查询词典 His

That now, [ 5 ] While time was, our first-Parents had bin warnd The coming of thir secret foe, and scap'd Haply so scap'd his mortal snare; for now Satan, now first inflam'd with rage, came down, The Tempter ere th' Accuser of man-kind, [ 10 ] To wreck on innocent frail man his loss Of that first Battel, and his flight to Hell: Yet not rejoycing in his speed, though bold, Far off and fearless, nor with cause to boast, Begins his dire attempt, which nigh the birth [ 15 ] Now rowling, boiles in his tumultuous brest, And like a devillish Engine back recoiles Upon himself; horror and doubt distract His troubl'd thoughts, and from the bottom stirr The Hell within him, for within him Hell [ 20 ] He brings, and round about him, nor from Hell One step no more then from himself can fly By change of place: Now conscience wakes despair That slumberd, wakes the bitter memorie Of what he was, what is, and what must be [ 25 ] Worse; of worse deeds worse sufferings must ensue.

但愿现在再来这一声，使我们的始祖父母受到警戒，知道他们的隐敌即将来临，可以尽早躲避，免入致命的陷阱！因为这时撒旦首次怒火燃烧，下到人间，做为人类控拆者之前的诱惑者，前来要把自己第一次失败和溃逃地狱中去的怨气一齐倾泻在脆弱、无辜的人类身上：他的大胆远征，勇敢沉着的成功既不能说可喜，也没有炫耀的理由，他正要着手一个险恶的阴谋，混乱的心胸，澎湃，沸腾，像产前的阵痛，像一架魔鬼的机械反跳过来，打在自己的身上。恐惧和疑虑在混杂的思想中抗争着，从底层扰乱了心中的地狱，因为从他心中带来了地狱，并且紧紧地缠绕着他自己，他不能踏出地狱一步，正像他不能离开他自己，也不能用转换地方的手段以求逃离。

Both as to his dress and to himself, he was of an overlapping rhinoceros build, with folds in his cheeks, and his forehead, and his eyelids, and his lips, and his ears; but with bright, eager, childishly-inquiring grey eyes, under his ragged eyebrows, and broad-brimmed had.

从他的装束和他本人来看，都像是头满身皱折的犀牛，他的面颊上，额头上，眼皮上，嘴唇上和耳朵上，满都是皱折；但是，在他乱蓬蓬的眉毛和宽檐帽子下面，都是一双明亮，亲切，孩子般好奇的灰色的眼睛。

His past life, his first fault, his long expiation, his external brutishness, his internal hardness, his dismissal to liberty, rejoicing in manifold plans of vengeance, what had happened to him at the Bishop's, the last thing that he had done, that theft of forty sous from a child, a crime all the more cowardly, and all the more monstrous since it had come after the Bishop's pardon,--all this recurred to his mind and appeared clearly to him, but with a clearness which he had never hitherto witnessed.

他已往的生活，最初的过失，长期的赎罪，外貌的粗俗，内心的顽强，准备在出狱后痛痛快快报复一番的种种打算，例如在主教家里干的事，他最后干的事，抢了那孩子的四十个苏的那一次罪行，并且这次罪行是犯在获得主教的宥免以后，那就更加无耻，更加丑恶；凡此种种都回到了他脑子里，清清楚楚地显现出来，那种光的明亮是他生平从未见过的。

Perhaps he loves you now, and now no soil nor cautel doth besmirch the virtue of his will: But you must fear, his greatness weighn'd, his will is not his own; For he himself is subject to his birth: He may not, as unvalued persons do, carve for himself; for on his choice depends the safety and health of this whole state; And therefore must his choice be circumscribed unto the voice and yielding of that body whereof he is th head.

也许他现在爱你，也没有污泥和浊水沾污他高尚的意志；但是你必须警惕，他位高权重，他的意志并不是他自己的，因为他自己也要被他的出身所支配；他不能像平民百姓一样为自己生活，因为他的选择决定着整个国家的兴衰与安危，他如同人体的头部，必然要受到整个人体的限制，他的选择要考虑到国内舆论和臣民的要求；因此，如果他说他爱你；你不可轻易相信；你聪明地想一想：他特殊的作用和地位，可以使他把自己说的话成为事实，但也不能超出丹麦国主要舆论的影响范围。

I experience personally his close connection with the people, his concern for the people's suffering, his excellent way and his unselfishness, his open and above-board-ness, and his moral character. I witness firsthand how completely he threw himself into his work, struggling day and night for the Party's cause and for the people's interests.

我亲身感受着耀邦同志密切联系群众、关心群众疾苦的优良作风和大公无私、光明磊落的高尚品德，亲眼目睹他为了党的事业和人民的利益，夜以继日地全身心投入工作中的忘我情景。

How magnificent was Billy McMahan, with his great, smooth, laughing face; his grey eye, shrewd as a chicken hawk's; his diamond ring, his voice like a bugle call, his prince's air, his plump and active roll of money, his clarion call to friend and comrade—oh, what a king of men he was!

比利·麦默恩多么伟大，看他那张高贵，光滑，笑意盈盈的脸。他灰色的眼睛跟雏鹰的眼睛一样精明；他的钻石戒指，他军号似的嗓音，他王子的风度，他的阔绰，他嘹亮地召呼朋友和同志——啊，他就是男人中的王！

Starting with the developments of the author\'s creation, the dissertation follows up the scent of the occurring of his novels and the\'track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner\'s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner\'s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author\'s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American\'s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方(来源：A6c8cBC论文网www.abclunwen.com)特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Starting with the developments of the author"s creation, the dissertation follows up the scent of the occurring of his novels and the"track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner"s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American"s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Villefort rose, or rather sprang, from his chair, hastily opened one of the drawers of his desk, emptied all the gold it contained into his pocket, stood motionless an instant, his hand pressed to his head, muttered a few inarticulate sounds, and then, perceiving that his servant had placed his cloak on his shoulders, he sprang into the carriage, ordering the postilions to drive to M.

维尔福站起来，或者更确切地说，象是一个战胜了一次内心斗争的人那样，从椅子上一跃而起，急忙打开他写字台的一个抽屉，把里面所有的金子都倒进他的口袋里，用手摸着头，一动也不动地站了一会，最后，他的仆人已把他的大氅披在了他的肩上，他这才出了门口，上了马车。

After lunch, Bloom wanders about in the city, meeting people in streets, at pubs and in shops, worrying about his wife, his money, his daughter and his digestion, pursuing persistently his own ruminations over his past, the death of his father and his baby son, but at the same time cocking an alert ear for what is going on around him.

午饭后，约在都市游移齐放，人们在街上会议在酒吧和商店，担心妻子，他的钱，他的女儿和他的消化，坚持追求自己的特质，对他过去死亡婴儿的父亲和他的儿子同时为焦化警报耳朵究竟怎么了身边。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。