋。

We were brought up on Schumann and Hugo Wolf and sauerkraut and kümmel and potato dumplings.

我们是听舒曼和雨果·沃尔夫的乐曲、吃泡白菜、土豆汤团、喝库莫尔酒成长起来的。

AD 2030, the light dark corners of the city of a powerful latent forces of evil: The Hugo Wolf and the residue, led by the "mad-day group."

公元2030年，光明市的黑暗角落中潜伏着一股强大的邪恶势力：以虎哥和残狼为首的"狂天集团"。

Hugo Wolf(1860-1903) is an the end of 19 century, the German important thecomposer at the beginning of 20 century, he created the much more than 300 art thesongs together the to from the cradle to the grave, the founding the history of themodern the art song, is a German art song well- deserved of representatives person.

胡戈·沃尔夫(1860-1903)是十九世纪末、二十世纪初德国重要的作曲家，他一生共创作了二百多首艺术歌曲，开创了现代艺术歌曲的历史，是德国艺术歌曲当之无愧的代表人物。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

Hugo wolf , wolf

n。 小狼，幼童军

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。